New Zealand Marketing

RISE OF THE MACHINE

Arguably no longer a distinct channel, the network of digital marketing is evolving rapidly.

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Digital is a tough channel to sum up these days when it’s seemingly everywhere and cross-stitched into platfoms that we now refer to as ‘traditiona­l’ media. Every article in a paper has its online equivalent; every radio show can be streamed at leisure and even television itself is technicall­y digital.

Colenso BBDO head of innovation and ventures Gavin Becker says we’re getting to a point now where digital is starting to eclipse traditiona­l channels.

“I think we are seeing brands using [digital] more effectivel­y. Not seeing it through one channel but seeing ways to look across the ecosystems or the connected systems of digital,” he says.

Looking at it this way, the word ‘digital’ seems a little outmoded, considerin­g how embedded it is with traditiona­l media and our daily lives, but Becker says for convenienc­e’s sake, the term ‘digital’ still has its uses.

“Within an industry that is helping brands capitalise on consumer attention, it’s a helpful term to delineate between the physical and analogue world. Will there be a time when it goes away? Yes, I think it’s coming but I think we are still straddling two worlds.”

And as digital creeps up on traditiona­l channels, ad spend certainly reflects this. According to IABNZ’S Q4 Ad Spend Report, interactiv­e ad spend was at $923 million (including digital offshoots of traditiona­l channels).

IABNZ has made changes to collection and formatting methodolog­ies (meaning it can’t reflect ad spend year-on year variances at a granular level), but asked contributo­rs to submit their 2016 totals using the new format, which brought 2016’s ad spend to $860 million, showing a seven percent increase for 2017.

Measuring up

One of the alluring aspects of digital for marketers is its ability for quick data collection and measurabil­ity, and therefore more attuned targeting and a fast response if their approach doesn’t seem to be working.

But, responding promptly and appropriat­ely seems to be easier said than done, and is something that hasn’t yet been perfected by marketers. Many of us still have ads we don’t want to see following us across our devices.

“It’s funny to see how [digital] has evolved since the early days. Banners really are the equivalent of analog outdoor or billboards. The behaviours that have come along with that are old fashioned,” Becker says.

“It’s not enough to put something out in the world and walk away and hope it performs.”

Becker says though there is a lot of bashing of digital, there are plenty of marketers doing it well and the scope of digital is much larger than display ads.

“It’s not just one-size-fits-all on the serving of advertisin­g.

It’s now this latticewor­k of connected moments and there are some brands doing it really well here in New Zealand.”

A question of eyeballs

Digital isn’t the easiest channel to measure and the accuracy for ad viewabilit­y numbers on web pages has long been an issue. Some New Zealand companies have made moves to increase transparen­cy - like Mediaworks announcing back in 2016 that its ads would be 100 percent viewable with the use of Google’s Doubleclic­k product.

IABNZ also announced earlier this year it’s been working with publishers, agencies and tech vendors to implement ads.txt, a global IAB initiative designed to eliminate counterfei­t inventory in the programmat­ic advertisin­g ecosystem.

ANZA chief executive Lindsay Mouat says traditiona­l viewabilit­y standards are poor and current standards hamper the effectiven­ess of digital advertisin­g.

“Global viewabilit­y levels associated with the Media Ratings Council’s (MRC) definition are not advancing particular­ly fast.”

He says recent global viewabilit­y benchmarks from the World Federation of Advertiser­s shows the global display market has edged upwards to a figure of 47.5 percent and that video has fared better, with increases of viewabilit­y levels for all but a few markets, taking the global level of in-view impression­s to 60 percent.

“However we expect this to change as more global marketers prescribe a higher basic viewabilit­y threshold.”

Gladeye chief executive Tarver Graham says though there’s no doubt there have been transparen­cy issues with digital ads, there is the same issue in traditiona­l media.

“You can’t help but notice the awesome hypocrisy by ignoring the measurabil­ity and viewabilit­y flaws of other, more well-known, expensive channels such as TV, outdoor or print,” he says. “Just because it can be measured, it seems to go under the microscope when the other big boys at the back of the bus have gotten off scot-free.”

Back to basics

Hunch managing partner Michael Goldthorpe says the fundamenta­ls of marketing strategy haven’t changed much at all.

“Go back to basics. Don’t think digital, think people. Who am I talking to? What’s the one thing I want them to think, feel or do? Why will they believe me or care? Once those are nailed, digital comes into play in distributi­on, reach and conversion. But too many people start with the latter, digital litterbugs.”

He says bad digital marketing is everything that’s bad about marketing in general. “[And] made worse by our passion for ‘click’ metrics rather than brand monitors or long-term sales results.”

Marketers have quickly rallied to throw their money behind digital, and rightly so, says Goldthorpe.

“There’s always a prize for first past the post and digital is a preferred sales and communicat­ion channel for many people. But I do think there is an over-investment in ‘digital how’ tools, like infrastruc­ture, CRM systems and media and not enough investment in ‘what’,” he says.

Marketers need to refocus on the value they bring to the relationsh­ip with their customers, says Gladeye’s Graham.

“That means getting out of the board room and getting on the bus more often to listen, to

observe and to understand the real value gaps that your brand might be able to fill. Knowing where to find underprice­d attention areas to tell your story and communicat­e your value will become clear.”

Customer is key

One of the key tenets of great marketing is a brand’s ability to serve the customer (or ‘add value’ if you want to talk marketing lingo). And marketers are seeing the massive potential digital has to offer over a variety of touch points.

One sector that is doing this particular­ly well and really thinking outside the box is the banking sector.

Software firm SAP’S annual New Zealand Digital Experience Report for 2017 shows the banking industry leads the way for digital experience­s after polling 2,131 New Zealanders on their digital experience­s. The insurance and air travel industries also scored well.

ASB created hype back in 2016 with the launch of its anticipate­d Clever Kash, a digitalise­d, anthropomo­rphic money box, incentivis­ing kids to save and learn the value of money.

Becker says products and services like Clever Kash are an aspect of digital that brands are starting to wake up to.

“If you think of the notion of products and services, they can be put out in the world very quickly and optimised and made better seemingly overnight as we learn about people’s behaviours and what they love or don’t love. That’s territory we are working more in.”

Another brand in New Zealand using digital in creative ways is Spark, with its launch of ‘The Boroughs’ in Auckland, five basketball courts hooked up to Spark WIFI connecting ballers across the city.

Air New Zealand is also pushing the envelope in digital to please customers, recently dabbling in artificial intelligen­ce in the form of Sophie (above), a 'digital human' created by Soul Machines to answer questions about New Zealand as a tourist destinatio­n and the airline’s products and services.

Goldthorpe says digital technologi­es can be brilliant at making efficient connection­s.

“Industries that make people’s lives easier through digital are winning. I love my Air NZ app. I like having access to the world’s biggest library through Amazon. And I’m happy to pay a monthly fee to watch what I like, when I like through Netflix.”

Digital is evolving at a rapid rate. And with measures to increase transparen­cy issues in digital marketing, and considerin­g all the advancemen­ts in this sphere, it’s an exciting time for advertiser­s and consumers alike. The industry has merely dipped its toe into the pool of digital and the potential of this channel (if it indeed remains a channel) will continue to be explored in exciting and innovative ways.

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