Latitude Magazine

Celebratin­g Women /

The Zonta Ashburton Female Art Award (ZAFAA) is a unique art award in New Zealand which by its very existence acknowledg­es the need for substantia­l support of female artists aiming to pursue full-time careers in art. We take a look at the 2020 award win

- WORDS Lucinda Diack IMAGES Emmily Harmer

The award-winning artists from this year’s Zonta Ashburton Female Art Awards

Ihave coveted Christchur­ch artist Janna van Hasselt’s work for a good decade and had it reaffirmed that her work is something I need to invest in at the recent Zonta Ashburton Female Art Award 2020 (ZAFAA20). Taking out the Premier Award with her sculptural piece Totter, the work spoke to me as not only an art lover, but a mother.

‘ Totter plays with the way porcelain slumps and subsides at high temperatur­es,’ she explains. ‘It has been taken from a series of slumped pieces inspired by the myriad challenges I face daily as a mum to two small children [18 months and four years]. Losing the ability to control the work’s final structure is akin to parenting – plenty of frustratio­ns and failures along with joyful exuberance and delight.’

The work is made up of individual pieces glazed separately and precarious­ly stacked; their final form determined by the firing process.

For judges Sarah McClintock, Cheryl Lucas and Lydia Baxendell, selecting a Premier Award winner presented a challenge. ‘There were a lot of strong contenders and the decision making wasn’t easy,’ shares Lydia.

Sarah agrees. ‘The quality of the work was so high that we asked if we could choose more than one winner, but sadly there can only be one. We were all immediatel­y drawn to Janna’s work. Its energy, tension, joy and the immense skill it displays made it incredibly memorable. The honesty of the artist statement, which matched the intention of the work, impressed us and we clearly saw the potential for an amazing exhibition of her work.’

No stranger to art competitio­ns, Janna was drawn to ZAFAA due to it being the only art competitio­n in New Zealand open solely to female artists. ‘I was really excited to enter a competitio­n that celebrates and empowers women – and am completely overwhelme­d to have won!’

Open to emerging and mid-career female artists residing in Canterbury, the awards encompasse­s all artistic discipline­s including video, sculpture and new media works, which are first presented through photos for the preselecti­on process. Twenty-six of this year’s 69 entries were selected to be exhibited as finalists for the Premier Award and an additional 15 for the Young Generation Award, for female artists between ages 16 and 20.

Taking out the Young Generation Award was first-year Massey University student Catherine Anderson. ‘My high school art teacher [Mark Soltero, Papanui High School] was always encouragin­g us to enter ZAFAA and I am amazed I won,’ she laughs. Entitled Power over Forest, her photograph­y piece works to illustrate ‘the power that men in suits have over our forest lands’.

Inspired by the way in which her father runs a sustainabl­e forest block in comparison to corporate forestry, the work looks into the subject of deforestat­ion. ‘It is often obvious that there is a passing of blame. I have covered the corporate man’s face to show the idea of hiding, yet he is still in his money-making attire.’

For judge Sarah McClintock, the work ‘displayed the whole package. We were impressed by the strength in its

Totter by Janna van Hasselt plays with the way porcelain slumps and subsides at high temperatur­es.

compositio­n, the clarity and thoughtful­ness of the artist statement, its uncompromi­sing viewpoint and the promise it shows for her future as an artist.’

‘The Ashburton Art Gallery has had a long history of supporting female artists in Mid Canterbury,’ explains Gallery Curator and Manager Shirin Khosravian­i. ‘Becoming a finalist in ZAFAA is a remarkable achievemen­t, it requires a level of excellence and the skill to demonstrat­e concepts both visually and through written text.

‘ZAFAA’s distinctiv­eness is also magnified through its prize; it gives the Premier Award winner a cash reward, but also – and more importantl­y – the opportunit­y to work towards a new solo exhibition to be shown with us in 2021.’ The Zonta Ashburton Female Art Award 2020 exhibition is being held at the Ashburton Art Gallery until 12 April and is running alongside the exhibition of Melissa Macleod’s The

Trappings of Ghosts. Melissa was the 2019 ZAFAA Premier

Award winner.

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 ??  ?? TOP / Janna van Hasselt (third from left) with her Premier Award-winning piece Totter and ZAFAA 2020 judging panel Lydia Baxendell (left) Curator, Kaitiaki Taonga Toi, Art Collection­s at the University of Canterbury; Cheryl Lucas (second from left), Senior Practising artist and 2019 Creative New Zealand Craft/Object Fellow and Sarah McClintock (right), Curator and Collection Manager at The Suter Art Gallery Te Aratoi o Whakatū, Nelson. ABOVE / The ZAFAA 2020 Young Generation Award was presented to Catherine Anderson for her photograph­y piece Power over Forest.
TOP / Janna van Hasselt (third from left) with her Premier Award-winning piece Totter and ZAFAA 2020 judging panel Lydia Baxendell (left) Curator, Kaitiaki Taonga Toi, Art Collection­s at the University of Canterbury; Cheryl Lucas (second from left), Senior Practising artist and 2019 Creative New Zealand Craft/Object Fellow and Sarah McClintock (right), Curator and Collection Manager at The Suter Art Gallery Te Aratoi o Whakatū, Nelson. ABOVE / The ZAFAA 2020 Young Generation Award was presented to Catherine Anderson for her photograph­y piece Power over Forest.

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