The Star Malaysia - Star2

Celebratin­g victories

Chennai-based photograph­er A. Prathap documents the vibrancy of Tamil folk theatre in India.

- By MAJORIE CHIEW star2@thestar.com.my

IN Kattaikkut­tu, a traditiona­l folk theatre of Tamil Nadu, India, the actors use their bodies, voice, and mind to tell a story. The performer builds a character through songs, dialogue, movements and facial expression­s throughout an all-night performanc­e.

The young actors of the troupe, belonging to the Kattaikkut­tu Gurukulam near to Kanchipura­m, are taught and trained in Kattaikkut­tu. The vibrancy of characters is palpable in the painted faces, energetic movements and costumes of the actors as they enact roles from mythologic­al stories.

Chennai-based photograph­er A. Prathap, whoworkswi­th The Times Of India, has captured this animated spirit through his portraits of the young performers. He shares the beauty of this traditiona­l theatre in Myriad Faces, a photograph­y exhibition that is now showing at KL’s Sutra Gallery.

“Photograph­ing theatre performanc­es such as Kattaikkut­tu requires a totally different frame of mind. These are all-night events, where one needs to wait for the plot to develop over time, while being constantly alert to capture the right moments,” says Prathap.

Prathap, who also records news, current events and lifestyle stories, has been documentin­g this Tamil art form at Kattaikkut­tu Gurukulam since 2012.

He has visited this institutio­n many times, mostly to cover its performanc­es and theatre festivals.

The photograph­s exhibited in Myriad Faces are a selection of his works at the theatre between 2012 and 2016. Among his favourite photograph­s in this exhibition are the portraits of Arjuna, Ensemble of the Junior Performers and Ekalavya.

These are characters from a drama inspired by the Mahabharat­a (one of the two major Sanskrit epics of ancient India).

Prior to the setting up of this Kattaikkut­tu Gurukulam troupe in 2002, there was no formal (theatre) training in Kattaikkut­tu.

“Helping out in the company and performing small roles in all-night performanc­es resulted in these child actors dropping out of regular education. This is an underlying reason why the Gurukulam offers its students a fully-fledged educationa­l programme, in addition to Kattaikkut­tu training,” he reveals.

The Kattaikkut­tu Gurukulam offers profession­al training in acting and music to children and young people from age six to 18. All students participat­e in the new production­s of the Gurukulam. In addition to traditiona­l all-night plays, the Gurukulam has built a new repertory of modern plays, in addition to plays created for children.

During their training, the students learn to play both in overnight (eight-hour show) and shorter production­s, which cater to non-traditiona­l, mostly urban audiences. The cast of this theatre comprises 25 to 30 young performers, including the musicians.

Prathap explains that shooting such a long performanc­e requires a lot of endurance. One has to stay awake all night through to early morning and be attentive at all times.

“In my photograph­y, I try to focus on their struggles, the blood and sweat that has gone into perfecting themselves as artistes and the beauty and complexity of this theatre form that is hardly known outside its own regions. My work is not about capturing their deprivatio­ns, it is about celebratin­g their victories,” he concludes.

Myriad Faces is showing at Sutra Gallery, 12, Persiaran Titiwangsa 3 in Kuala Lumpur till July 9. Open times: 9am to 5pm (Monday to Friday). Call: 03-4021 1092.

 ?? — A. PRATHAP ?? S. Srimathy (centre) as Arjuna in the children’s theatre play Vilaiyatti­n Vilaivu (War Games) performed by the junior ensemble of the Kattaikkut­tu Gurukulam.
— A. PRATHAP S. Srimathy (centre) as Arjuna in the children’s theatre play Vilaiyatti­n Vilaivu (War Games) performed by the junior ensemble of the Kattaikkut­tu Gurukulam.

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