The Borneo Post

Craftsmen disappeari­ng due to emergence of technology

- By Karen Bong reporters@theborneop­ost.com

KUCHING: Craftsmen with specialise­d traditiona­l skills are fast disappeari­ng all over the country due to the emergence of technology and new production methods as well as a lack of interest in acquiring the skills.

There are only a handful of skilled craftsmen left in the country now.

Admitting that practition­ers of traditiona­l skills risked being the last of their kind, public relations trainee Marc Stingray of Sarawak Museum Department here said the key obstacle was transferri­ng the skills and knowledge to others.

“The younger generation is no longer interested in learning the essential aspects of making things by hand, with tools and techniques often unchanged for centuries,” he told The Borneo Post yesterday at a video presentati­on by the Museum Department on ‘Folk Art, the Malaysian Heritage’ at its Bilik Niah.

The video presentati­on aimed to show the beauty of many traditiona­l crafts that can be found around Malaysia.

“By showing the video to the public, we hope to raise awareness on the importance and uniqueness of our cultural heritage assets, so that people will understand the value of these old skills,” he said.

“At the same time, we hope it will attract the interest of young people so that they are willing to devote themselves to these disappeari­ng craftsmens­hip,” Marc added.

The presentati­on covered rural crafts of ironsmith (Pandai Besi), fine carving and Sarawak blowpipes.

According to Mark, the term ‘Pandai Besi’ which translates loosely as someone skilled in ironwork is a recognitio­n of the contributi­on of talented craftsmen and artisans in the industry.

The skilled work of a ‘Pandai Besi’ or ironsmith is predominan­tly seen in the making of various traditiona­l weapons such as ‘keris’, ‘klewang chalung’, ‘parang’, sword as well as items for domestic use.

The artistic work of an ironsmith is displayed through its various tools, traditiona­l design, decoration and skillful techniques in making the Malay weaponry.

The art of carving the embellishe­d Malay weaponry, on the other hand, demonstrat­es

The younger generation is no longer interested in learning the essential aspects of making things by hand, with tools and techniques often unchanged for centuries. Marc Stingray, Sarawak Museum Department public relations trainee

the intricate skill of the Malay craftsmen.

Fine carving inscribed on the hilt sheath of a ‘keris’ express its history and illustrate the philosophi­cal value of a weapon.

To produce good carving, a carver should possess the skill to concentrat­e and work cautiously, apart from knowledge about various wood types.

Sarawak blowpipes are weapons used by the Penans for hunting.

It is made from a single length of straight-grain hardwood called ‘Belian’.

Making blowpipe is a laborious process, which requires a great deal of patience and knowledge.

Marc stressed that documentin­g all these crafts were vital while there was still access to the informatio­n since the people who practiced and worked in these crafts were still around.

“We also intend to promote traditiona­l skills and crafts in schools so that the younger generation can learn to appreciate such skills as many are rarely seen in the urban setting now,” he said.

 ??  ?? DYING ART: The ‘Klirieng’ adorns the compound of the Sarawak Musuem Department. It is an Orang Ulu wood carving of a burial pole.
DYING ART: The ‘Klirieng’ adorns the compound of the Sarawak Musuem Department. It is an Orang Ulu wood carving of a burial pole.
 ??  ?? Marc Stingray
Marc Stingray

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