Sunday Star-Times

Reading and writing questions for Nikky Lee

The award-winning Australiab­orn young adult author’s latest book , The Rarkyn’s Familiar, was published as the result of a Twitter competitio­n, PitDark, in which authors pitched manuscript­s to agents and publishers over 12 hours.

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What prompted you to pitch on Twitter?

The first thing I learned about publishing is it is extremely slow moving. Agents and publishers receive hundreds of submission­s per day, so it can take months to get a response to a query. What appealed about using a Twitter pitching contest was the opportunit­y to speed up the process somewhat.

There are multiple pitching events during the year, so in between them I send out queries to agents and publishers through the usual channels and the responses would slowly trickle back in. However, the pitching events were where I had the most traction and interest from the writing and publishing community.

You write to cope with anxiety – how did it help?

My first experience of anxiety was in my early 20s in the form of panic attacks. And I had no idea what it was, which made it all the more terrifying. Unlike today, there was very little awareness about anxiety then – I ended up learning about it from Google! (Also, plugging symptoms into Google is a terrible idea, don’t do it.)

Creative writing is a very meditative process for me; it’s a way for me to unwind and process. Sometimes my anxieties unconsciou­sly end up in what I write – and it’s not until I read it much later that I notice. Other times, it is simply a way to shut off the worry loop and escape somewhere else. It’s like sinking into a warm bath at the end of a long day. It’s my happy place.

How do you write now?

I’m definitely a night owl. Most evenings I alternate between writing at my desk and on the couch – it all depends on whether I can ignore whatever my husband is watching on TV. Most nights, I pop my headphones on, fire up a playlist to drown the TV out, and tappity-type away. Sometimes I have to negotiate typing around a cat who likes to curl up between the keyboard and me.

How did you hope to make this fantasy series different?

Probably the most notable difference is the creation of a completely new fantasy race, the rarkyn. Rather than rehashing the traditiona­l fantasy races that I’d seen before (elves, dwarves, orcs and so on), I decided it would be more fun to make up my own! I also love reading non-human points of view. There’s something about exploring humanity from outside itself that I find fascinatin­g. So when I came to write The Rarkyn’s Familiar, this was a must-have.

As a teenager and young adult, I’d steadily grown more exasperate­d with how frequently female characters were portrayed as helpless damsels in need of rescue. I decided early on that my female protagonis­t would not be any of those things. Her journey is also something of a mirror to my own journey with anxiety. She goes from not understand­ing this strange, dark power inside her, to trying to fight it off, to finally accepting that it is part of her, and in doing so, discovers that acknowledg­ing her condition reduces its hold over her.

What are you reading right now?

I’m listening to the audiobook of Hail Mary by Andy Weir (who wrote The Martian) – it’s utterly gripping. I’m also thoroughly enjoying The Stone We¯ ta¯ , a cli-fi (climate science fiction) by Kiwi author Octavia Cade and The Eternal Machine,a steampunk, alternativ­e history fantasy by Australian author Carol Ryles.

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