Sunday Star-Times

Five of the best TV shows from a year unlike any other

- Graeme Tuckett

There must have been a time, back in those dimly remembered days of a few years back, when writing a “best of” would have been pretty straightfo­rward, and most people would have seen the same shows as the writer.

Today, with scores of different platforms competing for your attention and hundreds of new shows being made, writing a list of the year’s top-performing shows that is relevant to everyone is particular­ly tough.

To add to this year’s difficulti­es, 2023 was effectivel­y called off at half-time by US strike action, meaning there's been a real shortage of new US shows for months now.

But, here's five of the best series, that won't be too hard to find, from a strange year.

The Bear (Season 2, Disney+)

I came backwards to The Bear. Many friends had recommende­d it, but that always puts me off a TV show.

By the time I got around to watching it, I was unaware there were now two seasons – and I was halfway through the second before I realised what I had done.

But, it didn’t matter. Season two of The Bear works just fine as a standalone and I reckon – although I am biased now – that it is even better than season one.

The Bear follows an award-winning chef as he travels home to Chicago in the wake of a family tragedy, to take over the family sandwich shop. If he can’t turn the business around, then what is left of the family’s money will be lost. More importantl­y, that shop is at the heart and soul of everything Carmen – Carmy – Bezatto wants to resurrect in his life.

The Bear is maybe the most realistic, excruciati­ngly well-detailed picture of life in a restaurant kitchen that a TV show has ever achieved, but the show takes in romance, addiction, recovery, loyalty, heartbreak and all the stuff that keeps life interestin­g. Across every 30-minute episode, The Bear made me laugh out loud – and put a lump in my throat many, many times.

Episode six of season two is a standalone, one-hour drama that shows us events from five years earlier in the characters’ lives. I was tempted to name it as one of the best movies of the year. The Bear is that good.

This is a great show, in this – or any – year.

Reservatio­n Dogs (Season 3, Disney+)

When Reservatio­n Dogs first turned up in 2021, it was a revelation. The show is a sweet and knowing portrait of life “on the Rez” among four perfectly drawn and completely convincing teens.

Across two award-winning seasons,

Dogs followed the gang, their friends and families as they dreamed, healed, journeyed and stumbled towards whatever a dream of a future looks like when you’re born into a part of modern America that barely flickers in the consciousn­ess of that country’s vision of itself.

Reservatio­n Dogs has always had a stoic and absurdist heart, but in the third and final series that heart is in full bloom as the storytelli­ng plunges around the decades, explains the origins of a few characters and digs deep into the horrors of the Indian boarding school system that left its scars on generation­s of Indigenous kids – and the adults they became.

There has never been a show quite like Reservatio­n Dogs. But it might just be the first of many to come.

After The Party (TVNZ+)

Robyn Malcolm and screen-writer Dianne Taylor created this six-part series about a divorced highschool teacher whose past just won't stay behind her.

The ex-husband, who she accused of sexually assaulting a student, is back in Wellington and apparently welcome back at his old job. Her ageing mother is going into care and her teenage daughter is drifting towards open contempt. Local critics – me included – wore out their thesauruse­s hunting for new superlativ­es for After the Party. It was just so damned good to finally have a local show that could foot

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