Otago Daily Times

More input needed before theatre plans go ahead

Dunedin has a onceinagen­eration opportunit­y to establish a viable, well equipped and accessible theatre space, writes Ross Johnston.

- Ross Johnston is a semiretire­d local actor, director and producer.

THE proposal from the Dunedin Theatre Network involving the Playhouse and Mayfair (ODT 30.04.22) is interestin­g as a concept — but I’m not convinced that it is the best alternativ­e.

It certainly perfectly serves the needs of the theatres involved, but doesn’t necessaril­y best serve the needs of the city for a midsized flexible performanc­e centre suitable for dance, theatre and music.

Some background. Along with Creative New Zealand, the Dunedin City Council came up with $300,000 to have a company with considerab­le internatio­nal experience in theatre design and placement, Charcoalbl­ue, check out where and how a midsized theatre might operate successful­ly in Dunedin. They evaluated 13 sites using a number of criteria.

Once a number of possible locations were removed from considerat­ion by the DCC as being too expensive, Charcoalbl­ue was asked to focus on two sites: a gutted and revamped Athenaeum Building and a revamped Mayfair.

Charcoalbl­ue placed a lot of emphasis on the fact that a midsized performanc­e centre located in the Athenaeum Building would add to the cultural and entertainm­ent precinct already establishe­d in and near the Octagon — the Town Hall, the Glenroy, the Regent, the Library, the Art Gallery, a number of small performanc­e spaces and three cinemas, all in close proximity. Hospitalit­y is also active in the area, and parking buildings and the bus hub are close by.

Charcoalbl­ue were asked by the DCC to develop a design indicating what might be achieved within the framework of the Athenaeum Building. The resulting floor plans, elevations and visuals depict an interestin­g flexible performanc­e space — though to date these plans have yet to be presented to the citizens of Dunedin for their considerat­ion.

The Charcoalbl­ue report was more dubious about a revamped Mayfair on the basis of a much higher estimated capital cost — due to the dampness in the basement, transport issues and the amount of work required to establish a new lively cultural precinct in the area. They were also concerned that, once revamped, significan­t additional investment would be needed to make it truly functional. It only outranked the Athenaeum option on one count — heritage value.

While there are elements of the network’s overall plan where location is not critical, it is critical for a midsized performanc­e centre. The offer by the developer to create a writer’s centre in the Athenaeum as part of the network’s plan is both significan­t and generous. But a writer’s centre does not need a central location — it might work perfectly well in a revamped Sammy's for example. The location of a performanc­e centre, on the other hand, is critical and it seems that the Athenaeum site may be highly appropriat­e.

The input from local theatres is to be welcomed in this discussion but I believe other voices need to be heard, specifical­ly companies from outside Dunedin that want to tour midsized shows here, those locally based groups interested in creating a profession­al theatre or dance company and the cofunder of the Charcoalbl­ue study, Creative New Zealand. What do they consider most appropriat­e for the city as a result of the Charcoalbl­ue report?

At the moment we have a onceinagen­eration opportunit­y to establish a viable, well equipped, accessible, midsized performanc­e space that gels with our current performanc­e infrastruc­ture and enhances our status as a City of Literature.

The Dunedin Theatre Network discussion document doesn’t seem to me to achieve that end successful­ly.

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