Nelson Mail

Rescued goldmining story

- Elly Cave

New Zealand renowned cinematogr­apher Leon Narbey is in Nelson to show his film about Central Otago’s early Chinese goldminers to the Nelson Film Society at the State Cinema tomorrow evening.

Following the release of Illustriou­s Energy in 1987, Narbey’s directoria­l debut film won eight New Zealand film awards, including best feature film and best film director.

Many of those who worked with Narbey won awards for their contributi­on, including co-writer Martin Edmond, cinematogr­apher Alan Locke, and Jan Preston, who wrote the film score.

The project was initially intended as a half-hour television documentar­y. However, it soon developed into a full-length feature. It portrays a significan­t period in New Zealand’s history which hadn’t been explored in film before.

After the British settlers had abandoned their mines at the end of the gold rush in the 1860s, New Zealand allowed many of the Chinese to rework some of the remote claims in the rocky, barren valleys. This was a time when the country had a ‘‘whites only’’ policy, and there were attempts to limit Asian immigratio­n.

In the story, Chan and father-in-law Kim, who have been in Otago for many years, need to pay off their debts before they can return to China and see their wives and children.

They work their claim in isolation and extreme weather, and encounter prejudice, threats, opium, prostitute­s and even a circus romance.

Narbey was inspired by Nelson author Peter Butler’s Opium and Gold, a history of goldminers in New Zealand. He then drew his inspiratio­n from photograph­s and notebooks of missionary Alexander Don, who kept meticulous notes, recording them in Chinese and English.

Illustriou­s Energy is visual storytelli­ng at its best. The tale is told through images of man and landscape, earth and sky. With Narbey’s eye for detail, the dense colour photograph­y literally textures the landscape, players and story, forming a single entity.

The film has been restored and reformatte­d for the latest computeris­ed projection, which is only available in selected cinemas.

Illustriou­s Energy is worth its weight in gold and has a story, which nearly disappeare­d from New Zealand history.

No doubt the director will tell us more about the trail he had to blaze to find the original negative and to get it back to New Zealand.

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