Shape of things to come
The 90th Oscars caps off a tumultuous awards season with love for The Shape Of Water and Dunkirk. It also puts the spotlight on the #MeToo scandal and Hollywood’s diversity issue.
THE 90th Academy Awards crowned Guillermo Del Toro’s monster fable The Shape Of Water as Best Picture at an Oscars that confronted the post-Harvey Weinstein era and sought to pivot to a vision of a more inclusive movie business.
A sense of change was palpable at the ceremony on Sunday at the Dolby Theatre in Los Angeles, where winners made impassioned arguments for gender equality and diversity.
The Shape Of Water, which came in with a leading 13 nods, took a leading four awards, including Best Production Design, Best Score and Best Director for Del Toro. He became the third Mexican-born filmmaker to win the award, joining his friends and countrymen Alejandro Inarritu and Alfonso Cuaron – who once were dubbed “the Three Amigos.”
“The greatest thing that art does, and that our industry does, is erase the lines in the sand,” said Del Toro, alluding to his international career.
Jordan Peele won for his script to his horror sensation Get Out, becoming the first AfricanAmerican to win for Best Original Screenplay. Peele said he stopped writing it “20 times,” sceptical that it would ever get made.
“But I kept coming back to it because I knew if someone would let me make this movie, that people would hear it and people would see it,” said Peele. “So I want to dedicate this to all the people who raised my voice and let me make this movie.”
In a year lacking a clear front-runner the awards were spread around. Christopher Nolan’s World War II epic Dunkirk landed three awards, all for its technical craft: editing, sound editing and sound design.
Things went expected in the acting categories, where Frances McDormand won her second Oscar for her performance in Three Billboards Outside Ebbing, Missouri. McDormand asked all the attending female nominees to stand up in the theatre.
“Look around, ladies and gentlemen, because we all have stories to tell and projects that need financing,” declared McDormand. “I have two words to leave with you tonight, ladies and gentlemen, Inclusion Rider.”
Three widely admired veteran actors won their first Oscars. Gary Oldman won Best Actor for his portrayal of Winston Churchill in Darkest Hour, Allison Janney (I, Tonya) took Best Supporting Actress, and Sam Rockwell (Three Billboards) won Best Supporting Actor. Oldman thanked his “99years young” mother. “Put the kettle on,” he told her. “I’m bringing Oscar home.”
But many of the show’s most powerful moments came in between the awards. Ashley Judd, Anabella Sciorra and Salma Hayek – who all made allegations of sexual misconduct against Weinstein – together assembled for a mid-show segment dedicated to the #MeToo
movement that has followed the downfall of Weinstein, long an Oscar heavyweight. They were met by a standing ovation.
“We work together to make sure the next 90 years empower these limitless possibilities of equality, diversity, inclusion and intersectionality,” said Judd. “That’s what this year has promised us.”
Host Jimmy Kimmel opened with a monologue that mixed Weinstein punchlines with earnest comments about reforming gender equality in Hollywood. And of course, Kimmel – returning to the scene of the flub – dove straight into material about last year’s infamous best-picture mix-up.
“I do want to mention, this year, when you hear your name called, don’t get up right away,” said Kimmel. “Give us a minute.”
But while Kimmel spent a few moments on the fiasco known as Envelopegate, he expanded far more minutes frankly and soberly discussing the parade of sexual harassment allegations in the wake of the revelations regarding Weinstein.
Kimmel cited the industry’s poor record for female directors and equal pay.
“We can’t let bad behaviour slide anymore,” said Kimmel. “The world is watching us.”
Gesturing to a giant statue on the stage, he praised Oscar himself for keeping “his hands where you can see them” and for having “no penis at all.”
But Kimmel introduced the broadcast as “a night for positivity,” and cited, among other things, the box-office success of Black Panther and Wonder Woman.
“I remember a time when the major studios didn’t believe a woman or a minority could open a superhero movie – and the reason I remember that time is because it was March of last year,” said Kimmel.
Several cinema legends won their first Oscar. James Ivory, 89, won best adapted screenplay for his script to the coming-of-age drama Call Me By Your Name, becoming the oldest winner ever.
After 14 nominations, revered cinematographer Roger Deakins finally won for his photography on Blade Runner 2049. In the category, Rachel Morrison (Mudbound) became the first woman nominated for Best Cinematography.
The ceremony was the crescendo of one of Hollywood’s most turbulent awards seasons ever – one that saw cascading allegations of sexual harassment topple movie moguls, upended Oscar campaigns and new movements launched to improve gender equality throughout the industry.
No Golden Globes-style fashion protest was held by organisers of Time’s Up, the initiative begun by several hundred prominent women in entertainment to combat sexual harassment.
Their goals go beyond red carpets, organisers said in the lead-up to the Oscars. “We did the dress code thing and now we’re doing the work,” said #MeToo founder Tarana Burke on the red carpet.
The parade of sexual harassment allegations made the normal superficial red carpet a place of sometimes more serious discussion than attire.