Fashion Quarterly

WHAT I LIKE With Kiwi artist Jess Johnson

The New York-based Kiwi artist recently unveiled an installati­on at Christchur­ch Art Gallery and undertook a residency at Auckland’s iconic McCahon House. She shares her current cultural musts.

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TV The third series of the

New Zealand adult cartoon Aroha Bridge is in production and will screen on Maori Television. It follows the stories of a chaotic multicultu­ral family and a brother-sister band called Hook Ups. It’s written by Jessica Hansell – also known as Coco Solid – who’s a very funny and talented writer, rapper, artist, director, producer and Fulbright Scholar, and the animation is done by my collaborat­or Simon Ward and the team that makes my own artwork animations. I may secretly resent the time Simon spends on the cartoon, but I’m also behind it all the way because they’re making such a cool and important cultural contributi­on that could be as impactful to a generation as Footrot Flats was to New Zealanders in the ’80s.

ARTIST Susan Te Kahurangi King is a New Zealand artist who creates dense symphonic drawings of repetitive patterns and cartoon-like mash-ups. She also has autism and has been non-verbal since the age of four, so her drawing developed as her prime means of communicat­ion and expression. Her works communicat­e something intense and complex to the viewer, but not in any language we know, so they feel to me as if they’re prodding parts of my brain that have never been touched before. For me, that’s an incredibly rare and sought-after experience in art.

LOCAL GALLERY Dirt in Wellington is an amorphous gallery/hybrid space that mainly exists on the internet, and that people much cooler and younger than me keep mentioning. I haven’t quite worked out what Dirt do or who they are, which is appealing in itself because it means they’re creating their own thing in a world I don’t necessaril­y understand anymore, instead of following the prescribed gallery model, which may well be in its late-capitalist death throes anyway.

INTERNATIO­NAL GALLERY Some would consider Desert Island in Brooklyn to be a weird bookstore, not a gallery, but neverthele­ss it’s where I find the work of many of my favourite artists. It’s run by Gabe Fowler, who walked away from his career in the art world to open the space. His love and encycloped­ic knowledge of comics is infectious, and he contribute­s a huge amount to the community, running an annual comics festival and producing a free quarterly comics anthology called Smoke Signal. He can also be quite taciturn and blunt, which makes a New Zealander like me nervous as hell, but that’s all part of the experience of visiting.

MUSICIAN Planningto­rock, aka Jam Rostron, is a British producer and musician who lives in Berlin, and whose music exudes a defiant energy, radical strength and warmth. Jam is a non-binary femme and I find them incredibly fascinatin­g both as a person and artist. Musically their sound is influenced by early ’90s house music and is very simple, repetitive and emancipato­ry. There’s something about the economy of sound and pure emotion that I really tune into while drawing. Beulah Loves Dancing is a song for Jam’s autistic sister who loves dancing to house music. The music video for it is so joyful and life affirming that I use it like a magic pill to bring me out of whatever mood I’m in.

ARCHITECTU­RE I’ve never been inside Sir Ian Athfield’s fantastica­l house, but I always crane my neck to stare at its sprawling white igloos for as long as I can when driving past it on the Wellington motorway. Athfield was influenced by the Japanese architectu­ral movement Metabolism, which fused ideas about architectu­ral megastruct­ures with those of organic biological growth and parallels themes in my artwork.

MUSEUM The Kohler is a small museum an hour north of Milwaukee. It has a unique reputation for collecting and preserving the entire environmen­ts and estates of so-called outsider or self-taught artists. The work they do recreating environmen­ts in large-scale installati­ons gives audiences a true sense of how each artist lived, worked and was totally engrossed by their vision.

COMEDIAN I just finished watching Camping, a UK series by the comedian Julia Davis. I don’t think I’ve ever made so many involuntar­y noises while watching something on my laptop by myself before. Julia’s particular style of comedy is horrifical­ly awkward as she slowly and joyfully eviscerate­s her cast of sad, lonely characters. The delight she takes in bounding over any line of decency is mesmerisin­g in a jaw-on-the-floor, impending-car-crash kind of way.

AUTHOR Octavia Butler was an African American science-fiction author who wrote 15 perfect books before passing away in 2006. I read her Xenogenesi­s and Parable series when I was an art student and feel they irrevocabl­y altered my world view and developmen­t as a person. Her perspectiv­es on race, gender and power dynamics opened my mind after a decade spent consuming mostly monochroma­tic science-fiction books written by white male authors.

INSTAGRAM @jaimiewarr­enisyourfr­iend is a New York-based artist whose work draws deep from the well of American popular culture and weirdo childhood nostalgia. She uses DIY prosthetic­s, elaborate sets and casts of community performers to create production­s that feel like absurdist fever dreams. Instagram is a perfect medium for an introducti­on to her work for those unable to experience its full glory in the flesh. •

 ??  ?? THIS PAGE Jess in studio. OPPOSITE (clockwise from left) Jess work’ Splendour of
Totality, 2017; Terminus installati­on created with Simon Ward; Works in progress.
THIS PAGE Jess in studio. OPPOSITE (clockwise from left) Jess work’ Splendour of Totality, 2017; Terminus installati­on created with Simon Ward; Works in progress.
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