Homestyle New Zealand

Can’t hurry love

The revamp of this home rolled out at its own pace, allowing the owners to get it just right.

- WORDS Holly Jean Brooker PHOTOGRAPH­Y Simon Wilson

The revamp of this home rolled out at its own pace, allowing the owners to get it just right.

It’s a dilemma many of us face at some point. As our family grows bigger along with our weekly grocery bills, do we renovate our existing abode or sell up and search for one that’s a better fit?

For Rickie Dee and Onny Kaulima, the former option was the perfect choice. From the street, their Pt Chevalier home looks like your typical Auckland bungalow, with weatherboa­rd cladding and bay windows showcasing the architectu­re of its time. Step inside, though, and it exceeds expectatio­ns, the interior having been updated by a strikingly modern renovation. It’s a clever trick that’s created exactly the juxtaposit­ion the couple were after. But it didn’t happen overnight.

Rickie, Onny and their three children lived in the original three-bedroom home for four years before embarking on the reinventio­n. “Although we really loved our home, we simply outgrew it,” says Rickie. “We needed more space and a lot more light, but we love our neighbourh­ood, so we decided to stay put.”

Decision made to upgrade, which architect they’d engage to achieve the transforma­tion was never in question. “When Rocco was born, we used to walk around Ponsonby with him in his buggy, doing the rounds along John Street, where one of John Irving’s renovation­s stood out to us,” says Onny. “It was a design he became known for, with the front facade kept as the original bungalow and the back transforme­d by a contempora­ry design. We loved it, and 10 years later when it was our time to renovate, we knew he was the guy.”

Rickie and Onny’s property provided plenty of space to extend, but good things really do take time. The couple spent a full year at the concept stage and eight months at the resource-consent stage before the building finally began. Then the family of five, plus their cat and dog, moved out and stayed with Rickie’s parents for almost a year while the constructi­on by Colab Group was underway.

It goes without saying that these two aren’t afraid to push their limits, and in this case it’s really paid off. The home now has large living spaces inside and out, an entertaine­rs’ kitchen with a separate scullery, five double bedrooms and two bathrooms. A panelled light well above the floating stairs in the entryway divides the house in half, flooding the downstairs kitchen area and upstairs dressing room with natural light, while casting intriguing shadows.

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 ??  ?? ABOVE The louvre roof system over the deck is great for all-weather entertaini­ng and complement­s the linear forms of the battened wall in the living area, exterior cladding and first-floor bedroom windows. OPPOSITE Onny, Kai, Rickie and Rocco on their Cannes outdoor suite from Freedom. PREVIOUS PAGE Inside, where the walls are in Resene Alabaster, meals are served at a Hudson dining table on Maki chairs all from St Clements, below a Tri pendant by Resident from Simon James. The concrete sculptures are by Levi Hawken, the vase is from St Clements and the framed photograph, Nostalgia, is by Reuben James.
ABOVE The louvre roof system over the deck is great for all-weather entertaini­ng and complement­s the linear forms of the battened wall in the living area, exterior cladding and first-floor bedroom windows. OPPOSITE Onny, Kai, Rickie and Rocco on their Cannes outdoor suite from Freedom. PREVIOUS PAGE Inside, where the walls are in Resene Alabaster, meals are served at a Hudson dining table on Maki chairs all from St Clements, below a Tri pendant by Resident from Simon James. The concrete sculptures are by Levi Hawken, the vase is from St Clements and the framed photograph, Nostalgia, is by Reuben James.
 ??  ?? ABOVE LEFT On this side of the battened stained cedar wall that divides the living area into two distinct yet connected spaces are Tonk stools and a Joe sofa by St Clements teamed with a vase by Tom Dixon, cushions by Injiri and Madame Stoltz from Superette, and a rug by Armadillo from The Ivy House. The Canadian oak flooring throughout the house is by Forté and custom-coloured to be light and bright. ABOVE
RIGHT Cabinetry crafted by Fluid Interiors using the same Super White granite as the kitchen discreetly hides the TV. Carvings by Lee Ralph keep an eye on things beside it. The Azteca Temple oil burner by Mr Pinchy & Co, crystals and books are from Superette, and the sculpture is a memento from a trip to Bali.
ABOVE LEFT On this side of the battened stained cedar wall that divides the living area into two distinct yet connected spaces are Tonk stools and a Joe sofa by St Clements teamed with a vase by Tom Dixon, cushions by Injiri and Madame Stoltz from Superette, and a rug by Armadillo from The Ivy House. The Canadian oak flooring throughout the house is by Forté and custom-coloured to be light and bright. ABOVE RIGHT Cabinetry crafted by Fluid Interiors using the same Super White granite as the kitchen discreetly hides the TV. Carvings by Lee Ralph keep an eye on things beside it. The Azteca Temple oil burner by Mr Pinchy & Co, crystals and books are from Superette, and the sculpture is a memento from a trip to Bali.
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 ??  ?? LIVING Here, a Boxster sofa from St Clements sits with a coffee table from Indie Home Collective decorated with a vase from Blush Flowers, and a Tribe Bone tray by Mr Pinchy & Co and No 27 Fragrance House candle both from Superette. The statement concrete surroundin­g the Escea fireplace gives the home a certain rawness, lit by black downlights by Brightgree­n from ECC set into the tongueand-groove ceiling.
LIVING Here, a Boxster sofa from St Clements sits with a coffee table from Indie Home Collective decorated with a vase from Blush Flowers, and a Tribe Bone tray by Mr Pinchy & Co and No 27 Fragrance House candle both from Superette. The statement concrete surroundin­g the Escea fireplace gives the home a certain rawness, lit by black downlights by Brightgree­n from ECC set into the tongueand-groove ceiling.

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