The Malta Independent on Sunday

Two art exhibition­s at The Phoenicia Malta

- Mbenoit@hotmail.co.uk

The doors of The Phoenicia Malta have always been open to artists. This Art Deco hotel already has the largest private collection of Edward Caruana Dingli paintings on permanent exhibition which is a good enough start to attract art lovers.

At present there are two exhibition­s going on both curated by Dr Charlene Vella. Amelia St George is exhibiting her sculptures in the new SPA, Deep Nature, until the end of September while Marie Claire Farrugia’s Polymorphs at the Palm Court, is running until the end of August.

I find that The Phoenicia Malta is an ideal place for exhibition­s. This is because parking is never too difficult, especially if one drops in after working hours. Two other reasons: you can pop in any time during the day or in the evening. Moreover exhibition­s remain open for a full month. Two weeks is simply too short a time and I feel sorry for artists who have done so much work towards an exhibition and no sooner have they put it up that it must go down again to make space for other artists. So hurrah for exhibition­s at the Phoenicia.

I also enjoy the fact that I could sit down for a decent cup of tea and a salmon sandwich in elegant surroundin­gs and be served graciously at 8pm.

Amelia whose children live in Paris, showed me round the sculptures in the SPA, on two levels. A woman brimming with ideas but who also has a sense of fun, spoke a little about them. For details do look at her website.

I asked her about the little silver sculptures of animals which intrigued me. She says that the story of these sculptures began in Malta.

“Maltese craftsmen have a long history from the Knights onwards working with silver. It is an easier metal for me to use being softer than bronze, all the smallest details are more accurate.

I like creating sculptures that can be seen three dimensiona­lly. When I was sculpting the little Chimpanzee I had sculpted two previous chimps each discarded as they were not quite right. Then watching yet other Chimp videos I watched as a young male who didn’t get a second banana walked off, sat down and slouched with sloping shoulders and a look of contemplat­ion. For me these small details make the sculptures live.”

Amelia explained that the little Hatching Turtle was made when

the first nest was being protected in Ghajn Tuffieha bay. The eggs regrettabl­y didn’t hatch “but mine did, struggling out of his soft egg shell as his shell back hardens in the air. I have sold a few Hatching Turtles to Chinese where the turtle is the symbol of longevity.”

Each silver sculptured animal has a Maltese hallmark of the foundry, which, Amelia says, has made them good presents and small investment­s to give as birth gifts to children or as wedding gifts. “One family I know has nearly all my sculptures but Nanna keeps them on her table, and as the grandchild­ren come in they point to their animal.”

She would like to sculpt a few more of Malta’s indigenous species such as the protected Pygmy White Toothed Shrew, the Maltese Wall Lizard or even the Fresh Water Crab. “Now that would be a real challenge not only for me but for my skilled Maltese workmen.” She

is full of praise for the foundry she uses where they restore silver and create silver ware, much of which is religious.

Marie Claire Farrugia’s exhibition, Polymorphs, is in the Palm Court as soon as you walk into the Phoenicia. There are portraits displayed all round a few of which are framed. I looked for the artist and there she was sitting and drawing with pencils. Upon seeing the pristine white armchairs, she decided she would not bring out her paints.

She is a girl any parent would be proud of. Attractive, tall and slim, hardly any makeup, she talks sense and knows what she wants. Even now, I am not sure what she was trying to say in that exhibition. Her explanatio­n helped greatly. But I pointed out that there should have been available a handout explaining what the artist is trying to tell us. She agreed. This is her first exhibition.

Marie Claire has a degree in Pharmacy and works with a pharmaceut­ical company. She also has a Masters in art a subject she has always loved. Why didn’t she do a course in Art right away? “Unfortunat­ely art was never presented to me as a full-time or realistic option. Which is sad, however in no way do I regret my decision. My first degree has, without a doubt, shaped me into the person I am today. I was always a pretty analytical person so pharmacy was also in a way a natural choice.” Somehow, C.P. Snow’s famous book The Two Cultures came to mind as we spoke.

Do those who come to see the exhibition ask for an explanatio­n if she is around, like I did? “I think

it’s a bit of a mix. You have people that do ask and some others that don’t...maybe they understood the idea or maybe they just thought it is all rubbish, I don’t know. But irrespecti­vely of whether or not they talk to me, if my work has managed to stop them in their tracks, even for a few seconds, and made them think, then I consider the work to be successful. We are in much need for some critical thinking.” I couldn’t agree more.

And if I have understood properly her exhibition is about being aware of what is true and what is false, fake or authentic. So appropriat­e in this day and age when we try so hard to distinguis­h truth from lies in every sphere of life. With her art especially the Pantone works, she hopes to trigger viewers into questionin­g any imagery or informatio­n they consume and be critical about it. She reminds me of the multitude of fake informatio­n we receive on a daily basis disguised as facts and truth.

With some other works she used a decollage technique “in an attempt at trying to uncover some form of truth. So in reality my works fluctuate between acceptance, protest and complacenc­y.” Marie Claire is a philosophe­r as well as everything else. “I want my art to say something not be just another piece with which to decorate walls.” She then points out at an ® on the portraits, on the top right hand corner. “On social media we give up so many of our rights so easily, such as appearance­s. By including the trademark I am protecting the sitters rights and their identity,”

Her exhibition is on until the end of August. She will be at the Phoenicia on Wednesday 31st August from 7pm onwards. You will enjoy talking to her.

 ?? ??
 ?? ?? The ® on the top right of each portrait is MCF’s way of protecting the sitters rights and their identity
The ® on the top right of each portrait is MCF’s way of protecting the sitters rights and their identity
 ?? ?? The three lawyers on display here, now dead, were cast in bronze
The three lawyers on display here, now dead, were cast in bronze
 ?? ?? Amelia was asked not to display sculptures with genitals, so she didn’t
Amelia was asked not to display sculptures with genitals, so she didn’t
 ?? ?? Marie Claire Farrugia and her Pantone works
Marie Claire Farrugia and her Pantone works
 ?? ?? One of Amelia’s sculptures in silver
One of Amelia’s sculptures in silver

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