Otago Daily Times

Looking out for future generation­s

- STAFF REPORTER

Q What jobs did you do before this one?

I was born in Perth, Western Australia, shifted to the United Kingdom as a child, and was educated there. I worked as a conservato­r/conservati­on manager at the Royal Armouries for five years, mostly at Leeds, and before that at the York Archaeolog­ical Trust, also in the UK.

Q Why did you choose this job, and what appeals to you about this kind of work?

Conservati­on was one of the few jobs that would allow me to combine my love of science, history and the arts with my craft skills, in a very practical way. I love that every day is different, and that a lot of my time is spent problem solving.

Q What are you hoping to achieve with Otago Museum’s extensive collection­s?

The main aim is to ensure the museum’s collection­s are preserved for future generation­s to enjoy, so that the kids visiting today will be able to bring their own children or grandchild­ren back to the museum in the future and still see many of the same items.

The Otago Museum collection­s are just amazing. They took my breath away the first time I looked through the galleries and stores. It really is a worldclass collection.

Q Are you keen to raise wider awareness of the museum’s conservati­on work and to help support smaller museums?

There aren’t a lot of conservato­rs available, particular­ly to smaller museums, so being able to share our skills and expertise is something I feel passionate about. It’s important for large museums like ours to help others in our region where we can, especially as our stakeholde­rs come from all over Otago.

It also helps to build stronger links between institutio­ns and communitie­s across Otago, as well as raising the general level of knowledge around conservati­on and collection care.

Q How did you get into it and when?

I was studying archaeolog­y at the University of Durham, in England, after a lastminute decision not to study medicine, and realised that though I loved archaeolog­y I missed studying science. We had a presentati­on from a conservati­on lecturer and after just one lecture I realised conservati­on combined all the things I loved, so I was hooked from there. Later, I was looking for a new challenge and when I saw the range and quality of collection­s held at Otago Museum I knew it was a onceinalif­etime chance to start a conservati­on team from scratch. I couldn’t say no.

Q What qualificat­ions and training did you need?

You need a specialist conservati­on qualificat­ion, normally post graduate, and unfortunat­ely there aren’t any conservati­on courses in New Zealand. The closest is in Australia, but most are in Europe or the United States.

I did my training at University College London (UCL), which offered a threeyear course to complete both an MA and an MSc, as well as a year working in the industry.

Q What skills do you need?

You definitely need to have attention to detail, as well as a good degree of adaptabili­ty, as you never know what you’ll end up working on.

Q

Any physical requiremen­ts?

Good hand/fine motor skills are a must. Another real requiremen­t is colour vision. You can’t be colour blind as we often have to match colours very accurately.

Q

What do you do on a daily basis?

No two days are the same, and it’s normal to go from my computer or a meeting to crawling around the galleries or stores cleaning, checking pest traps or objects, to working on several complex remedial treatments.

Q What is the most challengin­g aspect?

Ensuring we keep on top of things, from environmen­tal and pest monitoring through to loans, exhibition­s, condition audits, researcher access, outreach and remedial work.

Q How has the job changed in Dunedin?

I’ve been in the post for almost three years, and as we were starting from scratch in terms of the conservati­on within the museum when I arrived, the job has changed a lot. The biggest change has probably been getting a second conservato­r, Lisa Yeats, which allowed us not only to get conservati­on reestablis­hed at the museum pretty quickly, but also to

take on the outreach work we do.

Q What’s something people generally don’t know about the job?

Quite often it’s that the job even exists; a lot of people assume we work with animals and can be disappoint­ed to find out we’re not saving pandas. Other than that, its the extent and importance of the work we do.

Q

What are the highs of the job?

Little things like looking at the before and after photograph­s of an item that you’ve been working on for a while, or that has been really tricky to conserve. Outreach work comes a very close second. I love being able to use my training to help people look after the things that are important to them, or to show the public items that they wouldn’t normally get close to.

Q

What are the lows of the job?

Sometimes we will have periods where we’re doing quite repetitive work that can get a little monotonous, but we’re normally busy enough to be able to break those jobs up.

Q

What is the salary?

It ranges from about $55,000 to more than $75,000, depending on experience, qualificat­ions and responsibi­lity. You don’t do it to become a millionair­e.

Q

Where will you be 10 years from now?

I hope to be still working in conservati­on.

 ?? PHOTO: GREGOR RICHARDSON ?? Love of conservati­on . . . Otago Museum conservati­on manager Nyssa Mildwaters, with a yelloweyed penguin.
PHOTO: GREGOR RICHARDSON Love of conservati­on . . . Otago Museum conservati­on manager Nyssa Mildwaters, with a yelloweyed penguin.

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