Malta Independent

Chanel’s Fall-Winter 2022/23 Haute Couture collection

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In this new collection, there are suits, long dresses like Mademoisel­le Chanel imagined them in the 1930s: fitted to the body even though they have strong shoulders here, and pleated dresses. And lace too, inlaid, reworked, not embroidere­d, but repainted. The palette consists of bright green, khaki, beige, pink, lots of black and silver. From the anniversar­y High Jewellery collection ‘1932 ’, which pays tribute to the first and only ‘Bijoux de Diamants’ collection created in 1932 by Mademoisel­le Chanel, Virginie Viard chose to use necklaces as “celestial elements because they fit with pleats.” When it comes to shoes, in addition to T-strap pumps, there are cowboy boots that add a twist to long skirts and weave a link with the Étrier de Paris equestrian centre, the venue chosen to host the show.

Round shoulders, square backs, embroideri­es with geometric shapes and patterns are a nod to the 1930s, while also looking back to the 1970s, they resonate with the constructi­vism of a very “graphic” décor, a key word to which Karl Lagerfeld was particular­ly attached. The setting is inspired by a camouflage of optical illusions, with its play on shapes and stripes. This freedom is expressed through tweed once again, through large men's hats and capelines with very wide brims. The clothes remain light, feminine, designed to be worn.

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