Otago Daily Times

Disney hooks a live one

- By JEREMY QUINN

A Good Person (R16) ★★★

On the way to try on her wedding dress, a woman is involved in a fatal crash that requires a Morgan Freeman voiceover. — Jeremy Quinn

Fast X (M) ★+

The latest Fast & Furious entry invites you to turn your brain off and fall into a coma. — Jeremy Quinn

Close (M) ★★★★

Two 13yearold boys, close friends, drift apart at school under the pressure of homophobic taunts.

— Jeremy Quinn

THE LITTLE MERMAID

Director: Rob Marshall

Cast: Halle Bailey, Jonah HauerKing, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, Art Malik, Javier Bardem, Melissa McCarthy Rating: (PG) ★★★+

Disney have been systematic­ally churning out liveaction remakes of their animated classics for a number of years, ranging from the quite good (Cinderella )andthenot bad (Alice in Wonderland, The Jungle Book) to the eyegouging­ly terrible (The Lion King ),yet generally all raking in serious cash.

To be honest, after a great deal of prerelease negativity from some quarters, I wasn’t expecting anything special from The Little Mermaid, so I’m surprised to say that, in the year’s most unpreceden­ted turn of events, I found myself liking it very much.

It might even be the best liveaction adaptation so far, although I wonder if the fact that (hangs head in shame) I’ve never seen the original might have something to do with it. I was simply able to appreciate it for what it is — an entertaini­ng mermusical with interestin­g visuals, catchy tunes, a few good jokes, an oldfashion­ed spirit and a starmaking turn from Halle Bailey.

Putting aside any discussion of politics in Disney product, which is a whole other thesis in itself, there’s neverthele­ss, for good or ill, a hypnotic pull that the films almost invariably have, which mainly comes down to their fundamenta­l understand­ing of archetypal storytelli­ng.

The Little Mermaid is the perfect specimen of a classicall­y structured fairy tale, and whether you find the Broadwayst­yle musical numbers, wacky anthropomo­rphic sidecharac­ters and kidfriendl­y embellishm­ents charming or irritating (I mostly tend towards the former) will be the key to your enjoyment.

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