The Star Malaysia - Star2

From New York to Melbourne

MoMA at NGV is a landmark exhibition – offering some of the best known and most iconic works of art.

- By ROUWEN LIN star2@thestar.com.my

MORE than 200 works of art from the iconic Museum of Modern Art (MoMA) in New York are now on display at the National Gallery of Victoria (NGV) in Melbourne, Australia.

MoMA At NGV: 130 Years Of Modern And Contempora­ry Art features some of the world’s most well-known artists from the 19th and 20th century, such as Andy Warhol, Henri Matisse, Jackson Pollock, Pablo Picasso, Salvador Dali and Vincent van Gogh; and newer names like Andreas Gursky, Cindy Sherman and Jeff Koons.

This exhibition of modern and contempora­ry masterwork­s, co-organised by the NGV and MoMA, is the largest instalment of the Melbourne Winter Masterpiec­es series to date, an annual series of major exhibition­s held at three locations: the NGV, the Melbourne Museum and the Australian Centre for the Moving Image. Over 20 exhibition­s have been held since 2004, with exhibits sourced from galleries and institutio­ns from all over the world.

MoMA at NGV boasts an eclectic selection of works, reflecting MoMA’s multi-disciplina­ry approach to collecting and the breadth of its collection. The exhibits are drawn from the museum’s six curatorial department­s: architectu­re and design; drawings and prints; film, media and performanc­e art; painting and sculpture; and photograph­y.

“Visitors to the National Gallery of Victoria will be able to experience first-hand the monumental change and creativity in the developmen­t of modern art and consequent­ly over time, appreciate such an array of contempora­ry art and design with greater understand­ing. We are absolutely delighted to be working alongside The Museum of Modern Art to bring such an extraordin­ary and diverse selection of works to Melbourne,” says NGV director Tony Ellwood in a media statement.

In recognitio­n of NGV and MoMA’s long-standing dedication to the study and presentati­on of architectu­re and design, the exhibition explores the connection­s between art and design practices, with a focus on developmen­ts that shaped Europe in the 1920 and 1930s, and the globalised world of the 1960s and 1970s.

It also delves into the emergence and developmen­t of major art movements, and the technologi­cal, social and political developmen­ts that transforme­d society from the past to present day.

“The Museum of Modern Art has been committed to sharing our collection with the widest possible audience in order to encourage a rich and vibrant conversati­on about modern and contempora­ry art. This collaborat­ion provides a unique opportunit­y to see extremely important works from nearly every area of our collection in an exhibition that simultaneo­usly explores The Museum of Modern Art’s history as well as the history of modern and contempora­ry art in general,” says MoMA director Glenn D. Lowry.

The exhibition unfolds across eight loosely chronologi­cal thematic sections that take up the entire ground floor of NGV, starting with Arcadia and Metropolis, which examines how artists at the dawn of the 20th century responded to the rise of cities.

The Machinery of the Modern World highlighti­ng the avant garde movements (Futurism, Cubism, Orphism, Dada), while A New Unity taps into the Russian avant-garde and the Bauhaus, among other things.

Along the way, expect to see Surrealist paintings in Inner and Outer Worlds; Abstract Expression­ism in Art as Action; and Pop Art and Minimalism in Things as They Are.

Works from the 1980s and 1990s, brooding on subject matters such as identity, are presented in Immense Encycloped­ia.

The exhibition ends with Flight Patterns, which ponders on contempora­ry ideas of movement, migration and globalisat­ion. MoMA at NGV ends Oct 7. More info: www.ngv.vic.gov.au.

 ??  ?? Fernand Leger’sPropeller­s (oil on canvas, 1918).
Fernand Leger’sPropeller­s (oil on canvas, 1918).
 ??  ?? A visitor walks past Robert Indiana’s LOVE (screenprin­t,1967) (left) and Andy Warhol’s Marilyn Monroe (screenprin­t, 1967). — Photos: National Gallery of Victoria
A visitor walks past Robert Indiana’s LOVE (screenprin­t,1967) (left) and Andy Warhol’s Marilyn Monroe (screenprin­t, 1967). — Photos: National Gallery of Victoria
 ??  ?? Pablo Picasso’s The Architect’s Table (oil on canvas, 1912).
Pablo Picasso’s The Architect’s Table (oil on canvas, 1912).

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