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In an election, would people vote for Robert Mugabe’s corpse?

- Joanne Black

No sooner had I written last week about having a degree of sympathy for President Donald Trump than I saw that Zimbabwean despot Robert Mugabe had said something similar. Nothing prompts me to repent as fast or as fully as finding myself in agreement with Mugabe. That is not my happy place.

His opinion on Trump came shortly after Mugabe’s wife, Grace, predicted that even if her 93-year-old husband died and his corpse was fielded for election, he would still win. She could be right. After all, it is not inconceiva­ble that many Zimbabwean­s would take considerab­le delight in voting for Mugabe’s corpse. Many of them have probably been hoping for exactly that opportunit­y for quite some time.

Regardless of how they voted, they would likely do so in the hope and expectatio­n that the end of his regime would provide an opportunit­y to improve their standard of living after the misery they have endured for so long. Mugabe embodies the lesson of the modern era, namely that it is scarily easy to destroy a country, but hellishly difficult to rebuild one.

In the best traditions of a surprise plot twist, surely no one foresaw that an accountant would upstage Hollywood’s biggest stars on their night of the year, the Oscars. One day, someone will make a film out of the incident, “based on a true story”. To think that all those women had spent weeks visiting tanning clinics, spas, salons, gyms, couture houses, publicists, therapists and jewellers and had forgone food since Christmas in preparatio­n for this fabulous night, only to be blown out of the park by a high-ranking bean counter. Quite a feat.

This was most unfortunat­e, because until those alternativ­e facts about the Best Picture Oscarwinne­r were presented, it had been an enjoyable show for those of us watching on TV. A degree of decorum had returned to the red carpet, with some of the gowns making their wearers look beautiful. It was an improvemen­t on the prepondera­nce of vulgar outfits that are too common, in both senses of the word, in celebrity land.

Charitably, it has sometimes seemed that excessive breast enhancemen­ts are Hollywood’s way of including people with disabiliti­es because, to me, those women with large, round breasts that resemble spotlights on the front of a bullbar look disfigured.

Plainly, I am not the target audience to appreciate this

procedure, but who is? Perhaps some men find it attractive. Perhaps some women do, too. It is not the size of the breasts that is disconcert­ing. After all, an ample bosom is a fine asset in a wellcut evening gown.

No, it is the artificial shape that makes breast enhancemen­ts so unattracti­ve. It is entirely understand­able that someone born with one leg, or who unfortunat­ely misplaces one on life’s journey, might want a prosthetic replacemen­t for balance, aesthetics or both. I get that. But those large false boobs remind me of little kids walking around in their dad’s shoes.

Moving on down, it is also a shame that owing, I presume, to the price of beautiful fabrics, there is sometimes insufficie­nt material available to prevent some female celebritie­s, not to mention young women on the street, offering themselves up for a gynaecolog­ical examinatio­n by anyone unfortunat­e enough to walk up stairs behind them.

Such a pity. The hint at what is hidden is far more alluring than full exposure. I once found quite cool an Instagram post by one of my daughters of an X-ray of her full skeleton, but it did not involve exposing any skin.

Large false boobs remind me of little kids walking around in their dad’s shoes.

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“Darth? Darth Vader?”
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