Horowhenua Chronicle

Tremendous jigsaw: Smisˇek’s historic beehive kilns moved

Potter’s two kilns believed to be the only ones of their kind left in country

- Rosalie Willis

Set in the midst of a constructi­on site, the historic kilns of celebrated potter Mirek Smisˇek still radiate the magic of their heyday. Located in Te Horo, the beehive kilns have been deconstruc­ted brick by brick, cleaned and reconstruc­ted in an effort to preserve the historical­ly, culturally and artistical­ly significan­t kilns.

“It was a tremendous 3D jigsaw puzzle,” project manager Jamie MacDuff said at a celebratio­n of the moving of the kilns attended by Smisˇek’s family, Mirek Smisˇek Arts Trust members and representa­tives from Fletchers, Waka Kotahi and Ka¯piti Coast District Council, along with the Consulate General of the Czech Republic of Australia and New Zealand, Hana Flanderova´.

“We had some very specific expertise that helped Fletchers — kiln builder Duncan Shearer and local bricklayer­s The Brothers Mead.

“Every single brick was taken apart carefully, scrubbed, numbered, and then rebuilt again in the same order to the extent that when you look inside the kilns they look like they’ve been fired recently.”

Smisˇek, a former Czechoslov­akian refugee who came to New Zealand in 1951, used the kilns for more than 40 years at their Te Horo site.

Directly in the line of the Peka Peka to O¯ taki Expressway and shared path project, they have been moved 20m east of their original location after submission­s from Heritage New Zealand and the pottery community added to the voices of locals asking to preserve them.

“It’s not a registered class one or class two heritage site,” Jamie said.

“However Heritage New Zealand would like to make it a class two site or at least add conditions to the land to give it some kind of heritage status.

“So that’s likely still to happen but at the moment it’s more of a cultural heritage site than historical, ancient history.”

At a designatio­n hearing back in 2013-14 when planning for the expressway was underway, submission­s came in from members of the public and Heritage New Zealand to preserve the kilns, which are

believed to be the only remaining beehive kilns in New Zealand.

“The panel decided to make the preservati­on of the kilns one of the PP2O¯ project’s consent conditions.”

With the kilns now in their resting place for the foreseeabl­e future, the Mirek Smisˇek Arts Trust has formed to help preserve the legacy of Smisˇek.

Currently waiting for the constructi­on

site to be handed from Fletcher Constructi­on back to Waka Kotahi, the trust is developing plans to have the site become a pottery hub.

Using the Red Shed and one of the old Te Horo Railway Station buildings which Smisˇek moved on to the site years ago, the trust has plans to use the railway station building as accommodat­ion for a resident potter.

“We are not sure when we can get access to the site,” the trust’s John Draper said.

“Our plan is to have a resident potter on-site giving workshops, giving classes and providing a focal point for people. But we don’t know timeframes at this point.”

Longer-term, the plan is for a new arts centre to be built.

Describing the magical nights when they would walk down from the homestead to the kilns, Smisˇek’s widow Pamella Annsouth said: “There were many nights when we had to come down to the kilns every half an hour to turn or change the heat.

“We’d walk through this lovely area of trees, bushes and ferns and come out on to this wonderful strip of lawn covered in frost.

“The lights would be on and the kilns would be glowing, making the lawn sparkle. It was magical.”

With memories flowing as they saw the reconstruc­ted kilns for the first time, the visit to the site was an emotional time for Smisˇek’s family.

Smisˇek’s daughter Hana said: “We had many artists and visitors come and stay with us over the years.

“It was really interestin­g and fun, they would stay in the old Te Horo Railway Station building and would always cook us meals from their homeland.

“It was a really interestin­g and creative place to grow up.”

Also speaking at the site visit was Czech Republic Consulate General Hana Flanderova´.

She has been working with the trust providing “mental and financial” support.

“I’m really happy I can be here on my last trip to New Zealand,” Hana said.

“The co-operation with you guys, the trust, has been the most memorable part of my time in this role.

“I’m happy we could be involved and give you support — both mentally and financiall­y.”

 ?? Photos / Rosalie Willis ?? Family of Mirek Smisˇek with his reconstruc­ted beehive kilns. Granddaugh­ter Karri Smisˇek, widow Pamella Annsouth and daughter Hana Smisˇek.
Photos / Rosalie Willis Family of Mirek Smisˇek with his reconstruc­ted beehive kilns. Granddaugh­ter Karri Smisˇek, widow Pamella Annsouth and daughter Hana Smisˇek.
 ??  ?? Mirek Smisˇek's two beehive kilns have been moved and reconstruc­ted.
Mirek Smisˇek's two beehive kilns have been moved and reconstruc­ted.

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