The Sun (Malaysia)

How we could soon catch up on landmark art exhibition­s online

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THERE are some exhibition­s that are must-sees for art fans. But fear not if you don’t manage to catch them all, a new platform will soon be reviving them online. This latest initiative could help generate further revenues for what is now a struggling sector.

Guardian art critic, Tim Adams, gave a five-star review to “Ibrahim Mahama: Parliament of Ghosts” when it ran at the Whitworth Art Gallery in Manchester in 2019. Now the exhibition will soon be revived on theVoV, a new online platform launched by the charity, Outset Contempora­ry Art Fund and the London collective, Visualogic­al.

The digital portal recently launched on April 19 with a 10week programme of exhibition­s and live events. Outset Contempora­ry Art and Visualogic­al have teamed up with 15 of the UK’s leading museums and galleries, including Hayward Gallery, Yorkshire Sculpture Park, Tate, South London Gallery and Turner Contempora­ry.

Working in close collaborat­ion with these institutio­ns, theVoV has created bespoke virtual galleries for the exhibition­s, some of which are exact replicas of the museums’ physical galleries, while others are “fantastica­l otherworld­ly spaces that couldn’t possibly exist in the physical realm,” the platform’s press release explains. The inaugural season on theVoV will feature exhibition­s staged in the last 20 years in the UK, such as “Hurvin Anderson: reporting back”, “Art Now: Lisa Brice”, “Chris Burden at the South London Gallery”, “Katie Paterson & JMW Turner: A place that exists only in moonlight” and “Jan Svoboda: Against the Light”.

The phygital era

“The effects of the pandemic have been devastatin­g on the cultural sector, but an increased appetite for exploring the digital realm offers new opportunit­ies to open up the arts to truly global audiences, making culture unpreceden­tedly accessible. We believe that if harnessed sensitivel­y and ethically, online experience­s, and the communitie­s generated through them, can not only complement the physical art world but actually further enrich it, leading to a cyclical, symbiotic, and sustainabl­e ecosystem set to flourish far beyond the pandemic. Welcome to the ‘Phygital Era’ ...” said Visualogic­al co-founders Natasha Hersham and Victoria Westerman.

All content on theVoV will be available free, but visitors to the portal will be invited to make a donation in a bid to raise funds for the participat­ing institutio­ns. “theVOV unlocks new streams of income for public arts organizati­ons, helping them navigate the new challenge of monetizing digital content. Season One debuts a pioneering micro-philanthro­pic model, inviting users to donate to support the arts, with funds raised being distribute­d equally between the participat­ing institutio­ns, reinforcin­g the ethos of unity,” explain Outset Contempora­ry Art et Visualogic­al.

 ??  ?? theVoV’s virtual presentati­on of
‘Untitled (Mangbetu)’ by Shannon Bono and ‘Seeping Out Skybox’ by Sian Fan, as part of
Sarabande’s digital exhibition
‘Corpus Mentis’, curated by Hikari Yokoyama and Trino Verkade
(2021).
theVoV’s virtual presentati­on of ‘Untitled (Mangbetu)’ by Shannon Bono and ‘Seeping Out Skybox’ by Sian Fan, as part of Sarabande’s digital exhibition ‘Corpus Mentis’, curated by Hikari Yokoyama and Trino Verkade (2021).

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