New Zealand Marketing

RNZ CHIEF EXECUTIVE PAUL THOMPSON

When looking across New Zealand media, there’s plenty of talent leading the way of radio, magazines, newspapers, websites and TV. However, standing out from the rest is RNZ’S Paul Thompson. The biggest ships are the most difficult to turn around, but Thom

-

“It’s been an absolute privilege and pleasure,” Thompson says about his last three and a half years since taking over the throne as chief executive of RNZ.

Joining from his role as Fairfax New Zealand’s group executive editor, Thompson says he’s really enjoyed learning about broadcasti­ng, feeling the stability that wasn’t there so much in the publishing world and moving from a commercial to non-commercial model.

“It reminded me in parts of what the newspaper industry used to be and I’ve also just really loved working for an organisati­on that’s got such a strong sense of its role in New Zealand life.”

That role comes from its foundation documents that specify its promise to deliver unique and high-quality news, current affairs and entertainm­ent, be innovative and challengin­g, create a sense of community and foster a sense of nationhood.

“All of that stuff is really motivating us,” he says, again using the word “privileged” to describe how RNZ feels about the charter.

“That does create, I think, a desire for us to grow the appeal and relevance and accessibil­ity of our content.”

If the latest GFK Radio Survey results are anything to go by, it’s successful­ly living up to that with RNZ National sitting in number two position for its weekly audience of 579,400 with an 11.3 percent share of listening time. That audience is up 44,200 from the previous survey.

While RNZ has always been a significan­t player in the radio market with one of the largest audiences and shares, the last few years have seen the broadcaste­r shift its mindset

with a digital transforma­tion that places greater emphasis on its online platforms, social media, mobile apps, Sky, Freeview and satellite.

Now, its audience is as varied as ever, with some happy to continue to tune in as they always have while others have branched out and made the new offerings their go-to.

“From what we can see, most people are there online, they’re listening on air, they’re listening on demand and they also pick up our content when they go on

Stuff or The Herald.” Thompson says in the changing media environmen­t, RNZ is going where its audiences need it to be and that’s been made easier by a change to the charter last year.

It specifies RNZ should use the most effective means of distributi­on and with that came control of what those means are.

And as well as its own platforms, it now collaborat­es with other media companies, which Thompson says brings in a new audience for RNZ as well as helping out the media sector as a whole.

An example of this is its new 9th Floor series, which profiles five living New Zealand prime ministers. As well as providing RNZ with new angles, news packages, written content, video, podcasts and radio output, most major media outlets in New Zealand have also made good use of the series and it will be broadcast on free-to-air television by Three later this year.

But no matter where the audience consumes the content created by RNZ, Thompson says there’s a common theme across it all.

“The glue that hangs it all together is that the quality of the content is high and it’s credible, unique and different to what other people do.”

While the audiences’ successful pickup of the new digital offerings is a reflection of the considerat­ion that went into the new platforms, what’s just as impressive is the fact the digital transforma­tion was achieved without any extra funding. (Increased funding was finally announced in the 2017 Budget).

Thompson says throughout the process it’s become more efficient, moving resources around the organisati­on to make room for more digital staff – pointing out that head of digital media Glen Scanlon now has a team of 30-40 staff.

It also made it a requiremen­t for all its programme managers, executive producers and newsroom leaders to think digitally.

And while Thompson admits there’s been stress and strain due to questions around resources, he credits his team for the way it’s handled the transition­s.

“There’s a lot of hard work in behind that and the RNZ staff have been extraordin­arily willing to be open to the challenge and they’ve embraced it. That’s because they’re really motivated around getting things to audiences and online allows them to do much more than they could in the past.”

At the helm of the ship, Thompson is held in high regard by the staff and he has an equal respect for them, which is why he’s made it his mission to be accessible to them all.

“I’ve tried to be present and available and I just really try to communicat­e very strongly opportunit­ies for RNZ as it gets it plan right and evolves as a media organisati­on. And I think staff have responded to that.”

Part of the message he has for staff now is that they’re 30 percent down the path of its digital transforma­tion, with 70 percent to go over the next few years.

“We’ve done a great job, we’ve adjusted to the new environmen­t, we’re growing and we’ve raised our profile. But if we stop now we’ll again fall behind.”

RNZ believes the future is about multi-platform and Thompson says there’s a world of opportunit­y to provide more services to New Zealand because of its funding.

A major ingredient of that will be its on air broadcast, but going forward, the focus will be on ensuring its content lives up to the high standards the charter and RNZ sets.

“What our rock will be, is whether the work we create is distinctiv­e, high quality and credible and really gets to the heart of what it means to be a New Zealander – not whether we’re continuing to do as much radio in the future.”

And being the only noncommerc­ial broadcaste­r, this attitude puts it in good stead when considerin­g the current turmoil across the media.

“It’s really challengin­g and the public media space is certainly not going to shrink, it’s going to grow so RNZ needs to be ready to do more work and provide more services as the commercial media continues to adjust to the tough financial situations.

“I think we’ll need to do a better job, we’ll need to be more transparen­t and we need to be able to show the government, every dollar invested in RNZ is a service to New Zealanders.”

 ??  ?? Nominees: James Frankham ( Kowhai Media publisher), Duncan Greive ( founder of The Spinoff), Regan Savage ( Kiwibank GM of marketing communicat­ions), Julia Baylis ( Top TV head of programmin­g and acquisitio­ns), Sarah Bristow (executive producer of The...
Nominees: James Frankham ( Kowhai Media publisher), Duncan Greive ( founder of The Spinoff), Regan Savage ( Kiwibank GM of marketing communicat­ions), Julia Baylis ( Top TV head of programmin­g and acquisitio­ns), Sarah Bristow (executive producer of The...

Newspapers in English

Newspapers from New Zealand