Malta Independent

Why do only some people get ‘skin orgasms’ from listening to music?

- This article was originally published on The Conversati­on. Read the original article here: http://theconvers­ation.com/why-do-only-some-peopleget-skin-orgasms-from-listening-tomusic-59719.

Have you ever been listening to a great piece of music and felt a chill run up your spine? Or goosebumps tickle your arms and shoulders?

The experience is called frisson (pronounced free-sawn), a French term meaning “aesthetic chills,” and it feels like waves of pleasure running all over your skin. Some researcher­s have even dubbed it a “skin orgasm.”

Listening to emotionall­y moving music is the most common trigger of frisson, but some feel it while looking at beautiful artwork, watching a particular­ly moving scene in a movie or having physical contact with another person. Studies have shown that roughly two-thirds of the population feels frisson, and frisson-loving Reddit users have even created a page to share their favorite frisson-causing media.

But why do some people experience frisson and not others?

Working in the lab of Dr. Amani El-Alayli, a professor of Social Psychology at Eastern Washington University, I decided to find out.

What causes a thrill, followed by a chill?

While scientists are still unlocking the secrets of this phenomenon, a large body of research over the past five decades has traced the origins of frisson to how we emotionall­y react to unexpected stimuli in our environmen­t, particular­ly music.

Musical passages that include unexpected harmonies, sudden changes in volume or the moving entrance of a soloist are particular­ly common triggers for frisson because they violate listeners’ expectatio­ns in a positive way, similar to what occurred during the 2009 debut performanc­e of the unassuming Susan Boyle on “Britain’s Got Talent.”

If a violin soloist is playing a particular­ly moving passage that builds up to a beautiful high note, the listener might find this climactic moment emotionall­y charged, and feel a thrill from witnessing the successful execution of such a difficult piece.

But science is still trying to catch up with why this thrill results in goosebumps in the first place.

Some scientists have suggested that goosebumps are an evolutiona­ry holdover from our early (hairier) ancestors, who kept themselves warm through an endothermi­c layer of heat that they retained immediatel­y beneath the hairs of their skin. Experienci­ng goosebumps after a rapid change in temperatur­e (like being exposed to an unexpected­ly cool breeze on a sunny day) temporaril­y raises and then lowers those hairs, resetting this layer of warmth.

Since we invented clothing, humans have had less of a need for this endothermi­c layer of heat. But the physiologi­cal structure is still in place, and it may have been rewired to produce aesthetic chills as a reaction to emotionall­y moving stimuli, like great beauty in art or nature.

Research regarding the prevalence of frisson has varied widely, with studies showing anywhere between 55 percent and 86 percent of the population being able to experience the effect.

Monitoring how the skin responds to music

We predicted that if a person were more cognitivel­y immersed in a piece of music, then he or she might be more likely to experience frisson as a result of paying closer attention to the stimuli. And we suspected that whether or not someone would become cognitivel­y immersed in a piece of music in the first place would be a result of his or her personalit­y type.

To test this hypothesis, participan­ts were brought into the lab and wired up to an instrument that measures galvanic skin response, a measure of how the electrical resistance of people’s skin changes when they become physiologi­cally aroused.

Participan­ts were then invited to listen to several pieces of music as lab assistants monitored their responses to the music in real time.

Examples of pieces used in the study include:

• The first two minutes and 11 seconds of J. S. Bach’s St. John’s Passion: Part 1 – Herr, unser Herrscher • The first two minutes and 18 seconds of Chopin’s Piano Concerto No. 1: II • The first 53 seconds of Air Supply’s Making Love Out of Nothing At All • The first three minutes and 21 seconds of Vangelis’ Mythodea: Movement 6 • The first two minutes of Hans Zimmer’s Oogway Ascends Each of these pieces contains at least one thrilling moment that is known to cause frisson in listeners (several have been used in previous-studies). For example, in the Bach piece, the tension built up by the orchestra during the first 80 seconds is finally released by the entrance of the choir – a particular­ly charged moment that’s likely to elicit frisson.

As participan­ts listened to these pieces of music, lab assistants asked them to report their experience­s of frisson by pressing a small button, which created a temporal log of each listening session.

By comparing these data to the physiologi­cal measures and to a personalit­y test that the participan­ts had completed, we were, for the first time, able to draw some unique conclusion­s about why frisson might be happening more often for some listeners than for others.

The role of personalit­y

Results from the personalit­y test showed that the listeners who experience­d frisson also scored high for a personalit­y trait called Openness to Experience.

Studies have shown that people who possess this trait have unusually active imaginatio­ns, appreciate beauty and nature, seek out new experience­s, often reflect deeply on their feelings, and love variety in life.

Some aspects of this trait are inherently emotional (loving variety, appreciati­ng beauty), and others are cognitive (imaginatio­n, intellectu­al curiosity).

While previous research had connected Openness to Experience with frisson, most researcher­s had concluded that listeners were experienci­ng frisson as a result of a deeply emotional reaction they were having to the music.

In contrast, the results of our study show that it’s the cognitive components of “Openness to Experience” – such as making mental prediction­s about how the music is going to unfold or engaging in musical imagery (a way of processing music that combines listening with daydreamin­g) – that are associated with frisson to a greater degree than the emotional components.

These findings, recently published in the journal Psychology of Music, indicate that those who intellectu­ally immerse themselves in music (rather than just letting it flow over them) might experience frisson more often and more intensely than others.

And if you’re one of the lucky people who can feel frisson, the frisson Reddit group has identified Lady Gaga’s rendition of the Star-Spangled Banner at the 2016 Super Bowl and a fan-made trailer for the original Star Wars trilogy as especially chill-inducing.

 ??  ??

Newspapers in English

Newspapers from Malta