Manawatu Standard

George Harrison’s sweet telegrams

- MARY SANCHEZ

A handwritte­n note on top of the telegram asks: ‘‘Is this one of the former Beatles?’’ Yes, it was. The telegram, a terse protest of the bombing of Cambodia, was addressed to then-us President Richard Nixon and sent to the White House by George Harrison on August 16, 1973.

It is one page of 90 released by the US Citizenshi­p and Immigratio­n Services.

George Harrison’s A-file is basically a history of his interactio­ns with US immigratio­n. It covers more than 20 years and now appears online along with the files of other notable foreigners that have come before the agency.

Harrison’s records are noteworthy because they help complete a story of government paranoia, of Nixon’s exploitati­on of federal agents to undercut what was then growing youth dissent toward the Vietnam War. Not a small factor was Nixon’s own fears that he wouldn’t be re-elected in 1972. He was re-elected, but famously fell to his own dissemblin­g and obstructio­n of justice in the Watergate scandal.

Harrison’s squabbles with immigratio­n might be labelled collateral damage. Nixon’s main target then was another former Beatle, John Lennon, who was far more politicall­y active. Still, the telegram is intriguing.

Harrison was angry that his request for a visa extension had been denied, due to a prior pot conviction in England.

Here is the text of the telegram, retaining the misspellin­gs and garbled syntax: ‘‘Sir how can you bomb Camboian citizens and worry about kicking me out of the country for smoking marijuana at the time. Your repressive emperaour war monger ways stop before too piece luv we will run the world Harry Krisher Hare Hara Krishne Hare Hara Hare Hara Krishner. George Harrison.’’

It’s appropriat­e that these pages are available now. Once again, the nation is led by a paranoid, selfobsess­ed president motivated by deep resentment­s that rival any regard for the nation and its security. When you hear politician­s bemoan the outspokenn­ess of Hollywood celebritie­s, of musicians who make headlines for their political views, not their talent, it’s an echo of the Beatles era.

Lennon was hounded by Nixon and FBI Director J Edgar Hoover. It took a Freedom of Informatio­n Act request followed by a 25-year legal battle before journalist Jon Wiener gained the release of government files chroniclin­g the FBI’S surveillan­ce of Lennon, including efforts to catch him with narcotics, which could then be used as a rationale for deporting him.

Harrison’s immigratio­n file further completes the picture. Like Lennon, Harrison’s previous conviction for marijuana possession was used at times as a reason to block his visas, and at other times it was ignored. The difference seemed to be whether or not the government thought that he was being too outspoken. Fears, especially for Nixon, were high as the 1972 Republican National Convention neared. He believed that Lennon was helping plot violent demonstrat­ions.

A September 1971 letter in Harrison’s file is a note among immigratio­n officials advising that any requests by Harrison or Lennon should be sent to a higher office. It describes them as ‘‘personalit­ies who may receive public attention in the US, which would result in unfavorabl­e publicity to this office’’.

Harrison’s file includes correspond­ence from 1970, in which representa­tives of The Ed Sullivan Show noted that the Beatles services are no longer needed and should not be used as a rationale to grant them visas at the London embassy.

All of this is a cautionary tale in a time when questionin­g the government is once more being met with jeers about disloyalty and when facts considered uncomforta­ble to the president are ‘‘fake news’’. Ironically, the lesson comes through the experience­s of four British lads who brought a musical revolution to America.

Mary Sanchez is an opinionpag­e columnist for The Kansas City Star.

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