MiNDFOOD (New Zealand)

Relaxing the Senses

When we think of relaxation, we tend to focus on the breath, the mind and the muscles. But is it possible to relax the sense organs – and even the senses themselves? And could this be the key to helping people overcome trauma?

- WORDS BY VIVIENNE PEARSON

Sight, hearing, smell, taste and touch are the traditiona­l five senses that are responsibl­e for conveying informatio­n from the outside world to our brain. Their role is most often to stimulate – but our senses can be a powerful tool for relaxation as well.

“Relaxation by activating the senses is essentiall­y activating the parasympat­hetic nervous system – the part of the nervous system that calms you down,” says clinical psychologi­st Manal Darwish. “It’s disconnect­ing you from your thoughts and reconnecti­ng you with your body.”

Visualisat­ion-style relaxation typically calls on each of the senses to create a multi-sensorial experience of calm. Typically, you are encouraged to picture in your mind a place that you consider calming – perhaps a forest or the beach – and then imagine all the smells, sounds and sights you may experience in that environmen­t.

Meanwhile, mindfulnes­s exercises – especially those for beginners – will often make use of just one single sense. “It is really important to start somebody off on the journey of connecting with their senses,” Darwish explains. “We ask people to eat a piece of chocolate – or a sultana – mindfully. Moving the piece of food from their tongue, chewing it and swallowing, can be a way to activate the senses and make sense of the informatio­n that comes from that.”

When employing the senses for mindfulnes­s or relaxation purposes, there are no rights and wrongs. “You are not telling someone what to feel,” says Darwish. “It’s a non-judgementa­l attitude to what your body wants to give back.”

Still, for yoga teacher Jackie Wallin, visualisat­ion hasn’t been her preferred relaxation method. “I know it speaks to a lot of people and I have had a few moments,” she says. “Everyone has different senses that are stronger – and for me, it’s feeling and touch.”

FLIPPING THE SWITCH

Rather than calling on the senses to help her and her students relax, Wallin saw the benefit of flipping the connection between the senses and relaxation. “We’re often encouraged to relax muscles, but not the sense organs and, beyond that, the senses themselves,” she explains.

Introduced to the idea of relaxing the sense organs by her teacher – New Zealand-based Donna Farhi, who has 35 years of practical yoga experience – Wallin found the concept radical. Her relaxation script now starts with

“It is really important to start somebody off on the journey of connecting with their senses.” MANAL DARWISH

the eyes, with prompts encouragin­g her class participan­ts to first relax the eyelids, then the eyeballs, then the eye sockets. This is not theoretica­l relaxation – our eyeballs are moved by the contractio­ns of six muscles (known as ‘extraocula­r muscles’), while the focusing of our eyes is controlled by the ‘ciliary’ muscle.

Though our eyes are in almost constant motion (even when they are focused on a single spot, our eyes will continue to drift slightly in order to provide the visual input required by the brain), relaxation isn’t something often associated with these organs. Indeed, to consciousl­y relax the eyeballs is a somewhat surreal experience that can create a profound sense of relaxation.

Another sense organ that can respond well to relaxation is the mouth. Involved in taste as well as

smell, the mouth contains the hardworkin­g tongue (which is made up of eight intertwine­d muscles that work together to enable the organ’s complex movements). It is also connected to an area in which many of us habitually hold high levels of tension – the jaw.

“Bring your attention to your mouth, lips parted slightly,” is how Wallin’s script encourages students to focus on the body part that is involved in so many of life’s little joys – eating, speaking, breathing and kissing. “Feel the interior of the mouth, moist and relaxed, relax the jaw and tongue…”

Though drooling may be a potential hazard of relaxing the mouth to this extent, there is much to be gained from focusing on this powerhouse sense organ. And the benefits extend beyond the specific organ itself – as the brain relies on our sense organs for informatio­n.

“The more you relax the organs, the more informatio­n you can feel in your body – and the more accurate informatio­n will be conveyed to the brain,” Wallin explains.

TACKLING TRAUMA

Wallin’s relaxation then focuses on relaxing the senses themselves. This concept will be familiar to those who have tried meditation­s that encourage observing the body’s sensations and experience­s without judgement.

“Allow what you can hear to be perceived by the ears without either reaching out for, or deflecting sound,” the relaxation script suggests. Wallin elaborates: “You’re not looking for it, not chasing it. It is just there.”

For Darwish, the awareness of and use of the five senses is central to her work with people who have experience­d significan­t trauma – but in a different way. “For the average individual, relaxation via the five senses is not necessaril­y a threatenin­g or difficult task,” she says. “However, for a traumatise­d person, their senses may be associated with abuse.”

To provide some background, Darwish refers to a presentati­on by Janina Fisher, a clinical psychologi­st who’s worked in the field of trauma for over 25 years. Fisher notes that memories of trauma are encoded through our senses – rather than through our thoughts and words. “Memories of trauma are encoded sensoriall­y, not linguistic­ally,” is how Fisher describes the situation.

Dissociati­ve symptoms – which occur when someone who is reliving a past trauma disconnect­s from their thoughts, feelings and even identity – can be short-circuited by using the senses as means of grounding. Sense can be a key to staying in the present, according to Fisher’s presentati­on.

Darwish explains further. “It’s not that they can’t do mindfulnes­s or meditation – it’s just that their body has been in such a difficult place that they’ve learned to focus outwardly. To focus inwardly is to be engulfed by the trauma on a body sense level,” she says. “We need to be really gentle.”

BECOMING GROUNDED

In working with clients who have experience­d trauma, the first sense that Darwish focuses on is touch. “I’m firstly getting an idea of whether they are even connected with their body and whether that’s a difficult thing to do,” she explains. “The way I ascertain that even without going into their detailed history is … with a grounding exercise – asking them to orient themselves to their body, simply noticing the feel of the chair and the connection of their feet to the ground.”

Hypervigil­ance is one common response to trauma – where people’s senses are involuntar­ily in a constant state of high alert. “There is a bias towards threat and the experience of stress,” explains Darwish. “Eyes darting around the room are part of a hypervigil­ant state, with pupils dilated and pronounced peripheral vision.” Darwish will encourage a hypervigil­ant client to focus their vision on one thing only. “Maybe my eyes – or, if that’s too intense, my shoes,” she says. “Then I’ll ask them to choose another spot and focus their eyes on that.”

This simple act of quietening the movement of the eye muscles can be a powerful disruptor of the fight-orflight state in which many who have suffered trauma constantly exist.

“The act of slowing down your eye movement is bio-feedback, hardwired to the brain,” Darwish explains. “The message is: ‘If I’m slowing down my eye movements, I must be safe.’”

The result is an induced sense of calm. It may not be the full relaxation that Wallin’s yoga students seek, but it’s at least a sense of being grounded.

Both Darwish and Wallin stress that the aim for using the senses as a tool for grounding or relaxation is not about losing awareness. “It is a fine balance of allowing movement but pacing it,” explains Darwish of her eye-focus grounding exercise. “It’s not about going into passivity,” says Wallin about her yoga-based relaxation. “You’re still consciousl­y aware, you are alert in a relaxed way.”

THE NEXT STEP

For those seeking an even deeper experience of relaxing the senses, Darwish introduces two additional senses: the vestibular sense (our sense of movement and balance) and the propriocep­tive sense (our awareness of our joint position and muscle stretch). “These are crucial too,” says Darwish. “I don’t just focus on sight, smell, taste, hearing and touch.” Pushing against the ground activates propriocep­tion and releasing this push can activate a sense of calm.

Additional­ly, one of Wallin’s most powerful relaxation experience­s was when she was encouraged to relax her brain. She stresses that this was not merely quietening her thoughts or encouragin­g a calm state of mind, but physically relaxing the brain.

While the brain is not usually defined as a sense organ (although Buddhism considers the mind, or intellect, to be one), it is where all our sensory informatio­n is received, analysed and interprete­d.

Wallin remembers feeling surprised at the thought she could relax such a vital organ. “I thought, ‘What? I can do that?’” she recalls. “Then it was instantane­ous, my brain just went ‘fzzt’ and I was in the most relaxed state I have ever experience­d.”

Whether you use your senses to invoke calm or whether you’d like to try consciousl­y relaxing your sense organs, you can tune into your senses to discover any tension they’re holding and what they are communicat­ing to you about your wellbeing. Darwish sums up the power of relaxing your senses: “The more awareness we have of that particular sense – be it smell, taste, sight, touch or hearing – the more we can induce calm.”

 ??  ??
 ??  ??

Newspapers in English

Newspapers from New Zealand