‘Iti’ space for art as gallery redevelops
Pop-up retains creative presence in Kāpiti
Atemporary “pop-up” art gallery is to open in Waikanae to maintain Mahara Gallery’s presence in Kāpiti while the district gallery is being rebuilt nearby.
Mahara “iti” is opening as part of architect Andrew Sexton’s plans to relocate his architectural business to Waikanae from Wellington.
Mahara director Janet Bayly said that when the gallery closed for the rebuild in November of last year, she was resigned to not having a venue for exhibitions until the project is completed early next year.
“We had looked at spaces that might suit for a ‘pop-up’ gallery, but none had quite worked out.
“Then Andrew Sexton approached us. He said he planned to incorporate a small art gallery in his new offices in Mahara Place.
“He suggested that during the settling in period for his business, we might like to use the space.
“The result is Mahara iti — iti meaning small.
“Because the space is designed for displaying art, it will work well and we are delighted we have been able to take up his offer.
“Mahara iti has the added advantage of being just across the lane from our temporary offices above the library.”
Janet Bayly said Mahara will occupy the gallery space for six months from Monday, March 14.
The opening exhibition will be by Kāpiti-based photographic artist and lecturer Dr Mizuho Nishioka.
“We are privileged to have Dr Nishioka as our opening exhibitor.
“The fact that she has been invited to contribute work to this year’s Venice Biennale underlines the quality of her work and the extent of the reputation she has earned.”
Meanwhile, the Mahara Gallery Trust Board and its partners Kāpiti Coast District Council and the Field Collection Trust are pleased with the progress being made on the main gallery rebuild.
The laying of a mauri stone within the construction site has been a special moment in the redevelopment of the gallery.
The stone, provided by John Barrett from Waiorua Bay, Kāpiti Island, is a symbol for the wider district. It was laid in a pre-dawn ceremony on February 11 by representatives of local iwi — Kahu Ropata and Moana Parata from Te Atiawa and Callum Parata from Ngāti Toa.
The stone represents and protects the mauri — the vitality or life force of both living and inanimate things as well as those who have gone before.
Mahara Gallery Trust Board chairman Gordon Shroff said the significance of the mauri stone relates not only to the building and land (whenua), but also the artworks and taonga it will contain.
“It has been placed in the foyer of the gallery in a manner which makes it visible. In that respect, it is a tangible reminder of the relationship between the gallery and the iwi of Kāpiti.”