New Zealand Listener

Till kingdom come

If you thought the story of George VI and his speech therapist had been told, think again, and again.

- By DAVID HILL

It’s probably the most famous screen stammer: His Majesty Colin Firth in The King’s Speech. If you don’t know the rich-boy-makes-good story of George VI fighting his affliction with the aid of Aussie speech therapist Lionel Logue, then you really should patent the rock you’ve been hiding under as a fallout shelter.

Now, Logue’s grandson, Mark, and UK journalist Peter Conradi take king and counsellor through the years from Dunkirk to D-Day and victory in this surprising­ly effective memoir stuffed with letters, diaries and scrapbooks.

Surprising­ly? You could wonder what there is left to say about that monarch, that conflict, that relationsh­ip. You could also wonder if their prodigious­ly successful first memoir, The King’s Speech: How One Man Saved the British Monarchy, had publishers urging, “This means war! Please?”

Some passages of this book do read like a who’s who, blended with a potted history of World War II, though it does a good job with the war’s effects on individual lives: Londoners carried newspapers to be visible in the blackout; Lionel Logue’s son shot rabbits in Epping Forest for food.

It’s also good with the lives of its two protagonis­ts. It begins with an ending: George VI dying the day after a shooting trip where “he bagged nine hares”. Then to his funeral, with every participan­t and uniform and prop, including the coffin, “which lay within a circle of candleligh­t set like a jewel against the blackness enveloping the hall”. The book ends with Logue’s death, 14 months later.

The “candleligh­t” is atypical. Most of the writing won’t inflame the senses: “We have been able to enrich our narrative with the reminiscen­ces of some of those whose lives were touched by …” Buckingham blandness predominat­es.

When the war began, prince and commoner had already been working together for 13 years (the initial appointmen­t cost HRH about $500 in 2018 values). Logue remained on call, helping with the royal Christmas message and the exhausting VE Day address, receiving handwritte­n messages of thanks. George was never “cured”, but the improvemen­t was remarkable.

His surgeon was hugely impressed by the flexibilit­y of the royal larynx. In his spare time, the bellicose therapist (“the universal desire is to kill the Austrian house painter”) carried out Home Guard duties, based at the Dulwich & Sydenham Golf Club. I mean, how could Hitler have won the war? He was commendabl­y discreet, profession­al and clearly fond of his patient. A letter “found years later in a New Zealand bookshop” pierces with its directness: “My beloved king killed himself by working too hard.”

It manoeuvres through the mazes of court and cabinet. It evokes the grind as well as the drama. It’s understand­ably affectiona­te and commendabl­y balanced.

And, there’s going to be a third instalment, with the public invited to submit material. The King’s Contributo­rs, perhaps?

A letter “found years later in a New Zealand bookshop” pierces with its directness: “My beloved king killed himself by working too hard.”

 ??  ?? Speak easy: Lionel Logue.
Speak easy: Lionel Logue.
 ??  ?? THE KING’S WAR, by Peter Conradi and Mark Logue (Quercus, $34.99)
THE KING’S WAR, by Peter Conradi and Mark Logue (Quercus, $34.99)
 ??  ?? Famous stammer: Colin Firth and Geoffrey Rush in The King’s Speech.
Famous stammer: Colin Firth and Geoffrey Rush in The King’s Speech.

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