North Taranaki Midweek

Haunting look at rise and demise of Diana

Review

- The Princess James Croot

(E, 106min) Directed by Ed Perkins ★★★★ 1⁄

2

Reviewed by he’s been through the worst they can throw at her,’’ a royal commentato­r notes of the British’s press treatment of the woman born Diana Frances Spencer early on in this engrossing, enlighteni­ng and heartbreak­ing documentar­y.

‘‘All this telephoto lens business will stop now she’s part of the family.’’

As Ed Perkins’ adroitly assembled, sometimes shocking, often haunting tale spends the next hour-and-a-half proving, he couldn’t have been more wrong.

While between The Crown’s most recent series and Spencer, you may feel you’ve had enough depictions of the former nursery teacher assistant’s troubled time in the spotlight as a member of the British royal family, this offers plenty of insightful and emotional moments.

Told Senna-style, using solely archival footage, this charts the highs and lows of the Princess of Wales’ public and private life (which unfortunat­ely ended up being the same thing), from her fairytale wedding to Prince Charles to their seemingly bitter estrangeme­nt and the endless pursuit of her by the paparazzi.

Framed by footage of a phalanx of photograph­ers camped out her hotel on that fateful evening in Paris almost 25 years ago (taken by some Australian tourists), this not only demonstrat­es how a nation and the world fell in love with the young princess (described by some commentato­rs as the best thing to happen to the monarchy in centuries, it is said her visit to Australia in 1983 set back that nation’s burgeoning republican movement back decades), but also how her very public trials and tribulatio­ns – and our obsession with them – resulted not only in the destructio­n of some of the magic of the British monarchy, but also amplified her ongoing anguish and torment.

Some of the highlights of this rich cornucopia of visual and aural treats include the pre-marriage interviews with the still teenage Diana and Charles (She describes him as being ‘‘very encouragin­g’’, he describes her as ‘‘great fun’’), the rise of the ‘‘Don’t Do It Di’’ badge, a watch party of the 1981 wedding (which includes the ironic sight of Camilla Parker-Bowles’ husband Andrew leading the royal carriage), a pregnancy announceme­nt over a supermarke­t tannoy, footage from THAT infamous Panorama chat with Martin Bashir and the more cringewort­hy utterances by Charles on the Camilla-gate tapes.

But although there are candid moments that truly delight (Diana dancing with John Travolta particular­ly charming), the overall feeling you’re left with is one of sadness. Of how ‘‘the stuff of which fairytales are made’’ (as the archbishop marrying them, Robert Runcie, so effusively put it) transforme­d into an ongoing nightmare, one that culminated in a tragedy whose ripples are still felt today – a global generation­al focal point to rival JFK’s assassinat­ion almost 35 years earlier.

Regardless of whose side you were on, The Princess offers poignant, powerful viewing.

❚ The Princess is screening in select cinemas nationwide.

 ?? ?? Told Senna-style, using solely archival footage, The Princess charts the highs and lows of the Princess of Wales’ public and private life, from her fairytale wedding to Prince Charles to their seemingly bitter estrangeme­nt and the endless pursuit of her by the paparazzi.
Told Senna-style, using solely archival footage, The Princess charts the highs and lows of the Princess of Wales’ public and private life, from her fairytale wedding to Prince Charles to their seemingly bitter estrangeme­nt and the endless pursuit of her by the paparazzi.

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