Latitude Magazine

In Our Community / David Rickard’s first solo exhibition in Ashburton is well worth a look

Contempora­ry artist David Rickard returns home for a solo exhibition in Ashburton this summer. It will be one of the few exhibition­s his family will have seen of his work, since he left New Zealand in his early twenties.

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David was born in Ashburton and attended Ashburton College before studying architectu­re at

Auckland School of Architectu­re, and later Fine Arts in Milan and London. Now based in London, his original studies in architectu­re have had a lasting impact on his art practice, embedding questions of material and spatial perception deep into his work.

Echoes from the Sound Barrier will bring together new works made during 2018 and 2019, including a number of new pieces made in New Zealand specifical­ly for this exhibition. The name references a latitudina­l line 42.27 degrees south, which cuts across the South Island just below Kaikōura to Greymouth. At this latitude the surface of the earth is revolving at precisely 1,235 km/h, which is equal to the speed of sound.

All of the works consider movements and relationsh­ips that are typically impercepti­ble – from geographic relationsh­ips that span antipodes, to the constant revolution of the earth, the unrelentin­g drag of gravity and the weight of air. ‘I’m really interested to see what people make of it,’ David says.

In one work, A Roomful of Air, David will explore the weight of air in the galler y with concrete constructi­on blocks. Based on the Ashburton Art Gallery’s room dimensions and average room temperatur­e, he estimates this to be 788 kg of air. A calculatio­n which he plans to fully determine during installati­on in late-November.

While in another, X, created in

Mozambique, Western Australia, French Polynesia and Brazil, David uses four global co-ordinates that are located at exactly the same latitude and separated by 90 degrees in longitude, like the ‘four corners’ of the earth. He explains that ‘through collaborat­ion with people in each country local sticks were placed in the ground like simple markers, forming the points of a very large X. The resulting work is both an installati­on, and also the documentar­y photograph­s which echo historic diagrams by the likes of Cosmas Indicopleu­stes who denied the world was a sphere.’

David uses research and experiment­ation to attempt to understand how we arrived at our current perception of the physical world and how far our perception is from what we call reality. ‘There’s often a big difference between what we think we see and what actually exists,’ he explains. ‘These slippages make openings for other conversati­ons about relationsh­ips to our surroundin­gs and sense of place.’ His works range from sculpture to performanc­e, film and photograph­y. The exhibition runs from 28 November 2019 – 20 January 2020. Visit ashburtona­rtgallery.org.nz for more.

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 ??  ?? ABOVE LEFT / A Walk in
the Alps (Axis Mundi), work in progress, 2019 by David Rickard. ABOVE RIGHT / Last
Gasp, CO2 Cylinders, 2013 by David Rickard. LEFT / X, C-Type Photograph­s, 2018 by David Rickard.
ABOVE LEFT / A Walk in the Alps (Axis Mundi), work in progress, 2019 by David Rickard. ABOVE RIGHT / Last Gasp, CO2 Cylinders, 2013 by David Rickard. LEFT / X, C-Type Photograph­s, 2018 by David Rickard.

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