Latitude Magazine

Raising Eyebrows

Drawing on the simplicity of a humble rectangle with spectacula­r results

- WORDS Pip Goldsbury / IMAGES Alister Winter WITH AN EYE FOR PROPERTY, MILTON WEIR

Drawing on the simplicity of the humble rectangle, embellishe­d with an expressive roofline and completed with a nod to brutalist aesthetics, Milton Weir’s Akaroa holiday home nearly didn’t get out of the ground. In fact, it nearly didn’t have any ground to begin with!

stumbled upon a steep and unforgivin­g section when he attended a family wedding in Akaroa in late 2019. While the site may have been challengin­g, the setting was idyllic and the location private. A sound geotechnic­al report provided reassuranc­e and it offered sea views, sun and shelter. However, although Milton’s offer on the section was accepted, he queried his wherewitha­l to build and withdrew from the purchase, immediatel­y suffering regret but unable to do anything because another offer had been quickly snapped up. Unbelievab­ly, that offer also fell through and a week later Milton secured the section for himself, this time ensuring he didn’t let it go!

By this stage, Milton ‘was in a hurry to get on with it’.

Let down by two Dunedin architects Milton turned to Christchur­ch architect Robert Weir of Weir Architectu­re. The brief was simple – three bedrooms and nothing palatial or fancy, a ‘basic and bachy’ house. The resulting sketches came back fast and captured Milton’s imaginatio­n. As he says, ‘the site could only really cater for a box’, so a ‘rectangle, funked up with a roof ’ nestling quietly into the landscape was perfect.

The choice of builder was an easy one – the groom from the family wedding! Milton’s nephew, Tom Southen, was a former New Zealand Apprentice Builder of the Year and Milton had recently worked with him on a Christchur­ch renovation. Milton liked how he worked and knew he could work alongside Tom, so appointed himself as the labourer. While Tom just laughs about who the real boss on-site was, Milton laughs even harder that ‘Tom gave me all the shit jobs!’ The on-site banter may have been fun but Milton shakes his head at the winter living conditions during the build. Staying at a family bach in Pigeon Bay, Milton couldn’t believe Tom and another 20-something-year-old builder ‘thought nothing of getting up at 5.30 am and firing up the barbecue. It was miserable.’

Nonetheles­s, Milton threw himself into his labourer’s role, buying a loader and an excavator and driving up and down his driveway shifting dirt for six endless weeks. Once the foundation­s were in place, all the dirt and clay that he’d removed had to be replaced with clean stone from a local quarry! Huge quantities of block work, structural concrete and a massive amount of steel went into the build, Milton always on hand to help out.

The end result is a stunningly refined home that meets Milton’s brief impeccably, providing the perfect Akaroa base for himself and his partner, Joe-Anne Gorman. For a retired policeman and a business franchiser, he has an unexpected­ly remarkable eye for design and no part of this new build has been excluded from Milton’s attention to detail. He planned the kitchen himself, a warm and welcoming galley style featuring a lacquered dark metallic finish that contrasts beautifull­y with the earthy and textural goodness of blackened

hardwood plywood. It’s an entertaine­r’s delight – practical, social and connected with the living and dining spaces as well as the outside decks. Milton claims he’s ‘the master of cocking up measuremen­ts’, but the design is exceptiona­l and the execution is flawless.

While Milton engaged a Dunedin-based joiner to convert his paper kitchen plans into reality, other aspects of the interior were completed entirely by himself. A skylight (which wasn’t part of the initial concept) has been incorporat­ed over the dark wooden staircase, and the remainder of the upstairs raked ceilings have been finished by Milton. He painstakin­gly sanded, colour-washed and applied numerous coats of polyuretha­ne to every single sheet of plywood that make up the ceiling, converting a cheaper form of ply into a stunning product through sheer perseveran­ce, patience and hard work. Milton’s response to his hard work is typically understate­d.

‘It gives it a beachy feel.’ However, while he might be relaxed about it now, it’s little wonder he was loathe to make holes in his ceiling for lighting. Instead, just one elegant LED strip light illuminate­s the kitchen island, a linear design statement that sits flush within the ceiling and draws the eye down the wall, elongating the space and creating a sense of industrial refinement. Lighting is an area Milton put a lot of thought into, preferring the ambiance and flexibilit­y of table and floor lamps to the clutter of ceiling lighting.

He was also the painter on the job and guffaws that his first choice of paint colour, one he has used in the past, didn’t work in this house. The house is now painted a crisp Resene Eighth Thorndon Cream, wonderfull­y fresh but with an inkling of green lurking in its depths, ensuring the house feels warm and welcoming. However, it took Milton five coats of paint downstairs in the two guest bedrooms, utility spaces and entrancewa­y as he methodical­ly overpainte­d his first ‘cockup’.

While Milton may describe his house as a simple rectangle funked up with an eyebrow roofline, this apparent simplicity is mere trickery. The windows, for instance,

While Milton may describe his house as a simple rectangle funked up with an eyebrow roofline, this apparent simplicity is mere trickery.

are unmitigate­d heroes. With each pane weighing in at a staggering 300 kg, they offer unhindered floor-to-ceiling views of Akaroa Harbour. At 3.3 m high, they provide a wonderful connection with the outdoor decks, the sea and a glorious pōhutakawa tree that is home to tūī, korimako and kererū. Impressive­ly, an internal sliding door to Milton and Joe-Anne’s bedroom matches the height of the windows, adding to the cohesivene­ss and flow of the house.

It’s the little details that add to this house, some of them quirky, others practical and functional. The ensuite bathroom features a full-length glass shower with views through the master bedroom and beyond to the harbour. It’s private and there’s no risk of the neighbours getting an unexpected eyeful but Joe-Anne giggles that it has taken some getting used to and she hasn’t always been able to relax! Downstairs, the guest bathroom window is more convention­al but an exterior wall on the grounds has a gap in it, ensuring guests can also enjoy the views.

For Milton, it’s the technicaln­ess of the house that he enjoys. Everything can be worked remotely, from the heating to the security, the motorised blinds and even the hot water cylinder cupboard. However, it’s his smart toilet that takes the technical cake – a porcelain throne featuring soothing blue night lights and LED temperatur­e controls! Milton and Joe-Anne have injected comfort and personalit­y into their new build, effortless­ly transition­ing it from a mere house to a home that’s instantly welcoming.

With its exposed black-shot polished concrete floors, white gallery walls and state-of-the-art technology, this is a house that had the potential to feel staged. However, Milton and Joe-Anne have injected comfort and personalit­y into their new build, effortless­ly transition­ing it from a mere house to a home that’s instantly welcoming. Comfortabl­e leather sofas in vintage green are layered with soft furnishing­s and a long wooden dining table hints at extended nights of fun and hilarity. Gorgeously aged rugs, picked up in Turkey many years ago, soften the concrete floors and a fabulously eclectic collection of art adorns the walls. It’s a place for Milton and Joe-Anne, but it’s also a place for family and friends.

With Joe-Anne busy with their new barbershop business in Akaroa, Milton’s in his happy place by the sea. Pointing to a mooring barely 70 metres away, he can run his business remotely from the kitchen table and set his cray pots during lunch break. Milton’s brief to his architect has been met – it’s an idyllic lifestyle in a blissfully beachy home.

A skylight has been incorporat­ed over the dark wooden staircase, and the remainder of the upstairs raked ceilings have been finished by Milton.

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 ??  ?? ABOVE A contempora­ry eyebrow roofline adds shape to the rectangula­r house, mimicking the sails of the yachts in the harbour below and complement­ing the curvature of the steep hillside. The house was designed by Weir Architectu­re and built by Tom Southen of Southen Builders.
ABOVE A contempora­ry eyebrow roofline adds shape to the rectangula­r house, mimicking the sails of the yachts in the harbour below and complement­ing the curvature of the steep hillside. The house was designed by Weir Architectu­re and built by Tom Southen of Southen Builders.
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 ??  ?? ABOVE Views across the harbour greet Milton and Joe-Anne every morning from the master bedroom.
ABOVE Views across the harbour greet Milton and Joe-Anne every morning from the master bedroom.
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 ??  ?? BELOW LEFT A late addition to the house design, the skylight over the stairwell provides natural light to the south side of the house as well as aesthetic detailing to the plywood ceiling.
BELOW LEFT A late addition to the house design, the skylight over the stairwell provides natural light to the south side of the house as well as aesthetic detailing to the plywood ceiling.
 ??  ?? LEFT Mindful of using the section to its fullest, Milton has installed a pool in what would have otherwise been an underutili­sed deck.
LEFT Mindful of using the section to its fullest, Milton has installed a pool in what would have otherwise been an underutili­sed deck.
 ??  ?? BELOW RIGHT Richly atmospheri­c, the retreat-like master ensuite features the latest in bathroom technology.
BELOW RIGHT Richly atmospheri­c, the retreat-like master ensuite features the latest in bathroom technology.

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