Idealog

ISLAND TIME

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Composite manufactur­ing is an integral part of New Zealand’s globally renowned boat building industry. But, as Michael Barrett writes, these technologi­cal processes are also finding other applicatio­ns in architectu­re, infrastruc­ture, entertainm­ent, transport and even art. Now 21 high-tech, ice-white ‘islands’ milled and routed by Warkworth-based Core Builders Composites are about to get some airtime in Auckland’s new Objectspac­e Gallery.

Art galleries, architectu­re and the America’s Cup may not seem like the most obvious of combinatio­ns. But there is a common denominato­r: Core Builders Composites, a company based in an old print warehouse in Warkworth.

The company, which helped build Oracle Team USA America’s Cup yachts, as well as those for Softbank Team Japan, parts of the Artemis and Groupama Team France boats and also parts for Team New Zealand, is inextricab­ly linked with the precise fabricatio­n required for this new generation of yachts. But the skill of composite manufactur­ing is increasing­ly applicable to other industries.

Susan Lake, Core’s structural engineer, says the potential for digital manufactur­ing techniques integrated with Computer Numericall­y Controlled (CNC) machine milling is potentiall­y endless. So far, the range of work runs from entertainm­ent (giant disco ball; two-metre-tall teddy bear for movie industry) through to infrastruc­ture (railway overbridge; huge water-pipe junctions; Makani M600 wind-energy generator; milking platforms) and vehicles of various modes (milling tools for campervan and superyacht manufactur­ing; a full-size replica of a MIG29 jet used as a flight simulator; a solar car for Sunswift, which took part in 2015’s Global Solar Challenge across Australia; and, as rumour has it, “flying cars” for Kitty Hawk and Zee.Aero).

And then there’s architectu­re. Its first significan­t architectu­re project was the roof structure of Rore Kāhu, the Marsden Cross Interpreti­ve Centre, up north at Rangihoua Heritage Park in the Bay of Islands, which was designed by Cheshire Architects. Lake says the project manager came to Core with a drawing just as the America’s Cup was winding down in 2014.

“He asked us if we could build the structure and transport it. We happened to have a 40m-long AC72 wing sail leaving that day, so were able to demonstrat­e our experience with that level of scale. For us, the exciting aspect of this project is utilising all of the digital manufactur­ing techniques that we had honed over the previous four years to efficientl­y produce something completely unique that was entirely outside the marine industry. As there was a clear path from concept to structural design to fabricatio­n to installati­on, we saw this project as a natural extension of our work.”

Last year, the company used a series of similar processes to mill and manufactur­e 21 ice-white islands for Future Islands, New Zealand’s exhibition at the 2016 Venice Architectu­re Biennale.

Like an America’s Cup yacht, a ‘future island’ is lightweigh­t, strong and easily transporta­ble. The islands have cores of either honeycomb foam, milled with a CNC router, or Polyethyle­ne terephthal­ate (PET), which is then covered with a fibreglass skin and finished with Resene paint. The thinner islands are made of infused hemp, while a large black island covered with a carbon-fibre skin recycled from a Boeing 787 for added strength, doubles as exhibition seating.

To manufactur­e the islands, Core used its 5-axis CNC milling machine, ‘ The Poseidon’, which is an 18m long, 6m wide, 3m tall machine that can slice through composites, wood, graphite and non-ferrous metals with a degree of accuracy to 0.2mm.

The ‘floating’ islands that provide the platform for 55 building models (including the Marsden Cross Interpreti­ve Centre) and associated audiovisua­l projects have now returned to New Zealand and the free exhibition will run at Objectspac­e in Auckland (28 July – 17 September) and the Adam Art Gallery in Wellington (13 October – 22 December).

So far, t he range of work runs f rom entertainm­ent t hrough to i nfrastruct­ure and vehicles of various modes.

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