The Borneo Post

Inuit women’s facial ta oos make a comeback in Canada’s Arctic

- Anne-Sophie Thill

IQALUIT, Canada: Inuit women in Canada’s far north are bringing back a lost ancient tradition of facial ta ooing that missionari­es once declared ‘evil’.

Time-honored ta oos for Inuit women include V-shapes on temples, dots on cheeks and lines on chins.

A ta oo artist uses a shiny needle to dot ink on the temple of Micheline Kilabuk-Cote, 37, a symbol depicting the close bond she has with her two sisters.

Kilanuk-Cote is a civil servant in Iqaluit, the capital of the Nunavut territory. She said she has been ‘wanting to do this for a very long time’, to reclaim her heritage and honor her mother, who died 19 years ago.

“I hadn’t had a chance to really connect with her and

her culture,” she told AFP, explaining that her mother had been denied an opportunit­y to be ta ooed.

“This is for her.” Strikingly visible on the chin, forehead and chest, such traditiona­l ta oos were for a long time a means to transmit informatio­n about the life of a woman, her interests, or her status in the community.

Some had their fingers and hands ta ooed to honour Sedna, the goddess of the sea in Inuit mythology.

Others on thighs indicated that they were mothers.

But the practise faced opposition from Anglican and Catholic churches who sent missionari­es to the Arctic.

They said ‘ta oos were evil’, Gerri Sharpe, president of Pauktuutit Inuit Women of Canada, which represents Inuit women in Canada, told AFP. Bit by bit, the tradition faded. But a few years ago, an Inuit artist started a revitaliza­tion project a er learning that the last traditiona­lly ta ooed Inuit woman was dying.

Hovak Johnston traveled to northern communitie­s to teach different techniques for Inuit women of all ages to get ta oos.

Public figures have also contribute­d to the art form’s rise, such as Mumilaaq Qaqqaq, who at age 25 became the first Inuit woman with a facial ta oo to be elected to Canada’s parliament in 2019. She served a single two-year term.

Then in 2021, Shina Nova, an Inuit singer and influencer, posted videos of her ta oo session, viewed more than 40 million times on TikTok.

Ta

There’s strong demand wherever there are Inuit, says Zorga Qaunaq, who recently led a workshop with six people in Iqaluit.

The Inuit university program staffer does two ta oos a week at her home in the national capital of O awa – home to the largest population of Inuit outside of the far north.

It mainly receives young people aged 20 or 30, but also a few teenagers.

oos empowering

“It’s healing and therapeuti­c,” for some Inuit, she said.

A er leaving the north when she was young, the now 34-yearold said she felt “disconnect­ed” from her culture.

Ge ing a ta oo was a way of asserting her identity.

“It’s empowering to have my ta oos,” she said.

Gerri Sharpe, 52, with markings on her fingers, wrists and face, echoed this sense of pride.

“They are very significan­t and sacred,” she said, adding that she showed off her ta oos to Pope Francis during his visit to Canada in July to apologize for abuses at church-run Indigenous residentia­l schools.

The pontiff made a stop in Iqaluit.

“It was important for me to show him that we still had our ta oos, (that) they are still alive and well and being revitalise­d, that (the tradition) was not lost,” she explained.

 ?? — AFP photo ?? Kilabuk poses for a photo in Iqaluit, Nunavut, Canada.
— AFP photo Kilabuk poses for a photo in Iqaluit, Nunavut, Canada.

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