NZ House & Garden

A Martinboro­ugh home and vineyard bring joy to this go-getting couple.

Rambling gardens, a simple farmhouse, animals and a vineyard – this Wairarapa couple have it sorted

- Words DEBRA MILLAR Photograph­s JANE USSHER

The searingly hot summers and frosty winters that make Te Muna Rd near Martinboro­ugh so suited to growing grapes haven’t always supported the efforts of Deborah Coddington and Colin Carruthers to develop the house and garden at the centre of their vineyard. In the early days, the ferocious north-westerlies that sometimes rip through the Te Muna Valley would tear out freshly planted shrubs and seedlings, and send them hurtling across the vines. But 14 years on, the simple country villa Deborah and Colin built is now engulfed with drifts of perennials, herbs and roses, creating a dreamy setting amid the orderly green vines.

Colin, a Wellington QC, had lived in a Sir Ian Athfield-designed house in the capital for more than 30 years, and originally intended for another Athfield-designed house to be built on the 11.5ha of farmland he bought on which to grow grapes in 1996. But the idea of a contempora­ry house sitting in this quiet rural setting was supplanted by the vision of a more modest farmhouse, inspired by a house built by his family in the 19th century at Maungātua, Taieri, in Otago.

Named Redbank, that house was also the source of the name he gave to the vineyard property he and Deborah moved to permanentl­y in 2007, three

years after they first met. For Deborah it was something of a homecoming. She lived in Wairarapa in the 1970s and 80s when her children were young, and with her then partner, Alister Taylor, planted the first commercial grapevines in the Martinboro­ugh area, an experience she writes about in her 2015 book The Good Life on Te Muna Road.

Since moving back to Martinboro­ugh with Colin she has immersed herself in the community, and in 2019 opened The Martinboro­ugh Bookshop, rounding out a life that has revolved around words. “It seemed a natural progressio­n given I’ve been in writing and publishing all my life,” says the award-winning journalist and newspaper columnist, former Act MP and author.

The motto for her shop is “books you’ll want to keep”, and it’s an adage she and Colin live by, as the piles of books throughout their home attest. “I’ve always loved the concept of books as furniture,” Deborah quips.

While Deborah’s days are centred around her shop, garden and animals, Colin continues to commute over the winding Remutaka Hill four days a week to work in Wellington. He bought the land for the Te Muna Valley vineyard as a joint venture with his son James who trained as a viticultur­ist and winemaker after his planned career as a pilot was cut short when he was diagnosed with bipolar disorder. James and Colin chose the land and pinot noir grape stock together, but sadly James took his own life before the first vines were planted. James’ signature features on Te Muna Valley’s James pinot noir and pinot gris labels, as well as the Redbank logo.

Those first pinot noir vines have since been joined by other varietals and this year marks the vineyard’s 19th vintage. Since 2013 all of their wines have been produced on-site in a purpose-built winery that sits close to the house. Contract winemaker Simon Groves was engaged in 2013, but Colin and Deborah still immerse themselves in the winemaking process and are hands-on at vintage time.

Their vision was always for the house to be comfortabl­e but utilitaria­n. One room wide with verandahs facing north and south, it has a large living space that connects two gables at either end, and just one bedroom and a bathroom. Visiting friends and family stay in a stand-alone guest house inspired by the simple form of weatherboa­rd shearers’ quarters and attached to what was the original winery building. Here, a couple of canvas tents are now permanentl­y set up for indoor glamping when extra beds are needed. The compound is reminiscen­t of a traditiona­l rural homestead setting, where service buildings were nestled within range of the farmhouse.

Deborah says she and Colin planned the house “down to the last nail” with design input from Ken Raynes of Focus Projects from Tauherenīk­au. It was Ken who suggested the 4m-high ceilings to ensure a light and airy interior and to counter the impact of the shady verandahs either side of the house. Inside, the neutral palette of materials defers to the bold landscape and the explosion of summer colour in the surroundin­g gardens.

Although the garden’s rambling style appears entirely natural, in the early years Deborah and Colin planned the layout in detail and toiled to build up planting beds. A small orchard, caged to protect fruit from pecking birds, nestles against the warmest side of the house. Seven tonnes of concrete pavers formed paths and a rear terrace that is softened by perennials which doggedly self-seed in the cracks. On summer evenings meals are shared here around a weathered outdoor table that soaks up the last of the sun.

Cooking is another of Deborah’s passions; she ran a restaurant for a time in the Bay of Islands and combines flavours with the same intuitive approach as she gardens. There are parallels with winemaking too. “Growing grapes and making wine is a combinatio­n of two things I love – gardening and cooking,” she says.

With the hard work behind them, Colin and Deborah are now enjoying all that they have created — and living the good life on Te Muna Rd.

Q&A

Best time of day: First light, walking with the dogs up to feed the horses, then the chooks and ducks, planning my day at the shop. (Deborah)

Favourite time of year: The lushness of spring when your hard work in the garden is rewarded. (Deborah) That time during spring as the pruned vines show off their new shoots in lovely ordered rows of light green. (Colin) A key lesson learned while establishi­ng the garden: Learn from your disasters, not your success – just like business. (Deborah)

Don’t try to do it in the Wairarapa wind – or your wife will have a meltdown. (Colin)

Favourite way to entertain: All out, as we did for Colin’s 70th birthday. A huge marquee in the vines, 300 guests ranging from Supreme Court judges to Thai vineyard workers. Winston Peters was the guest speaker, [the late] Grant Chilcott the crooner, a bagpiper piped in the birthday cake, and a surprise guest from America had everyone in tears. It took me two years to organise. (Deborah)

Deborah Coddington and Colin Carruthers

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 ??  ?? THIS PAGE Deborah Coddington on the vineyard of the Martinboro­ugh property she owns with husband Colin Carruthers; she is seen here with horses Flick and Spots, plus labradors Hawk and Whet¯u. OPPOSITE The simple, gabled weatherboa­rd farmhouse is book-ended by the couple’s winery, completed in 2013, on the right and the original winery building and guest accommodat­ion, modelled on shearers’ quarters, on the left.
THIS PAGE Deborah Coddington on the vineyard of the Martinboro­ugh property she owns with husband Colin Carruthers; she is seen here with horses Flick and Spots, plus labradors Hawk and Whet¯u. OPPOSITE The simple, gabled weatherboa­rd farmhouse is book-ended by the couple’s winery, completed in 2013, on the right and the original winery building and guest accommodat­ion, modelled on shearers’ quarters, on the left.
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 ??  ?? THIS PAGE The farmhouse has a simple one-room-wide layout and is decorated in bleached tones and natural textures that draw on its rural setting; one wall is dominated by the painting Return to Nature by Jutta Chisholm, which previously hung in Colin’s Wellington chambers and is so large it had to be removed from its frame and then reassemble­d when it was transporte­d to the vineyard; the hawk sculpture in front of it is by Johnny Turner and made from Carrara marble salvaged from the demolished Wellington building where Colin worked for many years. OPPOSITE Deborah, who once owned a restaurant in the Bay of Islands, prepares food in the farmhouse-style kitchen; cooking is one of her passions.
THIS PAGE The farmhouse has a simple one-room-wide layout and is decorated in bleached tones and natural textures that draw on its rural setting; one wall is dominated by the painting Return to Nature by Jutta Chisholm, which previously hung in Colin’s Wellington chambers and is so large it had to be removed from its frame and then reassemble­d when it was transporte­d to the vineyard; the hawk sculpture in front of it is by Johnny Turner and made from Carrara marble salvaged from the demolished Wellington building where Colin worked for many years. OPPOSITE Deborah, who once owned a restaurant in the Bay of Islands, prepares food in the farmhouse-style kitchen; cooking is one of her passions.
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 ??  ?? THESE PAGES (clockwise from far left) Verandahs open to the garden on both sides of the airy living room where curtains and blinds have been dispensed with given the house’s remote location; the wooden coffee table in front of the fireplace was made by Taip¯a designer Cam Wilson and the fireplace was crafted with boulders from the vineyard; the bronze sculpture on the mantelpiec­e is by Paul Dibble while the painting of lawyers on the right is by the late Greg Whitecliff­e. The L-shaped kitchen cleverly conceals the washing-up area and a generous pantry from view. The photograph of Deborah and her three oldest children was taken in 1982 by Wellington photograph­er and actor Des Kelly at Waiura Homestead, their old home in Martinboro­ugh.
THESE PAGES (clockwise from far left) Verandahs open to the garden on both sides of the airy living room where curtains and blinds have been dispensed with given the house’s remote location; the wooden coffee table in front of the fireplace was made by Taip¯a designer Cam Wilson and the fireplace was crafted with boulders from the vineyard; the bronze sculpture on the mantelpiec­e is by Paul Dibble while the painting of lawyers on the right is by the late Greg Whitecliff­e. The L-shaped kitchen cleverly conceals the washing-up area and a generous pantry from view. The photograph of Deborah and her three oldest children was taken in 1982 by Wellington photograph­er and actor Des Kelly at Waiura Homestead, their old home in Martinboro­ugh.
 ??  ?? THIS PAGE The massive dining table, which accommodat­es meals, meetings and work, is made from swamp rata and was commission­ed by Deborah and Colin from furniture-maker Todd O’Hagan of Fox & Table in Wellington; the chairs were commission­ed in 1976 by Colin from furniture-maker Rex Chapman-Taylor, son of architect James Chapman-Taylor. OPPOSITE (clockwise from top left) The chest of drawers is made from floorboard­s rescued from a demolished Wellington cinema; displayed above it are vintage American cigarette cloths Deborah found in Marfa, Texas. The round fish mirror behind the antique birdcage was bought in England; Tom Scott sketched John Lennon for the couple as a wedding present, inscribed with All You Need Is Love. Decanters catch the afternoon light.
THIS PAGE The massive dining table, which accommodat­es meals, meetings and work, is made from swamp rata and was commission­ed by Deborah and Colin from furniture-maker Todd O’Hagan of Fox & Table in Wellington; the chairs were commission­ed in 1976 by Colin from furniture-maker Rex Chapman-Taylor, son of architect James Chapman-Taylor. OPPOSITE (clockwise from top left) The chest of drawers is made from floorboard­s rescued from a demolished Wellington cinema; displayed above it are vintage American cigarette cloths Deborah found in Marfa, Texas. The round fish mirror behind the antique birdcage was bought in England; Tom Scott sketched John Lennon for the couple as a wedding present, inscribed with All You Need Is Love. Decanters catch the afternoon light.
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 ??  ?? THIS PAGE (clockwise from below) A cabinet that belonged to Deborah’s mother supports a stack of books topped with inlay wooden bowls by Martinboro­ugh artist Dennis Handyside. The sleigh-back bed in Deborah and Colin’s bedroom was inspired by one they slept in while on honeymoon in California and was commission­ed from Cranfields in Wellington. The simple guest house was modelled on the utilitaria­n farm buildings Deborah has always loved. OPPOSITE A kimono bought by Deborah’s grandmothe­r in Japan in 1964 hangs in the guest bedroom; ‘Ali Mau’ roses, named after the media personalit­y, sit in a Cornishwar­e jug.
THIS PAGE (clockwise from below) A cabinet that belonged to Deborah’s mother supports a stack of books topped with inlay wooden bowls by Martinboro­ugh artist Dennis Handyside. The sleigh-back bed in Deborah and Colin’s bedroom was inspired by one they slept in while on honeymoon in California and was commission­ed from Cranfields in Wellington. The simple guest house was modelled on the utilitaria­n farm buildings Deborah has always loved. OPPOSITE A kimono bought by Deborah’s grandmothe­r in Japan in 1964 hangs in the guest bedroom; ‘Ali Mau’ roses, named after the media personalit­y, sit in a Cornishwar­e jug.
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 ??  ?? THIS PAGE (clockwise from left) Deborah and Colin with Hawk (left) and Whet¯u. In summer the garden explodes in a rampant display of perennials. Deborah has planted drifts of wildflower­s among ‘Iceberg’, ‘Cecile Brunner’ and ‘Kate Sheppard’ roses, sage, lemon balm, silverbeet, lavender and euphorbia. OPPOSITE A weathered outdoor table from Ethan Outdoor Furniture in Whanganui is the centre of summer entertaini­ng.
THIS PAGE (clockwise from left) Deborah and Colin with Hawk (left) and Whet¯u. In summer the garden explodes in a rampant display of perennials. Deborah has planted drifts of wildflower­s among ‘Iceberg’, ‘Cecile Brunner’ and ‘Kate Sheppard’ roses, sage, lemon balm, silverbeet, lavender and euphorbia. OPPOSITE A weathered outdoor table from Ethan Outdoor Furniture in Whanganui is the centre of summer entertaini­ng.
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 ??  ?? THIS PAGE (clockwise from left) Artichokes grow amid self-seeding wildflower­s which include various poppies, phacelia, brunnera, scabiosa, gaura, calendula, Verbena bonariensi­s, arugula and salvia, at the back of the house. Winemaking now takes place right next to the house in the purpose-built winery designed by Ken Raynes of Focus Projects and completed in 2013. Mist often hugs the hills surroundin­g the Te Muna Valley; frosts are kept at bay with giant fans set among the vines that sound like hovering helicopter­s.
THIS PAGE (clockwise from left) Artichokes grow amid self-seeding wildflower­s which include various poppies, phacelia, brunnera, scabiosa, gaura, calendula, Verbena bonariensi­s, arugula and salvia, at the back of the house. Winemaking now takes place right next to the house in the purpose-built winery designed by Ken Raynes of Focus Projects and completed in 2013. Mist often hugs the hills surroundin­g the Te Muna Valley; frosts are kept at bay with giant fans set among the vines that sound like hovering helicopter­s.

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