Sunday Star-Times

Important reading and writing questions for Sarah Krasnostei­n

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The Believer, written by Sarah Krasnostei­n, reveals portraits of six individual­s including a death doula, ufologists, creationis­ts and ghostbuste­rs. The best-selling author of The Trauma Cleaner, which won several literary awards, is in conversati­on at the Aotearoa New Zealand Festival of the Arts with Danyl Mclauchlan.

What was the most interestin­g thing you discovered while writing The Believer?

The biggest discovery when writing this book was the story I found myself telling. I thought I was writing about the wonders of human difference­s, our unavoidabl­e separatene­ss. But, in the end, it is a book about the ways in which we all are capable of magical thinking to deal with the tough parts of being alive. It’s about the quieter, deeper wonder of our commonalit­y.

What are you reading right now?

I’m reading a tonne of stuff for pieces I’m currently working on, but outside of that I always try to have a non-fiction book and a fiction book on the go for whatever leisure time I can squeeze in. I’m in the middle of Siri Hustvedt’s brilliant new essay collection, Mothers, Fathers, and Others, and I am loving Xochitl Gonzalez’s incendiary debut novel, Olga Dies Dreaming.

How has your law degree helped you with writing your books?

My doctorate is in criminal law – sentencing law, specifical­ly. Sentencing judgments are not just about punishment – they’re concerned with character and culpabilit­y and human relationsh­ips and causation. So that training has really taught me the importance of always seeking out the broader context before judging human behaviour.

Best writing tip?

Whenever you sit down to work, don’t get distracted with email or social media or editing or research – write something that didn’t exist before you sat at the desk. Even if it’s one sentence. Progress is about steps towards the goal, doesn’t matter how small.

Hear more from Sarah Krasnostei­n at her 2022 Aotearoa New Zealand Festival of the Arts event streaming Thursday 10 March – Sunday 3 April, tickets from festival.nz

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