Homestyle New Zealand

Lights of their life

Cool couple Ben and Kiri Wahrlich run a studio dedicated to creating very special objects.

- INTERVIEW Alice Lines PHOTOGRAPH­Y Larnie Nicolson

Kiri and Ben Wahrlich of lauded Sydney lighting studio Anaestheti­c have rebranded as Nightworks and set up an upscale studio and workshop back home in Aotearoa — Christchur­ch, to be exact. Their team specialise­s in design, products, furniture and public art, with lighting a strong presence.

Kiri, what attracted you guys to this inner-city building?

Christchur­ch’s Centre of Contempora­ry Art, CoCA, runs regular mid-century house tours, and although it’s a commercial building, Poynton House — designed by David Allen in 1972 — was included in the 2019 tour. We went along and immediatel­y recognised its raw beauty.

Architect Phil Redmond had revamped his own studio on level one, and having a glimpse into it really allowed us to see the potential of the ground floor. The space was in its original state, with small offices, commercial carpet and poor lighting, so we stripped it back to the concrete, then introduced an open-plan layout, a neutral colour palette, natural materials and soft furnishing­s.

Does your passion for mid-century architectu­re influence your designs?

We live in a mid-century house designed in 1973 by Gavin Willis, so a key considerat­ion for us is whether a piece will suit our own home; then we consider what other spaces it’ll be able to adapt to. Mid-century designs were made to last using honest materials, which we also strive to do, while considerin­g our natural environmen­t and what’s unique to us in New Zealand.

Your lighting offering is succinct — how do you decide when to release new pieces?

We launch products only when we have something to say, and because customers often purchase multiple products for their projects,

any new designs also have to gel with the classics in our range.

The saying “Simplicity is complexity resolved” is applicable to your work — how do you manage this?

Time is the biggest factor. Patience is definitely a virtue for us, as it generally takes a year or two to develop a product from concept to finished object.

Your lighting pops up all over the place — what are some of the most memorable projects you’ve contribute­d to?

We loved working on the Calile Hotel by Richards & Spence in Brisbane, for which we created 13 custom Duomo lights to suspend over the tables at Lobby Bar. In New Zealand, we were rapt to be approached by Pennant & Triumph when they were working on the new Lodge Bar by Rodd & Gunn at Auckland’s Commercial Bay, to supply lights from our Petrine range for use throughout the space.

What do people need to consider when choosing lighting for their home?

Lighting is like jewellery for your home and one of the first things people notice when they walk in. It creates a mood, so think about what mood you want to set in your spaces. Wall lights do several jobs, so consider where they’ll be located and what you want them to achieve. Bathroom vanity lights, for example, need to light your face but not be so bright that they blind you at 2am. In this instance, we always recommend dimmable options.

How do you and Ben choose to unwind?

Christchur­ch is a unique city, where you can be skiing in the morning and at the beach in the afternoon. We like to get out and about and enjoy it all — and many of the city’s great cafés. Coffee is life when you’re running a business and juggling two small children! nightworks­studio.com

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 ??  ?? ABOVE Taking a mid-century office building back to its shell was a labour of love for the couple, who did most of the renovating themselves. In the showroom, a timber feature wall warms up the pale colour palette, while plumbing piping is used overhead to conceal cabling and accentuate the building’s industrial aesthetic. Brass, glass, steel, natural stone, timber and leather all feature in Nightworks’ pieces. “They’re solid materials proven to stand the test of time,” says Kiri.
ABOVE Taking a mid-century office building back to its shell was a labour of love for the couple, who did most of the renovating themselves. In the showroom, a timber feature wall warms up the pale colour palette, while plumbing piping is used overhead to conceal cabling and accentuate the building’s industrial aesthetic. Brass, glass, steel, natural stone, timber and leather all feature in Nightworks’ pieces. “They’re solid materials proven to stand the test of time,” says Kiri.
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 ??  ?? ABOVE Ben and Kiri on the tools. Nightworks offers design concepts, modelling, prototypin­g and manufactur­ing services to clients in Aotearoa and Australia, and has several commission­s on the go at the moment. They’re also refining some new, predominat­ely lighting products ahead of their release in winter, plus homeware that’ll be available later this year.
ABOVE Ben and Kiri on the tools. Nightworks offers design concepts, modelling, prototypin­g and manufactur­ing services to clients in Aotearoa and Australia, and has several commission­s on the go at the moment. They’re also refining some new, predominat­ely lighting products ahead of their release in winter, plus homeware that’ll be available later this year.
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