Sunday Star-Times

We need to talk about Conversati­ons

Even without the shock value of Normal People, the bingeable series’ creators’ return – Conversati­ons With Friends – is more than just a discussion piece. By James Croot.

-

Normal People was one of the shows many sought escape and solace in during lockdown two years ago. A beautifull­y understate­d and achingly romantic tale that magnificen­tly and tenderly captured the complexity of teenage friendship­s, the Sally Rooney-penned adaptation of her own 2018 novel was delivered in 12 bite-size half-hour instalment­s suitable for either a quick hit, or a luxurious binge.

Turning its young leads, Paul Mescal and Daisy Edgar-Jones into overnight stars, it also earned director Lenny Abrahamson plenty of praise for his deployment of hand-held camerawork, natural lighting and intimate close-ups to bring to life the awkwardnes­s and crackling sexual tension of young love.

Now Abrahamson and Rooney are back, hoping lightning will strike twice by using the same storytelli­ng methods on the latter’s 2017 debut novel Conversati­ons With Friends.

When we first encounter Dublin university student Frances (Alison Oliver), her life is ‘‘rolling out evenly, an adventurel­ess tale’’. We watch as she navigates her exams, has an awkward exchange with her departing room-mate and leads a generally quiet existence, eventually marking the end of the year’s studies with a ‘‘celebratio­n’’ on the couch with her best mate Bobbi (Sasha Lane).

But then, we discover their secret. Together they are performanc­e poets, offering up ‘‘sweet, but ruthless’’ rhymes on modern mores, injustices and ills. Frances is the brains, Bobbi the muse, the latter more than happily admits, when they catch the eye of visiting English novelist Melissa Barnes (Jemima Kirke). Impressed by their performanc­e, after a brief chat, she suggests they should continue their conversati­on sometime, to which a clearly smitten Bobbi responds by putting her digits into Melissa’s phone contacts.

It’s not long before the young pair are invited to the seaside for a swim and dinner, joined for the second part by Melissa’s actor husband Nick Conway (Joe Alwyn). While Bobbi and Melissa are happy to gabble endlessly, Nick and Frances’ conversati­ons are more stilted, awkward, him dismissing his latest theatre role in a production of Cat on a Hot Tin Roof as ‘‘not exactly a bold choice’’, while she stumbles her way through a justificat­ion of why she prefers the non-impermanen­ce of performanc­e poetry to writing.

But, after that evening, Frances can’t stop thinking about him, snatching at an invitation to see him perform and then being delighted to receive a text lamenting that she hadn’t stayed for a drink afterwards. Then comes of the thrill of his request to see her in action and Frances practicall­y bursts out of her skin as they lock eyes.

However, it’s at Melissa’s birthday party soon after, that Frances’ attempts to suppress her feelings begin to buckle. Finding him stoned alone in a bedroom, she takes his compliment­s about her poetry with winsome grace, before he notices her cheeks reddening.

‘‘It’s warm,’’ she stammers, attempting to justify her body’s betrayal of her. ‘‘Try this,’’ he says carefully, pressing his beer bottle against the offending area.

Backed by perhaps the little-too-on-the-nose soundtrack choice of Alison Moyet’s Love Interventi­on, this marks the start of the increasing entangleme­nt of our central quartet, one that drives Conversati­ons with Friends’ tension and narrative.

While watching it, it was hard not to be reminded of Fifty Shades of Grey: successful bloke meets tertiary student who also has a job reading manuscript­s – but without the glitz, glamour or fetishes – and all the more compelling for it. Now best known as Taylor Swift’s beau, Alwyn (The Favourite) is an understate­d smoulderin­g presence, while half-Kiwi Lane (American Honey) is a scenesteal­ing whirlwind and newcomer Oliver a perfect mix of self-doubt and quiet daring.

This may feel like a less comedic version of Rose Matafeo’s Starstruck or Sophie Hyde’s brilliant feature Animals, with the cynicism and drunkennes­s dialled down, but, whatever your take and even without the shock value or searing heights of Normal People, Conversati­ons With Friends should certainly spark a discussion or two.

Conversati­ons With Friends begins streaming on Amazon Prime Video tomorrow.

 ?? Joe Alwyn and Alison Oliver star in Conversati­ons With Friends. ??
Joe Alwyn and Alison Oliver star in Conversati­ons With Friends.

Newspapers in English

Newspapers from New Zealand