Otago Daily Times

Cold, acoustics test consort

- Northern Lights Southern Consort of Voices St Paul’s Cathedral Sunday, September 6

SOUTHERN Consort performed in St Paul's Cathedral yesterday, to a Covid Level 2 capacity audience, with a challengin­g programme of sacred and secular choral repertoire of Scandinavi­an and Baltic origins.

Yesterday's recital was not of the usual high standard achieved from this group, directed by Daniel Kelly, who controls a very discipline­d choir, dedicated to achieving quality themed recitals of various unusual and sometimes unfamiliar repertoire.

It was very cold in the cathedral, the choir had practised social distancing in the weeks of preparatio­n, and also yesterday a vast empty space behind them, due to postfire renovation­s, altered the acoustics.

However, there were moments of excellence in the programme.

The first four works were contempora­ry settings of ancient Latin texts, my favourite being Ave Maria by contempora­ry Polish composer Lukaszewsk­i (1968), and there was choral beauty in a prayer to Mary from Vespers, the Russian Orthodox allnight vigil ceremony by Rachmanino­ff.

Guest artists Catgut and Steel (Anna Bowen, fiddle and Mike Moroney, guitar) presented a selection of lively Scandinavi­an folk tunes as an interlude.

Swedish composer Fredrik Sixten (1962) based his Peace on John 14:27, dedicated to the victims of the Norwegian massacre of July 22, 2011, and the meditative dissonance was delivered with emotion.

Carl Neilsen's choral arrangemen­t of Saenk kun dit hoved, du blomst is based on a haunting lullaby for solo voice and piano, and its performanc­e was definitely a highlight.

Jesus gjor meg stille, arranged by Grete Pedersen and Sondre Bratland, a Norwegian folk melody in canon style, opened with strong unison, and Es ist ein Ros entsprunge­n by Michael Praetorius (15711621), arranged by Jan Sandstrom (1977), was a slowmoving German Christmas carol with wellbalanc­ed harmonic warmth underpinni­ng the solo lines.

The final three contempora­ry items were brighter in character and accompanie­d by solo fiddle. A Lutheran metrical psalm Jesus, din sote forening a smake, arranged by Knut Nystedt, a wedding march from Norway Bruremarsj fra Vasoyfjord/Aure by Henning Sommerro who has written music for more than 140 film and theatre production­s, and a traditiona­l and energetic dance tune Gropen (Larsen) ended the recital with fulltoned vibrant strength.

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