MiNDFOOD (New Zealand)

COMFORT CONSUMPTIO­N

Does it feel like you’re stuck in a rut of watching re-runs and re-reading old favourites ... while your list of new movies, TV shows, and books to catch up on grows ever longer? Here are some of the compelling reasons why.

- WORDS BY REBECCA DOUGLAS

There’s a reason why we’re watching re-runs and old favourites while our list of new things to catch up on grows.

Part of the job of a writer is to stay on top of the latest news, research, and culture in our society, identifyin­g trends and coming up with story ideas to suit. With such an incentive to seek out newness, why, then, do I constantly crave my 100th re-read of The Hunger Games or watch Sex and the City again when I can practicall­y recite all the episodes by heart?

If you’ve found yourself wanting lighter forms of entertainm­ent during the pandemic, you’re not alone. It turns out, at times when feelings of stress, anxiety and isolation creep in, we seek out comfort in the familiar like never before.

“It makes sense that people would have turned to more familiar territory during a time of unpreceden­ted (at least, in our lifetime) uncertaint­y, loss, upheaval and anxiety about our health and our livelihood,” says clinical psychologi­st Dr Lillian Nejad. “The familiar shows from our past give us a sense of comfort and remind us of a time when we felt more at ease, which can lead to feelings of optimism moving forward.”

Since we’ve faced extended periods cooped up inside due to lockdowns, the pandemic has fuelled an increase in the consumptio­n of TV shows, movies and books.

In New Zealand, TVNZ’s free OnDemand service clocked 571,000 viewers in the week commencing 12 April 2020, an increase of 67 per cent compared to the previous year. When it came to books, 26 per cent of Kiwis reported they’ve been reading more during the pandemic.

So what kinds of stories bring us the most comfort? While the news has been vital to keep us up to date with the latest developmen­ts, sociologis­t Dr Lauren Rosewarne says it’s not at all surprising if you’ve felt like switching over to gentler narratives in preference to stories reflecting the grittier aspects of reality. “For the first few months of the pandemic when the news was becoming ever more dire, I found myself rewatching old episodes of Community,” she says.

“I simply couldn’t bear my usual diet of CNN and crime drama. I was anxious and wanted content that didn’t inflame that. I imagine many people felt similarly.”

These days we’re bombarded by almost endless options from the moment we wake up, becoming fatigued by all the decision-making in our lives. From 1986 to 2011, the amount of informatio­n Americans absorbed in a day increased fivefold, equivalent to 174 newspapers. In our leisure time, we now process 100,000 words, or 34 gigabytes, each day. No wonder we’re exhausted.

STREAM OF CONSCIOUSN­ESS

So what kinds of informatio­n are we consuming? Subscripti­on streaming services such as Netflix and Stan are increasing­ly gathering viewers, with recent data from Roy Morgan showing more than 2.8 million Kiwis above the age of 14 years now watch subscripti­on TV on average in a month, amounting to roughly two-thirds of all New Zealanders. The total number of subscripti­on TV viewers jumped by 4.9 per cent to 2,823,000, increasing by 131,000 compared to the previous year.

In the face of these almost endless entertainm­ent options, there’s a distinct possibilit­y of becoming overloaded, meaning we baulk at making any decision at all. The term “decision fatigue” was created by social psychologi­st Roy Baumeister when examining whether our capacity to exert self-control and make good decisions is drained by making a spate of previous decisions.

Choice, it seems, is great until it becomes overwhelmi­ng. It therefore stands to reason that in times where we’re particular­ly mentally exhausted, many of us simply return to our old favourites when sinking into a story to unwind.

“We’re all, in varying degrees, predispose­d to doing this,” says Dr Rosewarne. “It might be heightened at times of stress or feelings of being overwhelme­d, or even just times of choice fatigue. There are thousands of new things available to watch on Netflix, but we can’t make a choice so we choose to watch something we’ve already seen.”

RELAX & UNWIND

There are several psychologi­cal phenomena that may contribute to our yearning to rewatch what we’ve seen before.

The “mere exposure effect” explains a preference people have for things they’ve come into contact with before, even if they haven’t consciousl­y noticed them. There’s less strain on the brain to figure them out, leaving more processing power for other activities. The principle is used in advertisin­g to repeatedly expose consumers to a product to make it more familiar and therefore likeable.

“Things that are familiar are easier to process so are more relaxing,” Dr Nejad says. “They are predictabl­e, so don’t induce anxiety, and they require less effort overall. We like revisiting a bond we already have to a show or book and its characters, rather than having to create new relationsh­ips.”

Humans can also have a status-quo bias, meaning we generally have a preference for the world staying as it is, giving us a sense of control and comfort. This is particular­ly the case for people who are risk-averse and resistant to change.

Nostalgia, or our tendency to look back at the past with fondness, also plays a part and means we’ll be keen to re-experience shows and books that remind of us of better times.

“Autobiogra­phical nostalgia (a memory associated with a specific time in your life) can lead us to revisit past shows, movies and books,” says Dr Nejad. “Rememberin­g the experience you had when you watched it last or who you were with can have positive psychologi­cal effects – it can help with loneliness, foster optimism and improve self-esteem. It even gives us a sense of warm, physical comfort as well.” Going back to memories of happier days is also an opportunit­y to reflect on your life by comparing it to what you’re seeing on the screen or the page. This offers an avenue to understand ourselves and others better, and learn new ways of dealing with life’s ups and downs.

BACK TO THE FUTURE

“Revisiting old memories associated with a show, movie or book can help us process informatio­n related to these memories in a new way, giving us new perspectiv­es and insights that enlighten us and potentiall­y offer meaning to our lives currently,” says Dr Nejad. “We may identify strongly with a character or a story and watching it play out on screen can help us learn about ourselves and helps us work through our own challenges. It can also give us a sense that we’re not alone.”

Then there are the anxietysoo­thing effects of knowing what to expect in a storyline, so we can switch our brains off and simply enjoy, or watch it in the background while doing other things and only partially paying attention. “Revisiting old shows, movies, and books is less of a mental load,” says Dr Nejad. “We don’t have to think too much, don’t have to focus on learning new characters and plotlines, don’t have to pay attention as much because you’re already seen it, and have no obligation or need to watch the entire movie or watch the whole season. It’s easier so it’s more relaxing.”

Genres topping our watchlists during the pandemic have included family animation, sports, thrillers and disaster movies. While what soothes one person may distress another, it’s unsurprisi­ng that comedy is one of the genres we’re most likely to reach for when we want to feel better. “Sitcoms are the most revisited television shows – we want to feel better, we want to laugh, and we want to experience the lighter side of life,” says Dr Nejad.

The viewing experience can also be one that is engaged in with others in our household or from afar via the internet. It’s a way to enjoy a shared experience even when we’re physically alone, and it provides a ready-made conversati­on topic for further interactio­n down the track. There’s also the joy of seeing the reaction of friends and family when they’re experienci­ng a story for the first time that you’ve known and loved for years.

“Introducin­g someone else to a beloved story is another way to experience it,” says Dr Rosewarne. “During lockdowns we saw people participat­e in ‘watch parties’ via platforms like Zoom. Certain films with musical soundtrack­s – think The Sound of Music and The Rocky Horror Picture Show – have also attracted sing-a-long and dress-up events many decades after their first release.”

In particular, it can be a joy to introduce the stories we grew up with to the next generation through family movie nights. By sitting down to watch classics such as Star Wars, E.T. the Extra-Terrestria­l, and The Princess Bride, children learn more about their parents and the way the world once was while also bonding over a fun family experience.

“It gives our kids a guide to our pop-culture preference­s in our youth, and also a sense of the overall sociopolit­ical climate of the time in which we were raised,” says Dr Nejad. “And we get to see how our old favourites are viewed through the eyes of a new generation and learn more about ourselves as much as they are learning about us.”

Is there, in fact, anything wrong with going back to our old faithfuls? Should we seek out newness as much as possible or is it okay to wallow once in a while? Despite society’s tendency to look down on reality television and lighter genres, it’s okay to not only engage with these forms of entertainm­ent, but keep going back to them as a form of escapism.

“There’s nothing wrong with seeking out the familiar,” Dr Rosewarne says. “Our leisure time is ours and we shouldn’t be made to feel guilty over how we elect to use it. Some people just need downtime, and this can be achieved through lowdemand pop culture. The pop culture industry needs us [to be] fixated on newness, but there’s no need for individual­s to be preoccupie­d by it.”

There’s room in our lives for a mixture of reliving old experience­s and seeking out newness as well, provided we’re not leaning on the known too heavily as an unhealthy coping mechanism to avoid our problems. As with most things, balance is key, says Dr Nejad.

“If you’re only seeking familiar experience­s, you may be overly focused on the past and using these experience­s as avoidance behaviours to escape your present responsibi­lities or problems,” she says. “Revisit old movies and shows as a means of self-care, joy and relaxation, and at the same time seek opportunit­ies for new learning, experience­s and growth.”

“WE’RE KEEN TO RE-EXPERIENCE SHOWS AND BOOKS THAT REMIND US OF BETTER TIMES.”

 ??  ?? From an evolutiona­ry point of view, the familiar is likely to be safer.
From an evolutiona­ry point of view, the familiar is likely to be safer.

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