The Borneo Post

Team behind Italian film ‘Io Capitano’ returns to Senegal

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Senegal: Members of a 200-strong audience struggle to hold back tears as the credits roll on the film “Io Capitano” in a small auditorium in the outskirts of Senegal’s capital Dakar.

The crowd has spent two hours following a pair of Senegalese teenagers as they risk their lives to reach Europe, facing a gruelling journey across the Sahara, torture in Libyan jails and Europe’s indifferen­ce to their plight.

After winning awards at the Venice Film Festival and receiving nomination­s at the Oscars and the Golden Globes, the film has now returned to where the story began.

The director, actors and wider team are embarking on a twelvedate tour of screenings across the West African nation with the Cinemovel foundation, scheduled to run until the end of April.

“This film teaches us that there are enormous risks involved in illegal immigratio­n. The question I want to ask the audience is whether it’s worth risking your life to try to reach another continent,” asked an audience member after the film had finished, garnering a round of applause.

Mamadou Kouassi, whose own story inspired the script, responded from the stage.

“Everyone will have a different point of view. But my opinion is that there should be no hiding. Everyone should be free to move from one continent to another,” he said.

Illegal immigratio­n is a daily reality for thousands in Senegal, where barely a day goes by without a report of an arrival in Spain’s Canary Islands, an intercepti­on or a shipwreck.

While some take the treacherou­s Atlantic route, others travel through the Sahel and then cross the Mediterran­ean – the route taken by the film’s protagonis­ts.

“This film is very powerful and has left a deep impression on me because I lived the story myself,” said El Hadji Issa Diouf, a 42-yearold fisherman.

“I’ve been on a pirogue three times trying to get to Europe. I saw with my own eyes a woman give birth in a pirogue, I saw people vomit to the point of losing their lives, I saw bodies thrown into the sea during my illegal journeys. This film makes me relive a reality of the African continent,” he added.

“I’m asking the director to show this film in all the coastal towns

of Senegal... Maybe this tour will raise awareness, because all these towns have lost a lot of young people trying to reach Europe by sea,” the fisherman said.

Marieme Fall, an audience member in her twenties, said the film “shows us that it’s better to try to succeed in Africa than to go through this journey”.

“I went through all kinds of emotions watching it, I even cried because I told myself that I know people who went through the same journey and died during it. It’s very hard,” she added.

“This is not a film that gives an answer, but one that gives the audience an experience,” the film’s Italian director, Matteo Garrone, told AFP.

“I’m no one to tell someone not to leave,” he added.

Seydou Sarr, the 19-year-old lead who won an award at the Venice Film Festival, expressed pride at showing the film in his own country. He said he now knew the “reality” of the dangers awaiting would-be immigrants, having known nothing before taking part in the project.

Mamadou Kouassi, who now works as an intercultu­ral mediator, recounted how he set off for Europe in 2005 at the age of 19, experienci­ng an “atrocious journey” and spending three years in Libya fearing death daily.

“Once a person has decided to leave, no one can stop them,” he said, adding that young people should be able to believe in their dreams but that legislatio­n must be changed “so that they don’t suffer as we have”.

 ?? — AFP phot0 ?? Matteo Garrone (left), Italian director of the film ‘Io Capitano’, speaks after the screening of the film at the CDEPS (center for the developmen­t of entreprene­urship and profession­alisation of young people) in Rufisque.
— AFP phot0 Matteo Garrone (left), Italian director of the film ‘Io Capitano’, speaks after the screening of the film at the CDEPS (center for the developmen­t of entreprene­urship and profession­alisation of young people) in Rufisque.

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