The Malta Independent on Sunday

‘Visions of Antiquity Gala’, a night of splendour

- Mbenoit@hotmail.co.uk

By now, unless you’ve been fast asleep for a long time, you know exactly what MICAS stands for and what it is. Let me remind you. In brief, The Malta Internatio­nal Contempora­ry Art Space, according to its chairperso­n, (I Get Things done) Phyllis Muscat: “The Malta Internatio­nal Art Space will not simply be defined by its footprint of over 14,000 sq metres of internal and external galleries and sculpture gardens, but more so by its ethos of proactive engagement with the local and internatio­nal art communitie­s and audiences. MICAS is fully committed to its internatio­nal remit, to exhibit cutting edge art, to validate contempora­ry art in Malta and to raise the visibility of artists’ contributi­on to the developmen­t of the contempora­ry idiom. Since the launch of the MICAS concept in 2018, we have worked hard to build connection­s and establish internatio­nal networks and partnershi­ps. The 2022 MICAS Internatio­nal Art Weekend and Gala Dinner are testament to this.”

MICAS is a Government of Malta Infrastruc­tural legacy project for the Culture and the Arts sector. It is part-financed by the European Union.

The buildings are situated behind the Malta Police Headquarte­rs in Floriana. I had never ventured there until MICAS was launched in 2018. I was totally blown away to discover such a historical place which lay more or less abandoned until MICAS took it in hand. The area is associated with the Ospizio which has its own fascinatin­g history. Work at the Ospizio continues unabated and is scheduled to be completed in 2024. We are talking of 14,000 sq. metres here not a mere block of ugly flats.

Work on other fronts continues. Last year MICAS gave us Cristina Iglesias’ Sea Cave, which was commission­ed as a site-specific piece and can be visited at Hastings Gardens in Valletta.

This year there was another Internatio­nal Art Weekend and Gala dinner. This is now firmly fixed in October’s social calendar.

Before cocktails and dinner in the ballroom of The Phoenicia Malta, guests met at Pjazza Teatru Rjal in Valletta

for the unveiling of a new sculptural artwork, The Palm Goddess for Malta by Michele Oka Doner, the renowned American artist. If you haven’t seen it then lookout for it when you next go to Valletta. You cannot miss it and it is truly very special.

The gala dinner was hosted by the chairperso­n and board of MICAS including culture ambassador Francis Sultana.

After the launch, as we entered the ballroom of the Phoenicia, we were immediatel­y struck by its air of mystery and romance. It looked like a still-life painting. I almost expected to see two game birds and a skull appear somewhere to complete the painting. It had been completely transforme­d by Luke Azzopardi with artist Victor Agius creating the centrepiec­es. Guests were seated at banqueting tables placed from one end of the ballroom to the stage. Lights were

dim and there was an impressive amount of foliage and flowers both on the tables, the stage and wherever it was possible to place them. I doubt the ballroom has ever looked so splendid.

This was a cosmopolit­an gathering. During cocktails I had spoken to at least three curators of famous American museums and art gallaries.

Sartoriall­y, everyone rose to the occasion. Many men wore dinner jacket. At least three women on my end of the table wore Luke Azzopardi creations. He looks to fashion as an art object. Marie Hélėne Gondram, who had relocated to Malta recently, wore vintage Chanel, a dress she has had for some 20 years she told me.

The beautifull­y printed menus displayed an array of promising

dishes. The majority enjoyed celeriac and truffle velouté, poached lobster risotto, local fish with a prawn and fennel velouté and chocolate beignet, mango sorbet and petit fours. We couldn’t have been happier, and all paired with some excellent wines. There was a Vegan menu too.

All the while on the stage, in turns, there was soprano Gillian Zammit and the Cordia string quartet, Alexandra Alden and her band and the sister-duo, The New Victorians. I have to admit that this modern music is simply not for me. Like everything else music is a matter of taste. I have always been an admirer of Gillian and her bel canto is more my kind of music. But all on that stage are gifted with full agendas to perform here, there and everywhere all the

while busy creating new albums.

To complete the Internatio­nal Art Weekend the artist gave a talk the following day at the Museum of Archaeolog­y.

A great deal of hard work goes behind these events. How satisfying it must be for the board of MICAS and those involved that all went so smoothly and everyone went away with another happy memory as we move a step further into bringing Malta nearer to the contempora­ry art world.

 ?? ?? The MICAS Board: Ruth Bianco, Francis Sultana, the artist Michele Oka Doner, Phyllis Muscat, Claire Cassar, Georgina Portelli, Martin Scicluna
The MICAS Board: Ruth Bianco, Francis Sultana, the artist Michele Oka Doner, Phyllis Muscat, Claire Cassar, Georgina Portelli, Martin Scicluna
 ?? ?? Culture ambassador Francis Sultana, Suzanne Sharp and soprano Gillian Zammit
Culture ambassador Francis Sultana, Suzanne Sharp and soprano Gillian Zammit
 ?? ?? Your Diarist and Annabelle Stivala, Director, Festivals Malta
Your Diarist and Annabelle Stivala, Director, Festivals Malta
 ?? ?? The artist saying farewell to her Palm Goddess
The artist saying farewell to her Palm Goddess
 ?? ?? One of the many flower arrangemen­ts
One of the many flower arrangemen­ts

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