Soloists shine in concert

Probably better known for his operas and for producing the first collected edition of the works of Handel, English composer and organist Samuel Arnold completed Hymn of Adam and Eve in 1802, just months before his death.

Having prepared a performing edition of a newly-discovered 18th century manuscript as part of my Master’s thesis, I am only too aware of the massive amount of music, particularly from the 17th and 18th centuries, that has never seen the light of day.

Performances that had been planned were cancelled and it was only recently uncovered, edited and published by Palmerston North musicologist, Prof Robert Hoskins.

The combined choir provided the requisite resource to fulfil the demands of the choruses.

Orchestrally, the Sinfonia provided supportive accompaniment despite losing some of the detail. Of more significance was the agility required from the soloists, who handled the demands with considerable panache.

Pasquale Orchard, as Eve, must be congratulated for her mastery of a challenging soprano score.

At only 23, she possesses a maturity and dexterity that belies her years.

Another highlight was the fine virtuosic duo between Shayna Tweed and Jennifer Little.

The concert was also significant for being the final performance of the Renaissance Singers under the baton of Guy Donaldson after 30 years with the choir.

Donaldson’s legacy will be one of musical integrity and quality, and this occasion was a fitting finale to his outstanding service.