Fashion Quarterly

DREAM WEAVER

Top stylist Lauren Gunn uses Cloud Nine styling tools to create a gloriously voluminous look for Fashion Quarterly’s ‘Open Road’ editorial

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When it comes to beautiful hair, Lauren Gunn has carved out an industry niche, acing the midpoint between ‘done’ and ‘perfectly undone’. So while looks created by pros for fashion and beauty shoots are often a glamorous amplicatio­n of reality, Gunn’s work retains an element of e€ortless, real-world cool. The in-demand stylist, Cloud Nine ambassador and owner of hip Auckland salon Colleen joined the FQ team on location where she created a modern vision for hair with a nostalgic nod to the mood of the editorial photo shoot.

THE MOOD The contrastin­g textures and shapes of winter’s most desirable layering pieces fell into romantic soft-focus when seen through a slightly ’70s lter. “I immediatel­y thought of Lauren Bacall and Katharine Hepburn and those beautiful ’40s girls,” says Lauren, who worked with FQ fashion editor Danielle Clausen and MAC makeup artist Kiekie Stanners to rene the look. “I feel like the ’40s and the ’70s go beautifull­y together. You often see both referenced together in fashion. If you look at those ’40s [hair] shapes, they’re —at through the top and wider through the sides. I’m not a huge fan of completely replicatin­g the past. There will be elements that have denite references but I always like things to feel contempora­ry and modern and very ‘now’.”

GET THE LOOK WITH CLOUD NINE

1 Lauren prepped model Georgia Pratt’s hair by running mousse through the lengths and ends, as well as applying a volumising mist through the roots and top section. She then removed moisture with the Cloud Nine Airshot Dryer. Tip: Tousling hair with hands while drying encourages a soft texture that’s a great starting point. “Blast hair rough and wild to get maximum texture and volume. Make it really uy,” advises Lauren. 2 Starting at the nape of the neck, take small sections of hair at a time, lightly misting with exible hair lacquer that gives a touch of shine. “Once the style is ‚nished, it’s hard to add shine without weighing strands down and losing shape. Adding it before tonging helps keep a weightless feel.” Lauren wrapped each piece around the Cloud Nine Curling Wand, working towards the face, giving it a little twist as she brought the length around the barrel to maintain the de‚nition of each section. Don’t overthink it though! “That twist happens naturally as you bring your hand around the tong.”

3 Gently remove hair from tong and clip the curl against your head to cool. “If you let it fall as it cools, it will lose volume, so I clip it up close to the scalp to maintain shape,” says Lauren.

4 Lauren used the Cloud Nine Micro Iron to create a little more curl around Georgia’s face. “It gives you a bit more control over what you’re doing so you can shape the hair how you want it without having to be so concerned with technique. It’s so helpful to have a variation in the sizes of tools — you can get closer and create stronger shapes around the face.” Tip: “A lot of people like to use their irons to make curls. I nd that really attening on the hair. It’s ne if you don’t want any kind of volume and you’re after that really elongated look, but I feel like we’re moving on from that.” 5 Take the clips out, gently loosen and rake out with your ‚ngertips. For a smooth glossy feel, use a cushioned boar-bristle brush to brush out the look.

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Use the Cloud Nine Airshot Dryer to gently u‘ up hair for a light, oaty ‚nish.

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