Stratford Press

Vintner a pivotal player in industry Learn about Steven Joyce

-

Book one in a new fantasy series of three, this introduces Faelan, who is like no other wolf in his pack. He’s vegetarian, preferring to make friends with prey rather than chase them. In fact his best friend is Flora, a skunk. He also lives apart from the other wolves in his own house, not a den, and enjoys nothing more than a nice cup of tea in front of his fire. He’s definitely the odd wolf out. And life is about to get harder for him as the old leader of the pack is dying and his son set to take over vows to get rid of him. The old pack leader’s daughter wants his help but it involves facing a fierce rival pack leader who may actually be Faelan’s father. Sound interestin­g? Author Julette MacIver writes in a humorous style and there’s plenty of action and interestin­g characters. Great read for young adult readers.

Ann Kilduff

Peter Hubscher was a key player in building New Zealand’s early wine industry and its success in launching it onto the world stage. In his memoir, Vintner’s Tale, Hubscher looks back on his 40-year career, which began as a winemaker, then as director of the highly successful Montana Wines before turning his efforts to supporting underprivi­leged youth through the establishm­ent of the Tironui Music Trust. We asked him a few questions:

You spent your working career in the wine industry — what attracted you to it? Winemaking was a cottage industry in the early 1960s. As a student of Food Technology in my final years of study, I was aware of the awe that surrounded wine in general and the immaturity that existed in the NZ industry and indifferen­t quality of the local wine. When I was offered the opportunit­y to become a winemaker, I saw a potential future for myself where I could earn a living in a socially acceptable industry that could only improve the product it made and where my academic studies should help me master the skills that were the basis of the making of wine. How has the NZ wine industry changed since you retired as director at Montana Wines? The NZ industry has lost the desire, and so ability, to innovate and produce a wide range of differenti­ated wine styles that it can sell profitably in world markets. Today it is predominat­ely a commodity producer of a single wine variety — sauvignon blanc, much of which is exported in bulk and bottled in Australia and England. This has seen the value per litre of our exports continuall­y fall and exposes the industry to huge risk in that as a commodity it will fall out of fashion at some future time, with reduced demand and leaving the industry with no alternativ­e market offerings. Historical­ly, we exported significan­t volumes of sparkling wine (Lindauer), chardonnay, red wines and blended white wines based on the Muller-Thurgau grape.

Can you name a couple of highlights from your time as director of Montana? There are so many; it was an incredible time to be in the industry. Here are a couple though:

Building a large profitable NZ company that was internatio­nally recognised for the quality of its wines across a wide portfolio of wine styles. That the staff’s search for excellence across all areas of our activities made the company such a sought-after workplace for people to seek employment at.

Establishi­ng the Tironui Music Trust was a great act of generosity. Why did you do this? My wife Pam and I came up with the idea of establishi­ng a trust that offers fully funded

Amusical tuition and performanc­e music programmes to young New Zealanders with limited opportunit­ies.

I have a background steeped in music; my father was an itinerant music teacher of violin and viola. Music was a big part of my childhood and I was fortunate to understand the joy that it can bring to a life. It made sense for me in my retirement to add my personal contributi­on to supporting youth in this area. My wife and

I get fulfilment from seeing the growth of young musicians who we have supported. Our philanthro­py gives a benefit to us as donors and the students we help.

What do you hope readers will take away from your book? The book is all about the evolution of the local wine industry from an ugly duckling to a swan and how the most successful local company participat­ed in the transforma­tion.

The Tironui final section again demonstrat­es that in music, too, a dedicated team who are focused on an agreed goal can deliver results that will contribute to the building of a better New Zealand.

A Twisted Love Story by Samantha Downing, Penguin Random House, $37 .. .. .. ..

Get ready for all out action in this new psychologi­cal suspense thriller from Samantha Downing. From one day to the next, sometimes one hour to the next, Wes and Ivy’s story is a madly in love story, with emphasis on the word mad. When its good its better than great, when its not be prepared for the story to head to the dark side.

Samantha Downing is the author of A Twisted Love Story, on the back of her bestsellin­g 2019 novel My Lovely Wife, and you’ll be totally distracted until you reach the classic ending. Wes and Ivy’s relationsh­ip is 10 years in the making but their latest situation places them on the brink of jail time, thanks to detective Karen Colglazier.

Wes and Ivy have a secret which the detective believes involves an accidental death and she is given authority to reopen the case. The grand finale will come as a great surprise.

— Tony Nielsen

 ?? ??
 ?? ??
 ?? ??
 ?? ??

Newspapers in English

Newspapers from New Zealand