Marlborough Express

Pretty Things lead singer who inspired David Bowie but infuriated Mick Jagger

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In the days when anxious parents were locking up their daughters whenever Mick Jagger and his group of long-haired libertines hit town, there was only one band that was shaggier, wilder, lewder and more degenerate than the Rolling Stones.

That band was the Pretty Things, led by Phil May, who has died aged 75. He once rivalled Jagger as a lascivious, hip-wiggling lead singer and was dubbed ‘‘the longesthai­red man in Britain’’.

The marketing campaign behind May and his band was crude but effective and could simply be paraphrase­d as, ‘‘If you thought the Stones were a bunch of scruffy yobs, wait until you see this lot.’’

For a while the carefully promoted sense of outrage worked well and the Pretty Things’ first two rambunctio­us singles, Rosalyn and Don’t Bring Me Down, featuring May’s yowling vocals, were as ferociousl­y potent as anything recorded during the 1960s British beat boom.

‘‘He’s just too f...ing pretty . . . He’s dangerous,’’ Jagger was reported to have said after May had made a spectacula­r TV debut with the Pretty Things on Ready Steady Go! in 1964. Andrew Loog Oldham, the Stones’ manager, was dispatched to tell the show’s producer, Vicki Wickham, that if she put May and his reprobates on again, Ready Steady Go! should forget about getting the Stones back.

The rivalry was given an added piquancy by the fact that the guitarist in May’s group was Dick Taylor, who had been at Dartford Grammar School with Jagger and had briefly played in the Stones’ pre-fame lineup.

The Pretty Things’ most enthusiast­ic uber fan was a teenager named David Jones, who hung around the stage door at so many of the band’s gigs that they took to calling him ‘‘the Stalker’’. When he got to know May he entered his number in his phone book under the name ‘‘God’’. Jones later changed his name to David Bowie, and recorded deferentia­l versions of Rosalyn and Don’t Bring Me Down on his 1973 album Pin Ups.

Bowie also namechecke­d the band in the song Oh! You Pretty Things and borrowed aspects of May’s androgynou­s appeal. From the outset May had hinted at bisexualit­y in songs in which he interchang­ed the pronouns ‘‘he’’ and ‘‘she’’. May claimed on one occasion to have ended up with Brian Jones, Judy Garland and Rudolf Nureyev in the same bed at the Dorchester hotel.

He was married for 30 years to Electra Nemon, but divorced her in the 1990s and entered a long-term relationsh­ip with Colin Graham, with whom he lived in Norfolk.

Phil May was born Philip Dennis Arthur Wadey in Dartford, Kent, in 1944 and was brought up in his early years by his mother Daphne’s sister, Flo, and her husband, Charlie May, whom he considered to be his real parents and whose name he took. On leaving school he studied graphic design at Sidcup Art College, where Keith Richards was a student in the year above him. He formed the Pretty Things with Taylor in 1963.

After the Pretty Things’ early flush of success the group was bedevilled by poor decision-making, bad luck and a reputation that preceded them.

In 1965, at the height of their British success, they were invited to tour by Sid Bernstein, the New York-based promoter who had introduced the Beatles to the United States. But Bryan Morrison, the Pretty Things’ manager, turned down the invitation on the grounds that the fee was too low and sent the band to New Zealand instead. The quiet country wasn’t ready for the Pretty Things, and the tour was a disaster.

May and his bandmates provoked so much outrage, including starting a fire on an aircraft at 30,000ft, that their antics were debated by the New Zealand Parliament and there were calls for them to be banned from the country for life.

Like the Sex Pistols a decade later, everywhere the band went there were drug busts, fights and riots. It was claimed that members of the group made 27 court appearance­s in 1965 alone.

After switching his drug of choice from Purple Hearts to LSD, May reinvented the Pretty Things in the 1967 .‘‘summer of love’’ as psychedeli­c rock pioneers. He deserved the credit for writing the first ‘‘rock opera’’ with SF Sorrow in 1968, a story chroniclin­g a life from birth through childhood, love and old age.

Today the album is regarded as a landmark but at the time the group’s record company, EMI, was unimpresse­d and failed to promote it. Six months later the Who released Tommy to worldwide acclaim.

Pretty Things’ next album, Parachute

(1970) was voted record of the year by Rolling Stone. Typically, for the band, it became the only album of the year in the magazine’s history not to sell a million copies.

May carried on performing until lung disease caused by years of heavy drinking and smoking forced him to retire from the stage. He played his final concert with the Pretty Things in 2018, when he was joined onstage by his old friends David Gilmour and Van Morrison.

‘‘You could have surfed on the warmth that was coming out of that audience,’’ May said after the show. ‘‘The power of people expressing their gratitude for the music you made was quite thrilling.’’ – The Times

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