The Star Malaysia - Star2

Rememberin­g the ‘War Artist’

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FROM Wednesday to March 5, 2017, London’s Tate Britain museum is honouring Paul Nash (18891946), known for his work as a war artist and as one of the key figures of 20th-century British art. The retrospect­ive will explore the artist’s work from his early drawings through to his later visionary landscapes, inspired by Britain’s ancient past and by southern England.

The Paul Nash exhibition covers the British artist’s whole career, including early Symbolist watercolou­rs, exploring the mystic force of trees, and his dramatic, scarred landscapes of World War I. In 1917, Nash became an Official War Artist, so named by the British government. One of his most famous works from the time is the iconic We Are Making A New World.

After the war, Nash devoted himself once again to landscapes, focusing on places of particular personal significan­ce, notably Dymchurch on the south coast of England. This led to a series of paintings that includes The Shore (1923), which reflect his wartime experience.

In the 1930s, Nash moved towards Surrealist inspiratio­ns, reinterpre­ting classic British landscapes in a style that connected modernism with tradition. His paintings of the time often feature inanimate objects – such as monoliths, trees, stones and bones – juxtaposed with landscapes. Event On The Downs (1934) and Equivalent­s For The Megaliths (1935) embody this era.

The Tate Britain exhibition explores Nash’s photograph­y as well, with works such as Only Egg, featuring natural objects in assemblage­s, as well as paintings from the late 1930s, when the artist increasing­ly explored the boundary between dream and reality through works such as Landscape From A Dream. Towards the end of his life, Nash found inspiratio­n in the county of Oxfordshir­e, giving rise to a series of visionary landscapes inspired by seasons, the equinox and moon phases, such as Landscapes Of The Vernal Equinox.

As well as presenting an overview of Nash’s work, the Tate exhibition examines the artist’s central role in the developmen­ts of British Modernism, his dialogues with internatio­nal artists, and his role as a leading figure of British surrealism.

It also highlights the artist’s contributi­on to major exhibition­s, such as the Internatio­nal Surrealist Exhibition in London in 1936, and the Unit One exhibition, showcasing the work of a group of British modernist artists of which Nash was a founding member.

Paul Nash runs from Oct 26 to March 5, 2017, at the Tate Britain gallery, London. For more informatio­n, go to tate.org.uk.

 ?? — AFP ?? Totes Meer (Dead Sea) (1940-1) by Nash.
— AFP Totes Meer (Dead Sea) (1940-1) by Nash.

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