Sunday News

A compelling look at a world-rocking death

- JAMES CROOT

It was perhaps the defining, most shocking event of the 1990s. On the evening of August 31, 1997 (NZ time), the world’s most-photograph­ed woman, Britain’s Princess Diana, died in a car accident in a Paris tunnel, potentiall­y as a result of trying to avoid having her picture taken.

As her brother Charles Spencer so beautifull­y put it at her funeral on September 6, ‘‘a girl given the name of the ancient goddess of hunting was, in the end, the most hunted person of the modern age’’.

While the feature-length HBO-doco The Princess (available to rent from iTunes, Google Play and AroVision) told the story of her life and death essentiall­y through archival footage, the four-part docu-series The Diana Investigat­ions (which makes its free-to-air debut tonight after its original air date was pushed back from early September – just after Queen Elizabeth II’s passing) talks to British and French detectives whose job it was to uncover the truth of what actually transpired that fateful night.

Despite a moody and slightly manipulati­ve soundtrack, it offers compelling viewing for fans of true crime. Juxtaposin­g wild conspiraci­es often being picked up by the British tabloids with measured recollecti­ons of France’s Brigade Criminelle, The Diana Investigat­ions allows viewers in on the case’s twists and turns and the growing public hysteria for someone to take the blame.

‘‘People confused dreams and reality,’’ the Brigade Criminelle’s Eric Gigou says.

He’s joined by British journalist­s, firefighte­rs, medics and potential eyewitness­es in giving their testimony, while driver Henri Paul (whose blood alcohol levels initially saw him pegged as the chief villain) has his best friend, Claude Garrec, make the case for why his pal might have been a bon vivant but would most definitely not have been impaired (a wreath at his funeral read ‘‘your friends are not fooled’’).

The opening instalment also takes a look at what drove the paparazzi to hound the troubled princess (some photograph­ers could make up to US$1 million a year just by following her) and the potential hypocrisy of vocal mourners whose obsession with the latest gossip about her life had driven demand for pics of Diana in the first place.

Subsequent episodes, airing tomorrow and Tuesday and Wednesday nights, look at the investigat­ion organised by millionair­e businessma­n Mohamed Al-Fayed (the father of Diana’s ‘‘friend’’ Dodi AlFayed, who was also killed in the crash); London police’s 2004 response to internet rumours that the princess was murdered; an unusual inquiry into the actions of the British security service; and the death of a key witness.

It all makes for a fascinatin­g look at a high-profile criminal investigat­ion and the impact of the press, public and internet.

The four-part The Diana Investigat­ions makes its free-to-air debut today at 9.15pm on Three. All episodes are also available to stream on ThreeNow.

 ?? ?? Princess Diana was possibly the most recognisab­le person in the world during the 80s and 90s – and The Diana Investigat­ions reveals how public pressure affected the authoritie­s’ work to uncover the details surroundin­g her death in a car crash.
Princess Diana was possibly the most recognisab­le person in the world during the 80s and 90s – and The Diana Investigat­ions reveals how public pressure affected the authoritie­s’ work to uncover the details surroundin­g her death in a car crash.

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