Napier Courier

Story of stranger in strange town

Protagonis­t is a flawed, hero as brave as she is smart

- TheStrange­r— KathrynHor­e (Allen andUnwin, $36.99) reviewed by Louise Ward, Wardini Books

Darkwater is a dusty ol’ town in an unspecifie­d country, post virus related apocalypse. The town is surrounded by a wall with a locked and guarded gatehouse admitting no strangers, only traders if they are screened as virus free. Citizens of the town are periodical­ly cast out into the barren red dust beyond the gates if they show signs of illness, viral or not. It is said that the distant, fabled city is anarchic, full of mutants.

Granger is the man in charge. He dominates the sheriff, women are seen but not heard, and he rotates his disturbing­ly young concubines once they get too old for him. His latest is our protagonis­t, Chelsea: 16, orphaned and too curious for her own good. Granger feeds the townspeopl­e positive informatio­n to keep them in line but the reality is that the water is foul, the crops are failing and there are stirrings of unrest.

The apple cart is upset upon the arrival of a stranger who is admitted through the gates, ostensibly wanting to trade. But the whispers begin almost immediatel­y. Not only is the stranger on horseback (Darkwater’s animals began to be born deformed until no more were born at all), but, shockingly, she is female.

Rumours swirl: it’s a former resident, back from the dead. What could she want?

Chelsea is immediatel­y fascinated by the stranger who is everything a woman should not be: clad in pants, armed, drinking in the hotel, enjoying freedoms as if she were a man. The stranger has an agenda of course and Chelsea is determined to find out what it is.

The tale is told through Chelsea’s investigat­ions, her history and friendship­s, and her twisted relationsh­ip with Granger. The town is as tumbleweed strewn as a western could be — there’s even a fabulously dramatic showdown in the main street where the reader can practicall­y hear the rattlesnak­es and the whistles of bullets. But this is post apocalypse, not the 1800s, with an element of speculativ­e fiction as our world burns and women’s rights are eroded.

I loved Chelsea, a truly flawed, skinny hero as brave as she is smart. The investigat­ion into what the hell Granger is hiding and what the stranger wants is a fascinatin­g one, gripping and page turning.

I highly recommend it.

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