The Star Malaysia - Star2

Undergroun­d jewels

Natural features in the city form an aesthetica­l bedrock for transit architectu­re.

- By MENG YEW CHOONG star2@thestar.com.my

KUALA LUMPUR’S Klang Gates quartz ridge is an attraction like no other. Running northeast of Kuala Lumpur within the Bukit Lagong-Kanching-Klang Gates region, the 16km long quartz dyke is the longest of its kind in the world, and it is also unique as it has four types of quartz formations there.

In a pleasant twist, quartz also forms the design philosophy for the architectu­ral aspects of the seven undergroun­d stations of the first-ever MRT line through the city, the Sungai Buloh-Kajang line, otherwise known as Line 1 of the Klang Valley MRT (KVMRT).

According to project owner, MRT Corporatio­n Sdn Bhd (MRT Corp), this quartz formation inspired the architectu­ral design concept of the ground level entrance structures for the seven undergroun­d stations of KVMRT: Muzium Negara, Pasar Seni, Merdeka, Bukit Bintang, Tun Razak Exchange, Cochrane and Maluri.

“The multifacet­ed quality of quartz and its colourful reflection­s echo the spirit of Malaysia, with its multiracia­l and multicultu­ral society,” MRT Corp cites, adding that each station would have its own individual design themes in line with each locale.

“Translatin­g this multifacet­ed aspect into architectu­ral form, we had a slightly transparen­t, reflective, and angular shape as we attempted to balance aesthetics with functional­ity,” said design manager Tricia Low Yi Ching, 33, who worked alongside architectu­ral manager, Yap Seh Cheong, 43.

The duo are employees of MMC Gamuda KVMRT (T) Sdn Bhd, the turnkey contractor for the design and constructi­on of MRT Line 1’s 9.5 km undergroun­d alignment involving tunnelling, seven undergroun­d stations and ancillary works.

To develop the architectu­ral designs for the stations, internatio­nal consultant­s, Aecom and Mott MacDonald were roped in as the overall project lead consultant­s, forming partnershi­ps with Malaysian architectu­ral firms, Veritas Architects and NEUformati­on Architects, respective­ly.

The Aecom-Veritas team is in charge of Muzium Negara, Pasar Seni, Merdeka and Bukit Bintang stations, all of which are located in heavily built-up urban sites, while the Mott MacDonald-NEUformati­on team took care of Tun Razak Exchange, Cochrane and Maluri, all located in sites that are currently being transforme­d by large, mixed developmen­t projects.

“With the multifacet­ed aspect as the overarchin­g design concept for the entrances, we proceeded from that point to layer the interior of each station with its individual design theme that reflects each station’s unique site and historical context,” said Low, a civil engineer by training.

Transit architectu­re is not just about looking good as one has to factor in safety and ease of use, as well as maintenanc­e costs to the operator.

“The design intent is to provide clear, unrestrict­ed access through an intuitive layout that reduces dependence on wayfinding signage,” said Low.

According to Yap, there is no single template that could be applied across all the seven stations as each of them have different layouts and depths vary due to alignment constraint­s.

For example, the depth of the Bukit Bintang station is almost equivalent to a 12-storey undergroun­d building where the passenger platforms are stacked, while at other locations, such as Maluri, the station is only half as deep and is served by an island platform.

Refreshing themes

For Muzium Negara MRT Station, which is next to KL Sentral, the catchphras­e is ‘Transition’, which is based on the fact that the museum is a treasure trove of all things old and priceless, while neighbouri­ng developmen­ts are all brand new. At its concourse level, columns with glass cladding depicting modes of public transport from yesteryear­s provide a sense of nostalgia in an otherwise sleek and contempora­ry station interior.

The keyword for Pasar Seni MRT Station, which is near to the meeting point between Sungai Klang and Sungai Gombak, is ‘Confluence’ (Kuala Lumpur also means muddy confluence).

“This is the birthplace of Kuala Lumpur, and we are paying tribute to this confluence by stylising its Y shape into a contempora­ry interior design motif,” said Low.

The theme for the Merdeka MRT station, which is close to Stadium Merdeka, where Independen­ce was proclaimed, is rather straightfo­rward.

“We pay tribute to that by having an ‘Independen­ce’ theme there,” said Low of this station which will be integrated with the proposed KL118 developmen­t, formerly known

 ??  ?? an entrance to the Merdeka MrT Station, with the proposed KL118 retail block and tower in the background.
an entrance to the Merdeka MrT Station, with the proposed KL118 retail block and tower in the background.
 ??  ?? There was plenty of Malaysian input when it came to the architectu­re of the undergroun­d MrT stations. Tricia Low and yap Seh cheong, both of MMc Gamuda KVMrT (T) Sdn Bhd.
There was plenty of Malaysian input when it came to the architectu­re of the undergroun­d MrT stations. Tricia Low and yap Seh cheong, both of MMc Gamuda KVMrT (T) Sdn Bhd.
 ??  ?? The rather tired looking Maluri area will be rejuvenate­d with the arrival of a MrT station at the neighbourh­ood, and architects try to bring even more cheer with uplifting colours.
The rather tired looking Maluri area will be rejuvenate­d with the arrival of a MrT station at the neighbourh­ood, and architects try to bring even more cheer with uplifting colours.

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