The Borneo Post

Oscar victory spotlights Pakistan’s grim culture of violence

- By Ishaan Tharoor

WHEN A Girl in the River: The Price of Forgivenes­s won the 2016 Oscar for best shortsubje­ct documentar­y, the film and its director, Pakistanib­orn Sharmeen Obaid- Chinoy, were understand­ably feted on social media. Obaid- Chinoy’s victory was seen as a triumph for women, South Asia and the power of cinema.

The documentar­y details the harrowing story of a young woman in Pakistan, Saba Qaiser, who was shot in the head and left for dead at the side of a river by her father in 2014.

The act was an attempted “honour killing,” with Saba’s father apparently irate at his daughter’s decision to marry someone not approved by him.

The teenager survived and went on to seek justice, a quest captured by Obaid- Chinoy’s documentar­y. The film reveals a grim and tragically widespread culture of abuse and misogyny in Pakistan.

In rural parts of the country, as well as elsewhere in South Asia, honour killings and other acts of violence against women are all too commonplac­e. The Pakistani government estimates that about 500 women were victims of “honour killings” last year, though many activists believe the real number is far higher.

The tale of Saba’s ordeal, though, has moved Pakistan into action. After the film’s victory at the Oscars, Pakistani Prime Minister Nawaz Sharif hailed its director.

“Women like Ms Sharmeen Obaid- Chinoy are not only a pride for the Pakistani nation but are also a significan­t source of contributi­on toward the march of civilisati­on the world over,” he said.

Sharif also vowed to push through further legislatio­n against the practice of honour killings, which are already outlawed but endure because of religious mores as well as legal loopholes that pardon assailants who are “forgiven” by survivors. The Pakistani leader insisted that “there is no place for killing in the name of honour.”

In a phone call the day after her victory, Obaid- Chinoy expressed satisfacti­on that her work had led to the prospect of genuine political reform. “For a social justice documentar­y filmmaker, it’s a dream come true,” she said. “You have a sitting prime minister who’s making bold gestures.”

Obaid- Chinoy earlier won an Oscar for her 2012 documentar­y, Saving Face, about the prevalence of acid attacks against women in Pakistan.

Unfortunat­ely, it takes much more than tough legislatio­n to change ingrained traditions in often remote and underdevel­oped parts of the country.

“We need to make examples of people,” Obaid- Chinoy said. “Some people still don’t think that killing a woman in the name of honour is actually a crime.” — Washington Post

 ??  ?? Director Sharmeen Obaid-Chinoy.
Director Sharmeen Obaid-Chinoy.

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