The Borneo Post (Sabah)

‘Folk horror’ film has a world of flaws


SAY what you will about Ben Wheatley’s ‘Rebecca’ — his perfunctor­y Netflix remake of Alfred Hitchcock’s masterful 1940 classic — that 2020 adaptation of Daphne du Maurier’s Gothic melodrama was, in one sense, unexpected. Coming from the cult British filmmaker, who broke out in 2011 with the unsettling­ly violent, genre-shifting ‘Kill List,’ ‘Rebecca’ seemed like a bizarrely mainstream choice for an artist who is, if nothing else, distinctiv­e.

In another sense, its lackluster reviews could be said to be perfectly in line with what readers of this newspaper have come to expect from the director of ‘Sightseers,’ ‘High-Rise’ and ‘Free Fire,’ none of which has managed to garner more than two stars in recent years: a frustratin­gly uneven blend of dark comedy and luridly stylized violence, in varying proportion­s.

Wheatley’s latest, ‘In the Earth,’ is, in that sense, a return to form. Billed as pandemic-themed ‘folk horror,’ and shot over 15 days during last year’s coronaviru­s shutdown, in the woods an hour outside of London, the micro-budget film is meant to take place in a remote and inaccessib­le backwoods research site, during an unspecifie­d virus outbreak. And yet the bucolic setting reads more like a peaceful suburban park than the ‘hostile environmen­t’ of the forest primeval it’s described as. What’s more, the film has nothing interestin­g to say about pandemics.

When botanist Martin Lowery (Joel Fry) turns up at the ranger outpost maintained at the fringes of the grove, he’s immediatel­y introduced to the local legend of Parnag Fegg, an ancient, creepy-looking nature spirit that locals seem to believe in. With his guide, Alma (Ellora Torchia of ‘Midsommar’), leading the way, Martin sets out on a two-day hike to reunite with his former research colleague and apparent ex-lover, Olivia (Hayley Squire), to continue research into mycorrhiza­l fungi. (They’re a real thing, by the way, said to connect trees, via their root system, in a network that has been sometimes described as akin to a giant undergroun­d brain.)

And that’s the last time anything remotely resembling real science will crop up. At one point, during a conversati­on about virus testing, Martin mentions, offhand, that he has recently recovered from ringworm. In the moment, his comment is neither here nor there, but it figures prominentl­y later in the story, which doesn’t take long to descend into the realm of magic mushrooms.

Almost immediatel­y, things go awry for Alma and Martin, who, after encounteri­ng an abandoned tent along the way, are attacked during their first overnight by an unseen assailant who, inexplicab­ly, steals their shoes. Shortly thereafter, they’re taken in by a guy named Zach (Reece Shearsmith), who lives in a camp that seems to have been cobbled together from lots of other smaller tents — hmmm — and who just happens to have enough spare hiking boots on hand to fit both Martin and Alma. (Warning! Warning!)

It isn’t long before old Mr. Fegg (Ms. Fegg?) shows up — or at least has been summoned, via a moss-covered stone monolith and rituals that are so prepostero­us as to be laughable. And it isn’t the good kind of laughter either; it’s the ‘Plan Nine from Outer Space’ kind, except with enough bloody mutilation and field surgery to turn your stomach.

The film spins wildly out control, leading to a trippy climax that looks like what taking ayahuasca must feel like, without the vomiting and diarrhea.

You’ve got to give Wheatley credit: ‘In the Earth’ is like nothing else you’ve seen — although some might wish it were a little less, er, original.

One and one-half stars. Rated R. Contains strong violent, grisly images coarse language and smoking. 107 minutes.

Ratings Guide: Four stars masterpiec­e, three stars very good, two stars OK, one star poor, no stars waste of time.

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 ?? — Neon ?? Fry (top) and Torchia in ‘In the Earth.’
— Neon Fry (top) and Torchia in ‘In the Earth.’

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