Fashion Quarterly

ON THE RUN

This year Karen Walker celebrates the coming-of-age of the hardest-working teenager in the game — the iconic Runaway Girl. In the process she’s putting a typically fresh spin on an old-school tradition

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Karen Walker’s Runaway Girl

It’s a busy old month for Karen Walker — although you imagine most months are pretty busy for our most internatio­nally recognised designer. In her central Auckland HQ she’s calmly overseeing a study in (extremely) organised chaos, with her pre-spring 2018 collection being shot in the showroom downstairs and seasons well beyond that being dreamt up and drawn up above. She’s also getting ready for a new addition to the family, a puppy. “It’s a labradoodl­e,” says Walker with a slight roll of the eye. “That probably seems a bit predictabl­e actually, but they’re good dogs!”

To top it off she and her team have been organising a very special birthday. This year marks the sweet 16th of Runaway Girl — a little drawing that has almost come to life, capturing both the spirit of the Karen Walker brand and imaginatio­ns around the world.

In an industry prone to hyperbole and selfaggran­disement, the word “iconic” rolls off tongues and fingertips far too freely at times. But if there’s an industry player that’s earned a straight-faced right to the “i” word, it has to be Runaway Girl. Her boot-wearing, bindlecarr­ying and bouncy-haired silhouette is an icon in the literal sense, and almost instantly recognisab­le to anyone with even a passing interest in fashion.

Created in 2001 by Karen Walker creative director (and Walker’s husband) Mikhail Gherman, Runaway Girl had a particular­ly auspicious debut — appearing as a print in Walker’s first-ever showing at London Fashion Week.

“The collection itself was called Runaway and was designed around this fantasy of a girl sort of running off to the Midwest — it was a little bit Badlands, a little bit

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