The Star Malaysia - Star2

Magical movements

Shakespear­eInThe Park–TheMerchan­t OfVenice, now showing in Singapore, is a spectacle to behold.

- By LisaBeL Ting

The artistic director of British physical theatre company Frantic Assembly, who was lauded for his choreograp­hy for the award-winning play The Curious Incident Of The Dog In The NightTime in London, will work his magic on a staging of Shakespear­e’s The Merchant Of Venice in Singapore.

Scott Graham will provide movement direction for Singapore Repertory Theatre’s Shakespear­e In The Park - The Merchant Of Venice, which is now playing at Fort Canning Park in Singapore until May 25. Last year, he was nominated for the prestigiou­s Olivier award for his choreograp­hy in The Curious Incident Of The Dog In The NightTime based on the bestsellin­g Mark haddon book of the same name.

In 2011, he was nominated for a Drama Desk award for his movement direction in Beautiful Burnout, a play about five young boxers who are trying to make it big.

Graham, who was here earlier this month to work with the company, says his approach to the Bard’s work is no different from the way he tackles any other script.

“It’s no different from doing any kind of play. The movement comes from the relationsh­ips, the subtext, what’s actually going on, and allowing physicalit­y to articulate that, sometimes through big choreograp­hed movements, sometimes through absolute stillness.” Singapore Repertory Theatre’s

which is now playing at Fort Canning Park in Singapore stars daniel Jenkins as antonio and Julie Wee as Portia.

The Merchant Of Venice is the seventh edition of the company’s annual Shakespear­e In The Park series, and tells the story of titular merchant Antonio, who locks horns with Jewish moneylende­r Shylock over a debt. It will star Daniel Jenkins as Antonio, Julie Wee as Portia and Remesh Panicker as Shylock.

The play will be directed by Bruce Guthrie, 33, who has helmed two previous production­s of Shakespear­e In The Park: Twelfth Night in 2012 and Othello last year.

The Merchant Of Venice marks the first time Graham and Guthrie are working together. Movement director Graham says of their partnershi­p: “The reason why I did this was because it is an opportunit­y to learn. I’ve been running Frantic Assembly for 20 years, and some people might think that’s when you know what you’re doing, but that’s the time when you have to learn more, because otherwise, you’ll fall into patterns.”

Director Guthrie is also enjoying the infusion of movement into the Shakespear­ean drama.

he says of the choreograp­hy: “It’s not dance, it’s movement, and it’s about the actors moving in their characters, and creating the whole world of the play.

“That connectivi­ty between voice and body and story and character can sometimes become separated, and that’s been something I’m very interested in.”

Graham, 43, adds that the visual quality of the movement will also help to carry the play to the audience seated right at the back of Fort Canning Green.

“The movements will help tell that story to the people who are right at the back because every move is a line, is a sentence, that we understand so much quicker than we can take in text,” he says. “We understand a very, very complex paragraph in a split second through physicalit­y.”

Along with the addition of movement, director Guthrie has also decided to update the piece to a nameless 21st century city, with some aspects of Singapore in it.

“It’s originally set in Venice, but there are aspects of Singapore and Singaporea­n life that we think audiences will recognise, such as the fact that Venice in those days was a city of commerce, like Singapore is now,” he says.

“It’s a fantastic story, it’s a really interestin­g, rich, complex and brilliant story, and it really resonates with today, and if we’ve done our job right, it won’t feel like a 400year-old play.” – The Straits Times, Singapore/Asia News Network

Shakespear­e In The Park - The Merchant Of Venice is playing at Fort Canning Park in Singapore (daily, except Tuesday) until May 25. Tickets from www.sistic.com.sg.

 ??  ?? a pound of flesh? no problem: Shakespear­eInThe Park–TheMerchan­t OfVenice,
a pound of flesh? no problem: Shakespear­eInThe Park–TheMerchan­t OfVenice,
 ??  ?? The visual quality of Shakespear­eInThePark–TheMerchan­tOfVenice will also help to carry the play to the audience seated right at the back of Fort Canning Green.
The visual quality of Shakespear­eInThePark–TheMerchan­tOfVenice will also help to carry the play to the audience seated right at the back of Fort Canning Green.

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